Kenneth J Reckford

• Recognizing Persius

  Kenneth J Reckford•BOOK•Recognizing Persius•2009•Citada por: 18

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  Recognizing Persius is a passionate and in-depth exploration of the libellus --or little book--of six Latin satires left by the Roman satirical writer Persius when he died in AD 62 at the age of twenty-seven. In this comprehensive and reflectively personal book, Kenneth Reckford fleshes out the primary importance of this mysterious and idiosyncratic writer. Reckford emphasizes the dramatic power and excitement of Persius's satires--works that nor…

• Horace

  Kenneth J Reckford, Peter Levi•ARTICLE•The Classical World•1999

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• Only a Wet Dream? Hope and Skepticism in Horace, Satire 1.5

  Kenneth J Reckford•ARTICLE•The American Journal of Philology•1999•Citada por: 6•Referencias: 15

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  Only a Wet Dream? Hope and Skepticism in Horace, Satire 1.5 Kenneth J. Reckford Long enjoyed as an entertainment piece, Horace’s “Trip to Brundisium” has continued to baffle its readers by recounting trivialities while ignoring politics. A brief, tactful hint at great affairs is quickly abandoned: huc venturus erat Maecenas optimus atque Cocceius, missi magnis de rebus uterque legati, aversos soliti componere amicos. hic oculis ego nigra meis col…

• Reading the Sick Body

  Kenneth J Reckford•ARTICLE•Arethusa•1998

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  Arethusa - Volume 31, Number 3, Fall 1998

• Horatius

  Kenneth J Reckford•ARTICLE•The American Journal of Philology•1997•Citada por: 3•Referencias: 11

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  Horatius: The Man and the Hour Kenneth J. Reckford Trimalchio's projected monumentum in Petronius' Satyricon will include, among other ill-assorted designs, a sundial: horologium in medio, ut quisquis horas inspiciet, velit nolit, nomen meum legat (71). Horace too, I argue, connects his name with the passing hours: more subtly and modestly than Trimalchio, but also more significantly, in a recurrent play of sounds and words. That Roman poets and …

• Euripides

  David P Kubiak, Janet Lembke et al.•ARTICLE•The Classical World•1993

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• Aristophanes' Old-and-New Comedy. Vol. 1

  William H Hess, Kenneth J Reckford•ARTICLE•Rocky Mountain Review of Language…•1988

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• Aristophanes' Old-and-New Comedy. Vol. 1

  Douglas Olson, S Douglas Olson et al.•ARTICLE•The Classical World•1988•Citada por: 1

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• Aristophanes

  Kenneth J Reckford, Lois Spatz•ARTICLE•The Classical World•1979

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• Helen. The Evolution from Divine to Heroic in Greek Epic Tradition

  Kenneth J Reckford, Linda Lee Clader•ARTICLE•The Classical World•1978•Citada por: 16

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• The Maculate Muse

  Kenneth J Reckford, Jeffrey Henderson•ARTICLE•The Classical World•1976

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  historical place of Attic obscenity, a typological breakdown of obscene imagery, and an analysis of the dramatic part of obscenity in each play. The major part of the book consists of a philological critique of each word group suspected of obscene overtones. This is numbered, indexed, and divided into sexual organs, sexual congress, scatology and homosexuality. There is a second index of passages discussed and an appendix arguing against the infl…

• Horace

  Kenneth J Reckford, C D N Costa•ARTICLE•The Classical World•1975

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• Desire with Hope

  Open Access•Kenneth J Reckford•ARTICLE•Ramus•1974

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  Like the previous speakers of Plato's Symposium , Aristophanes describes Eros in terms of his own profession, even endowing it with his personal image. His hiccups are programmatic, creating laughter; they are strategic too, enabling him to speak after Doctor Eryximachus, whose pretensions to scientific mastery of the various ‘erotic sciences’ he is bound to undercut. Indeed, just before he speaks, he states his purpose. It is to ‘make laughter’.…

• Euripides

  Kenneth J Reckford, Euripides Euripides et al.•ARTICLE•The Classical World•1972

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• Horace

  S P Bovie, Kenneth J Reckford•ARTICLE•The Classical World•1970

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• Iunctura Callidus Acri

  Kenneth J Reckford, Cynthia S Dessen et al.•ARTICLE•The Classical World•1969

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• Die Euripideische Tragödie

