Christina Howells
Biographic Data
| ID | 1043334 |
|---|---|
| NAME | Christina Howells |
| GIVEN NAMES | Christina |
| FAMILY NAME | Howells |
| SIGNATURE | HOWELLS C |
| AFFILIATIONS | University of Oxford |
| VERIFIED | No |
| TOTAL WORKS | 18 |
| TOTAL CITATIONS | 5 |
| WORKS AS AUTHOR | 17 |
| WORKS AS EDITOR | 1 |
| FIRST PUBLICATION YEAR | 1978 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 1 |
The paradoxes of the parasite. The qui perd gagne of the human (revisited)
In this article I shall explore the development of Michel Serres's understanding of the human parasite, starting from The Parasite (1980) and The Natural Contract (1990), through to Hominescence (2001). I shall consider whether the development that I trace marks a progression in the sophistication and complexity of his thought or if, on the contrary, it could be seen as marked in some ways by regressive features. I shall compare Serres's parasite…
Sartre and Sloterdijk
This essay explores the relationship between Sartre and Sloterdijk in the domain of ethics. The major Sloterdijkian imperative, “You must change your life,” is considered in its multiple aspects as an “unconditional instruction,” “the absolute imperative” and shown to exceed the Kantian options of hypothetical and categorical. Sloterdijk’s relations to Sartre are examined in the domains of human freedom, commitment, self-creation, practice, and h…
Estrangement in the Early Sartre
The article explores estrangement in the early Sartre via an analysis of Roquentin, protagonist of La Nausée (1938). It compares the nature of Roquentin's estrangement with that of Meursault in Camus's L'Etranger. It argues that Roquentin's estrangement can best be understood through a reading of Sartre's early works on emotion, imagination, and the transcendence of the ego
Jean-Luc Nancy and La Peau des images
This article considers Jean-Luc Nancy's reflections on the nude in painting and photography in the light of his aesthetics, his philosophy of the body and soul, and some of his other writings on portraiture. It explores Nancy's insistence on skin as the truth behind and beyond which no further meaning waits to be revealed: there are no hidden depths, no secret or sacred truths, nothing is concealed beneath the skin
Stiegler and Technics
A Portrait of Death
This article explores the relationship between mortality and aesthetics in the work of Jean-Luc Nancy, drawing particularly on his discussions of portraiture in photography and painting. It investigates the paradoxical link between representation and death, in so far as whatever is “captured” on paper is by the same token already past and never to be recovered. This is particularly evident in the case of the photograph, the essence of which is pr…
Mortal Subjects
This essay represents an initial attempt to understand the interrelationship of mortality and subjectivity, passion and death, as they are explored in the works of Sartre, Derrida and Jean-Luc Nancy. From the very first discussions of the passions by Greek philosophers such as Aristotle, passion has held a liminal position: manifested in both body and soul, it transgresses the boundaries of psyche and soma and is especially difficult to categoriz…
Dictionnaire Sartre
Sous la direction de François Noudelmann et Gilles Philippe. Paris, Champion. 2004. 542 pp. Hb €70.00. This is a splendidly conceived, encyclopaedic dictionary. It is rich in detail, precise in philosophical definition, impressively wide-ranging, and entirely up-to-date. Its editors are at the forefront of a new generation of Sartre scholars, and they have been able to draw on the resources of colleagues in the international Groupe d'Études sartr…
The Edinburgh Dictionary of Continental Philosophy
Edited by John Protevi. Edinburgh University Press, 2005. xii+628 pp. Hb £70.00. Pb £25.00. The Edinburgh Dictionary of Continental Philosophy is a very welcome complement to the Edinburgh Encyclopedia of Continental Philosophy. The Dictionary contains quick, clear and cross-referenced orientations on particular terms, philosophers and theorists associated with the Continental tradition. And the entries are of widely differing length, ranging fro…
Panel Participants
The Cambridge companion to Sartre
Conclusion
