Phyllis Zatlin
Biographic Data
| ID | 1043451 |
|---|---|
| NAME | Phyllis Zatlin |
| GIVEN NAMES | Phyllis |
| FAMILY NAME | Zatlin |
| SIGNATURE | ZATLIN P |
| AFFILIATIONS | Rutgers, the State University of New Jersey |
| VERIFIED | No |
| TOTAL WORKS | 30 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 30 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1985 |
| LATEST PUBLICATION YEAR | 2011 |
| H-INDEX | 0 |
Flor de otoño: Ejemplo de una obra de teatro adaptada a una película incluso antes de ser representada
En general, la adaptación fílmica de obras de teatro suele poner de manifiesto tensiones entre la fidelidad a puestas en escena previas y el deseo de evitar el “teatro enlatado”. Menos frecuente es el caso de una cronología inversa como el representado por Flor de Otoño, de José M.a Rodríguez Méndez, en el que un texto escrito para el teatro llega antes al público de cine. Escrita en 1972, la pieza de Rodríguez Méndez no se estrena hasta 1982, de…
Testimonios: Proyecto Don Paco
Helene M. Anderson, Carolyn Richmond, Noël Valis, Maryellen Bieder, Nicolás Sánchez-Albornoz, Eugenio Suárez-Galbán Guerra, Thomas Mermall, Fragmento de "Mis españoles", Doris Meyer, Manuel de la Nuez, John B. Hughes, Mario J. Valdés, Barry Luby, Linda L. Elman, Miguel González Gerth, Eric W. Naylor, Phyllis Zatlin, Keith Ellis, Susana Cavallo, Juan Cano Ballesta, Ignacio Soldevila Durante, Rosario Hiriart, Raquel Chang-Rodríguez, Testimonios: "P…
Entre actos: Dialogos sobre teatro espanol entre siglos
Entre actos: ditlogos sobre teatro espanol entre siglos. Eds. Martha T. Halsey and Phyllis Zatlin. U Park, PA Estreno, 1999. 398 pages. Entre actos consists of 42 papers presented at the International Symposium on Spanish Theatre held at Penn State University in September, 1997. The first of five sections begins with essays by five distinguished Spanish playwrights. Luis Araujo, for example, explores 6 of his own works illustrate how selection of…
Entre actos: Dialogos sobre teatro espanol entre siglos
From Night Games to Postmodern Satire: The Theater of Paloma Pedrero
In the past decade, Paloma Pedrero has become the most staged Spanish woman playwright internationally. Starting in the mid-1980s, she achieved recognition for a series of two-character, metatheatrical plays, which were characterized by their colloquial and humorous dialogue and their emphasis on conflicts related to questions of personal and sexual identity. Six of these works appear in a 1999 collection, appropriately titled Juego de noches. Nu…
El teatro francés en Madrid (1918-1936)
The Novels and Plays of Eduardo Manet. An Adventure in Multicuturalism
La escena madrilena entre 1926 y 1931: Un lustro de transicion
El teatro de Buero Vallejo: Homenaje del hispanismo britanico e irlandes
Amnesia, Strangulation, Hallucination and Other Mishaps: The Perils of being Female in Tales of Cristina Fernandez Cubas
Although the short stories of Cristina Fernandez Cubas have been studied primarily in terms of their fantastic and Gothic traits, her stories invite consideration as well for their woman-centered perspective. The author, like many other contemporary Spanish women writers, rejects the label of feminist, but her stories often treat women's experiences. Continuing her bent toward irony and strangeness in her previous three books, FernAndez Cubas's 1…
Narrating the past. Fiction and Historiography in Postwar Spain
From Dictatorship to Democracy: The Recent Plays of Buero Vallejo (From "La fundacion" to "Musica cercana")
Dark Prisms. Occultism in Hispanic Drama
Cross-Cultural Approaches to Theater: The Spanish-French Connection
La narrativa de Concha Alos: Texto, pretexto y contexto
Francisco Ayala, Los usurpadores
"Nuns in Drag? Eduardo Manet's Cross-Gender Casting of "Les Nonnes
A spring 1991 historical exposition on Paris theatres, held in the 15th arrondissement, highlighted memorable productions from the city's most important playhouses. Among the seven items representing the experimental Poche-Montpamasse was a photo from Eduardo Manet's Les Nonnes, which received its world premiere there in May 1969 under the direction of the late Roger Blin.' The selection of Manet's play, the first by the Cuban-bor author to be st…
The Same Sea as Every Summer
Translator and Interpreter Training and Foreign Language Pedagogy
The Contemporary Spanish Theater: A Collection of Critical Essays
The Contemporary Spanish Theater. A Collection of Critical Essays
Usurpers
The Contemporary Spanish Theater. A Collection of Critical Essays
Veinte anos de teatro espanol (1960-1980)
Reflexiones sobre el Nuevo Teatro Espanol
No prominent works on this page.
The Theatre of Valle-Inclan
Teatro y censura en la Espana franquista: Sastre, Muniz y Ruibal
Dramatists in Perspective: Spanish Theatre in the Twentieth Century
Women directors in Spain: Josefina Molina
(1986). Women directors in Spain: Josefina Molina. Women & Performance: a journal of feminist theory: Vol. 3, No. 1, pp. 52-58
Reflexiones sobre el Nuevo Teatro Espanol
The Red Madonna
Veinte anos de teatro espanol (1960-1980)
The Contemporary Spanish Theater: A Collection of Critical Essays
The Contemporary Spanish Theater. A Collection of Critical Essays
Usurpers
The Contemporary Spanish Theater. A Collection of Critical Essays
Translator and Interpreter Training and Foreign Language Pedagogy
"Nuns in Drag? Eduardo Manet's Cross-Gender Casting of "Les Nonnes
A spring 1991 historical exposition on Paris theatres, held in the 15th arrondissement, highlighted memorable productions from the city's most important playhouses. Among the seven items representing the experimental Poche-Montpamasse was a photo from Eduardo Manet's Les Nonnes, which received its world premiere there in May 1969 under the direction of the late Roger Blin.' The selection of Manet's play, the first by the Cuban-bor author to be st…
The Same Sea as Every Summer
La narrativa de Concha Alos: Texto, pretexto y contexto
Francisco Ayala, Los usurpadores
Cross-Cultural Approaches to Theater: The Spanish-French Connection
Amnesia, Strangulation, Hallucination and Other Mishaps: The Perils of being Female in Tales of Cristina Fernandez Cubas
Although the short stories of Cristina Fernandez Cubas have been studied primarily in terms of their fantastic and Gothic traits, her stories invite consideration as well for their woman-centered perspective. The author, like many other contemporary Spanish women writers, rejects the label of feminist, but her stories often treat women's experiences. Continuing her bent toward irony and strangeness in her previous three books, FernAndez Cubas's 1…
Narrating the past. Fiction and Historiography in Postwar Spain
From Dictatorship to Democracy: The Recent Plays of Buero Vallejo (From "La fundacion" to "Musica cercana")
Dark Prisms. Occultism in Hispanic Drama
La escena madrilena entre 1926 y 1931: Un lustro de transicion
El teatro de Buero Vallejo: Homenaje del hispanismo britanico e irlandes
El teatro francés en Madrid (1918-1936)
The Novels and Plays of Eduardo Manet. An Adventure in Multicuturalism
Art (26 works) · Historical and Modern Theater Studies (17 works) · Spanish Culture and Identity (14 works) · History (9 works) · Humanities (9 works) · Literature (9 works) · Spanish Literature and Culture Studies (9 works) · Visual arts (5 works) · Art history (4 works) · Cinema History and Criticism (4 works)