  Kenneth J Reckford, Hermann Rohdich•ARTICLE•The Classical World•1969

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• Medea's First Exit

  Kenneth J Reckford•ARTICLE•Transactions and Proceedings of…•1968

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• The Satires of Horace

  Kenneth J Reckford, Niall Rudd•ARTICLE•The Classical World•1966

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• Die erotischen Epoden des Horaz. Literarischer Hintergrund und sprachliche Tradition

  Kenneth J Reckford, Victor Grassmann•ARTICLE•The Classical World•1966

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• Horace

  Kenneth J Reckford, Jacques Perret et al.•ARTICLE•The Classical World•1965

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• Latent Tragedy in Aeneid VII, 1-285

  Kenneth J Reckford•ARTICLE•The American Journal of Philology•1961

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• Horace and Maecenas

  Kenneth J Reckford•ARTICLE•Transactions and Proceedings of…•1959•Citada por: 4

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• Recognizing Persius

  Kenneth J Reckford•BOOK•Recognizing Persius•2009•Citada por: 18

  Añadir item

  Recognizing Persius is a passionate and in-depth exploration of the libellus --or little book--of six Latin satires left by the Roman satirical writer Persius when he died in AD 62 at the age of twenty-seven. In this comprehensive and reflectively personal book, Kenneth Reckford fleshes out the primary importance of this mysterious and idiosyncratic writer. Reckford emphasizes the dramatic power and excitement of Persius's satires--works that nor…

• Helen. The Evolution from Divine to Heroic in Greek Epic Tradition

  Kenneth J Reckford, Linda Lee Clader•ARTICLE•The Classical World•1978•Citada por: 16

  Añadir item

• Only a Wet Dream? Hope and Skepticism in Horace, Satire 1.5

  Kenneth J Reckford•ARTICLE•The American Journal of Philology•1999•Citada por: 6•Referencias: 15

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  Only a Wet Dream? Hope and Skepticism in Horace, Satire 1.5 Kenneth J. Reckford Long enjoyed as an entertainment piece, Horace’s “Trip to Brundisium” has continued to baffle its readers by recounting trivialities while ignoring politics. A brief, tactful hint at great affairs is quickly abandoned: huc venturus erat Maecenas optimus atque Cocceius, missi magnis de rebus uterque legati, aversos soliti componere amicos. hic oculis ego nigra meis col…

• Horace and Maecenas

  Kenneth J Reckford•ARTICLE•Transactions and Proceedings of…•1959•Citada por: 4

  Añadir item

• Horatius

  Kenneth J Reckford•ARTICLE•The American Journal of Philology•1997•Citada por: 3•Referencias: 11

  Añadir item

  Horatius: The Man and the Hour Kenneth J. Reckford Trimalchio's projected monumentum in Petronius' Satyricon will include, among other ill-assorted designs, a sundial: horologium in medio, ut quisquis horas inspiciet, velit nolit, nomen meum legat (71). Horace too, I argue, connects his name with the passing hours: more subtly and modestly than Trimalchio, but also more significantly, in a recurrent play of sounds and words. That Roman poets and …

• Aristophanes' Old-and-New Comedy. Vol. 1

  Douglas Olson, S Douglas Olson et al.•ARTICLE•The Classical World•1988•Citada por: 1

  Añadir item

• Horace and Maecenas

  Kenneth J Reckford•ARTICLE•Transactions and Proceedings of…•1959•Citada por: 4

  Añadir item

• Latent Tragedy in Aeneid VII, 1-285

  Kenneth J Reckford•ARTICLE•The American Journal of Philology•1961

  Añadir item

• Horace

  Kenneth J Reckford, Jacques Perret et al.•ARTICLE•The Classical World•1965

  Añadir item

• The Satires of Horace

  Kenneth J Reckford, Niall Rudd•ARTICLE•The Classical World•1966

  Añadir item

• Die erotischen Epoden des Horaz. Literarischer Hintergrund und sprachliche Tradition