Autonomous, independent, spontaneous foundation of knowledge, understanding, feeling, imagination? Alienating, idealist, bourgeois humanist, phallogocentric delusion? Does the subject lie between these two polar opposite descriptions of it, does it span them and, like a Pascalian paradox, fill all the space between, or does it lie elsewhere entirely, perhaps in a Utopia? Is belief in the subject a necessary alienation, an alienation heureuse, a t…
Inscriptions
Sartre
Sartre and Derrida
(1982). Sartre and Derrida: Qui perd gagne. Journal of the British Society for Phenomenology: Vol. 13, No. 1, pp. 26-34
Sartre's Theory of Literature
As an imaginative writer Sartre is fascinated by the role of imagination in the creative process. Moreover his critical, psychological and philosophical writings witness to a constant meditation on the function and status of the imaginary. This book, originally published in paperback in 1979 under the ISBN 978-0-900547-57-7, was made Open Access in 2024 as part of the MHRA Revivals programme
Sartre and Freud
Journal Article SARTRE AND FREUD Get access CHRISTINA HOWELLS CHRISTINA HOWELLS SWANLEY VILLAGE, KENT Search for other works by this author on: Oxford Academic Google Scholar French Studies, Volume XXXIII, Issue 2, April 1979, Pages 157–176, https://doi.org/10.1093/fs/XXXIII.2.157 Published: 01 April 1979
Sartre and the Commitment of Pure Art
Journal Article SARTRE AND THE COMMITMENT OF PURE ART Get access Christina M. Howells Christina M. Howells Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 18, Issue 2, SPRING 1978, Pages 172–182, https://doi.org/10.1093/bjaesthetics/18.2.172 Published: 01 February 1978
The Edinburgh Dictionary of Continental Philosophy
Edited by John Protevi. Edinburgh University Press, 2005. xii+628 pp. Hb £70.00. Pb £25.00. The Edinburgh Dictionary of Continental Philosophy is a very welcome complement to the Edinburgh Encyclopedia of Continental Philosophy. The Dictionary contains quick, clear and cross-referenced orientations on particular terms, philosophers and theorists associated with the Continental tradition. And the entries are of widely differing length, ranging fro…
A Portrait of Death
This article explores the relationship between mortality and aesthetics in the work of Jean-Luc Nancy, drawing particularly on his discussions of portraiture in photography and painting. It investigates the paradoxical link between representation and death, in so far as whatever is “captured” on paper is by the same token already past and never to be recovered. This is particularly evident in the case of the photograph, the essence of which is pr…
Sartre and Derrida
(1982). Sartre and Derrida: Qui perd gagne. Journal of the British Society for Phenomenology: Vol. 13, No. 1, pp. 26-34
Sartre and the Commitment of Pure Art
Journal Article SARTRE AND THE COMMITMENT OF PURE ART Get access Christina M. Howells Christina M. Howells Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 18, Issue 2, SPRING 1978, Pages 172–182, https://doi.org/10.1093/bjaesthetics/18.2.172 Published: 01 February 1978
Sartre's Theory of Literature
As an imaginative writer Sartre is fascinated by the role of imagination in the creative process. Moreover his critical, psychological and philosophical writings witness to a constant meditation on the function and status of the imaginary. This book, originally published in paperback in 1979 under the ISBN 978-0-900547-57-7, was made Open Access in 2024 as part of the MHRA Revivals programme
Sartre and Freud
Journal Article SARTRE AND FREUD Get access CHRISTINA HOWELLS CHRISTINA HOWELLS SWANLEY VILLAGE, KENT Search for other works by this author on: Oxford Academic Google Scholar French Studies, Volume XXXIII, Issue 2, April 1979, Pages 157–176, https://doi.org/10.1093/fs/XXXIII.2.157 Published: 01 April 1979
Sartre and Derrida
(1982). Sartre and Derrida: Qui perd gagne. Journal of the British Society for Phenomenology: Vol. 13, No. 1, pp. 26-34
Sartre
Inscriptions
The Cambridge companion to Sartre
Conclusion
Autonomous, independent, spontaneous foundation of knowledge, understanding, feeling, imagination? Alienating, idealist, bourgeois humanist, phallogocentric delusion? Does the subject lie between these two polar opposite descriptions of it, does it span them and, like a Pascalian paradox, fill all the space between, or does it lie elsewhere entirely, perhaps in a Utopia? Is belief in the subject a necessary alienation, an alienation heureuse, a t…
Panel Participants
Dictionnaire Sartre
Sous la direction de François Noudelmann et Gilles Philippe. Paris, Champion. 2004. 542 pp. Hb €70.00. This is a splendidly conceived, encyclopaedic dictionary. It is rich in detail, precise in philosophical definition, impressively wide-ranging, and entirely up-to-date. Its editors are at the forefront of a new generation of Sartre scholars, and they have been able to draw on the resources of colleagues in the international Groupe d'Études sartr…
The Edinburgh Dictionary of Continental Philosophy
Edited by John Protevi. Edinburgh University Press, 2005. xii+628 pp. Hb £70.00. Pb £25.00. The Edinburgh Dictionary of Continental Philosophy is a very welcome complement to the Edinburgh Encyclopedia of Continental Philosophy. The Dictionary contains quick, clear and cross-referenced orientations on particular terms, philosophers and theorists associated with the Continental tradition. And the entries are of widely differing length, ranging fro…
Mortal Subjects
This essay represents an initial attempt to understand the interrelationship of mortality and subjectivity, passion and death, as they are explored in the works of Sartre, Derrida and Jean-Luc Nancy. From the very first discussions of the passions by Greek philosophers such as Aristotle, passion has held a liminal position: manifested in both body and soul, it transgresses the boundaries of psyche and soma and is especially difficult to categoriz…
Stiegler and Technics
A Portrait of Death
This article explores the relationship between mortality and aesthetics in the work of Jean-Luc Nancy, drawing particularly on his discussions of portraiture in photography and painting. It investigates the paradoxical link between representation and death, in so far as whatever is “captured” on paper is by the same token already past and never to be recovered. This is particularly evident in the case of the photograph, the essence of which is pr…
Estrangement in the Early Sartre
The article explores estrangement in the early Sartre via an analysis of Roquentin, protagonist of La Nausée (1938). It compares the nature of Roquentin's estrangement with that of Meursault in Camus's L'Etranger. It argues that Roquentin's estrangement can best be understood through a reading of Sartre's early works on emotion, imagination, and the transcendence of the ego
Jean-Luc Nancy and La Peau des images
This article considers Jean-Luc Nancy's reflections on the nude in painting and photography in the light of his aesthetics, his philosophy of the body and soul, and some of his other writings on portraiture. It explores Nancy's insistence on skin as the truth behind and beyond which no further meaning waits to be revealed: there are no hidden depths, no secret or sacred truths, nothing is concealed beneath the skin
Sartre and Sloterdijk
This essay explores the relationship between Sartre and Sloterdijk in the domain of ethics. The major Sloterdijkian imperative, “You must change your life,” is considered in its multiple aspects as an “unconditional instruction,” “the absolute imperative” and shown to exceed the Kantian options of hypothetical and categorical. Sloterdijk’s relations to Sartre are examined in the domains of human freedom, commitment, self-creation, practice, and h…
The paradoxes of the parasite. The qui perd gagne of the human (revisited)
In this article I shall explore the development of Michel Serres's understanding of the human parasite, starting from The Parasite (1980) and The Natural Contract (1990), through to Hominescence (2001). I shall consider whether the development that I trace marks a progression in the sophistication and complexity of his thought or if, on the contrary, it could be seen as marked in some ways by regressive features. I shall compare Serres's parasite…
Philosophy (13 works) · Epistemology (11 works) · Psychology (10 works) · Psychoanalysis (9 works) · Art (7 works) · Aesthetics (6 works) · Art history (6 works) · Simone de Beauvoir and Sartre (6 works) · French Historical and Cultural Studies (5 works) · French Literature and Criticism (5 works)