  Kenneth J Reckford, Victor Grassmann•ARTICLE•The Classical World•1966

  Añadir item

• Medea's First Exit

  Kenneth J Reckford•ARTICLE•Transactions and Proceedings of…•1968

  Añadir item

• Iunctura Callidus Acri

  Kenneth J Reckford, Cynthia S Dessen et al.•ARTICLE•The Classical World•1969

  Añadir item

• Die Euripideische Tragödie

  Kenneth J Reckford, Hermann Rohdich•ARTICLE•The Classical World•1969

  Añadir item

• Horace

  S P Bovie, Kenneth J Reckford•ARTICLE•The Classical World•1970

  Añadir item

• Euripides

  Kenneth J Reckford, Euripides Euripides et al.•ARTICLE•The Classical World•1972

  Añadir item

• Desire with Hope

  Open Access•Kenneth J Reckford•ARTICLE•Ramus•1974

  Añadir item

  Like the previous speakers of Plato's Symposium , Aristophanes describes Eros in terms of his own profession, even endowing it with his personal image. His hiccups are programmatic, creating laughter; they are strategic too, enabling him to speak after Doctor Eryximachus, whose pretensions to scientific mastery of the various ‘erotic sciences’ he is bound to undercut. Indeed, just before he speaks, he states his purpose. It is to ‘make laughter’.…

• Horace

  Kenneth J Reckford, C D N Costa•ARTICLE•The Classical World•1975

  Añadir item

• The Maculate Muse

  Kenneth J Reckford, Jeffrey Henderson•ARTICLE•The Classical World•1976

  Añadir item

  historical place of Attic obscenity, a typological breakdown of obscene imagery, and an analysis of the dramatic part of obscenity in each play. The major part of the book consists of a philological critique of each word group suspected of obscene overtones. This is numbered, indexed, and divided into sexual organs, sexual congress, scatology and homosexuality. There is a second index of passages discussed and an appendix arguing against the infl…

• Helen. The Evolution from Divine to Heroic in Greek Epic Tradition

  Kenneth J Reckford, Linda Lee Clader•ARTICLE•The Classical World•1978•Citada por: 16

  Añadir item

• Aristophanes

  Kenneth J Reckford, Lois Spatz•ARTICLE•The Classical World•1979

  Añadir item

• Aristophanes' Old-and-New Comedy. Vol. 1

  William H Hess, Kenneth J Reckford•ARTICLE•Rocky Mountain Review of Language…•1988

  Añadir item

• Aristophanes' Old-and-New Comedy. Vol. 1

  Douglas Olson, S Douglas Olson et al.•ARTICLE•The Classical World•1988•Citada por: 1

  Añadir item

• Euripides

  David P Kubiak, Janet Lembke et al.•ARTICLE•The Classical World•1993

  Añadir item

• Horatius

  Kenneth J Reckford•ARTICLE•The American Journal of Philology•1997•Citada por: 3•Referencias: 11

  Añadir item

  Horatius: The Man and the Hour Kenneth J. Reckford Trimalchio's projected monumentum in Petronius' Satyricon will include, among other ill-assorted designs, a sundial: horologium in medio, ut quisquis horas inspiciet, velit nolit, nomen meum legat (71). Horace too, I argue, connects his name with the passing hours: more subtly and modestly than Trimalchio, but also more significantly, in a recurrent play of sounds and words. That Roman poets and …

• Reading the Sick Body

  Kenneth J Reckford•ARTICLE•Arethusa•1998

  Añadir item

  Arethusa - Volume 31, Number 3, Fall 1998

• Horace

  Kenneth J Reckford, Peter Levi•ARTICLE•The Classical World•1999

  Añadir item

• Only a Wet Dream? Hope and Skepticism in Horace, Satire 1.5

  Kenneth J Reckford•ARTICLE•The American Journal of Philology•1999•Citada por: 6•Referencias: 15

  Añadir item

  Only a Wet Dream? Hope and Skepticism in Horace, Satire 1.5 Kenneth J. Reckford Long enjoyed as an entertainment piece, Horace’s “Trip to Brundisium” has continued to baffle its readers by recounting trivialities while ignoring politics. A brief, tactful hint at great affairs is quickly abandoned: huc venturus erat Maecenas optimus atque Cocceius, missi magnis de rebus uterque legati, aversos soliti componere amicos. hic oculis ego nigra meis col…

• Recognizing Persius

  Kenneth J Reckford•BOOK•Recognizing Persius•2009•Citada por: 18

  Añadir item

  Recognizing Persius is a passionate and in-depth exploration of the libellus --or little book--of six Latin satires left by the Roman satirical writer Persius when he died in AD 62 at the age of twenty-seven. In this comprehensive and reflectively personal book, Kenneth Reckford fleshes out the primary importance of this mysterious and idiosyncratic writer. Reckford emphasizes the dramatic power and excitement of Persius's satires--works that nor…

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