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Ray Cashman

Biographic Data

ID104501
NAMERay Cashman
GIVEN NAMESRay
FAMILY NAMECashman
SIGNATURECASHMAN R
AFFILIATIONSIndiana University
VERIFIEDNo
TOTAL WORKS10
TOTAL CITATIONS11
AUTHOR COUNT10
EDITOR COUNT0
FIRST PUBLICATION YEAR2000
LATEST PUBLICATION YEAR2021
H-INDEX2
  • Neighborliness and Decency, Witchcraft and Famine: Reflections on Community from Irish Folklore

    Ray Cashman•ARTICLE•Journal of American Folklore•2021•Cited by: 1•References: 29

    Many examples of Irish folklore reflect and instill enduring conceptions about the workings, vulnerability, and viability of community, which is understood to be a doing, a project in need of continual maintenance. Arguably, there has been no more devastating blow to the vernacular understanding of community as social contract for mutual support than the mid-nineteenth-century Famine in Ireland. If folklore provides models for contemplating and r…

  • Sacred Art: Catholic Saints and Candomblé Gods in Modern Brazil (Glassie and Shukla)

    Open Access•Ray Cashman•ARTICLE•Museum Anthropology Review…•2018•Cited by: 1•References: 1

    This work is a book review considering the title Sacred Art: Catholic Saints and Candomblé Gods in Modern Brazil by Henry Glassie and Pravina Shukla

  • The Individual and Tradition: Folkloristic Perspectives

    Ray Cashman, Henry Glassie•BOOK•The individual and tradition•2011

    Performer-centered studies of folk artists

  • Storytelling on the Northern Irish Border: Characters and Community

    Ray Cashman•BOOK•Storytelling on the northern…•2011

    Stories may begin as entertainment, but in fact they can actually portray change in the way of life. Through careful ethnographic observation, Cashman (English and folklore, Ohio State Univ.) uses stories to capture life in Aghyaran, a small town on the northern Irish border. He analyzes the stories and the traditions of ceilis (i.e., get-togethers) and wakes, offering a glimpse into a community and its social life as he contemplates the lasting …

  • Visions of Irish Nationalism

    Ray Cashman•ARTICLE•Journal of Folklore Research•2008•Cited by: 1•References: 9

    Murals, graffiti, flags, and annual commemorative parades are common in urban Northern Ireland where Irish Catholic nationalists and British Protestant unionists use these vernacular forms of custom and material culture to reiterate their differential identities in terms of ethnicity, denomination, and politics. Rural areas, on the other hand, present a very different visual scene with far fewer public visual displays broadcasting political messa…

  • Dying the Good Death: Wake and Funeral Customs in County Tyrone

    Ray Cashman•ARTICLE•New hibernia review•2006•Cited by: 5•References: 3

    One Saturday morning, about three months after settling into Ballymongan townland, I woke a bit late and groggy from a music session in Eugene O'Donnell's kitchen the night before. I wandered outside to appreciate some rare sunshine and was greeted with a flat tire. Resigned, I crouched down to try replacing it without the benefit of proper tools and soon saw my neighbor Danny Gallen coming to greet me. I assumed that he was coming to offer me a …

  • Stitching Beauty: Kuna Indian Textiles from Panama

    Open Access•Ray Cashman•ARTICLE•Museum Anthropology•2006

    Stitching Beauty: Kuna Indian Textiles from Panama. Birmingham Museum of Art. September 25, 2005-December 31, 2005

  • From Corrib to Cultra: Folklife Essays in Honour of Alan Gailey (review)

    Ray Cashman•ARTICLE•Journal of American Folklore•2003

    The introduction and seventeen articles that comprise this festschrift in honor of folklife scholar Alan Gailey are lucidly written, informative, and founded on meticulous research. The diversity of topics engaged reflects the [End Page 487] broad scope of folklife as a productively interdisciplinary field of study to which Gailey has been such a generous and learned contributor. Although the essays in this collection focus largely on Irish, Scot…

  • From Corrib to Cultra: Folklife Essays in Honour of Alan Gailey

    Ray Cashman•ARTICLE•Journal of American Folklore•2003

    Book Review| October 01 2003 From Corrib to Cultra: Folklife Essays in Honour of Alan Gailey From Corrib to Cultra: Folklife Essays in Honour of Alan Gailey, Trefor M. Owen. Ray Cashman Ray Cashman Search for other works by this author on: This Site Google Journal of American Folklore (2003) 116 (462): 487–489. https://doi.org/10.2307/4137764 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Ray Cas…

  • The Heroic Outlaw in Irish Folklore and Popular Literature

    Ray Cashman•ARTICLE•Folklore•2000•Cited by: 3•References: 2

    As a symbolic figure in Irish folklore and popular literature, the outlaw embodies folk morality in conflict with the self-interest and inequity of the state. In the aftermath of British colonisation, the Irish outlaw is represented as more than a criminal. He provides a hero through whom ordinary Irishmen and women can vicariously enjoy brief victories, and imagine their collective dignity in the midst of political defeat and its consequences. L…

  • Dying the Good Death: Wake and Funeral Customs in County Tyrone

    Ray Cashman•ARTICLE•New hibernia review•2006•Cited by: 5•References: 3

    One Saturday morning, about three months after settling into Ballymongan townland, I woke a bit late and groggy from a music session in Eugene O'Donnell's kitchen the night before. I wandered outside to appreciate some rare sunshine and was greeted with a flat tire. Resigned, I crouched down to try replacing it without the benefit of proper tools and soon saw my neighbor Danny Gallen coming to greet me. I assumed that he was coming to offer me a …

  • The Heroic Outlaw in Irish Folklore and Popular Literature

    Ray Cashman•ARTICLE•Folklore•2000•Cited by: 3•References: 2

    As a symbolic figure in Irish folklore and popular literature, the outlaw embodies folk morality in conflict with the self-interest and inequity of the state. In the aftermath of British colonisation, the Irish outlaw is represented as more than a criminal. He provides a hero through whom ordinary Irishmen and women can vicariously enjoy brief victories, and imagine their collective dignity in the midst of political defeat and its consequences. L…

  • Neighborliness and Decency, Witchcraft and Famine: Reflections on Community from Irish Folklore

    Ray Cashman•ARTICLE•Journal of American Folklore•2021•Cited by: 1•References: 29

    Many examples of Irish folklore reflect and instill enduring conceptions about the workings, vulnerability, and viability of community, which is understood to be a doing, a project in need of continual maintenance. Arguably, there has been no more devastating blow to the vernacular understanding of community as social contract for mutual support than the mid-nineteenth-century Famine in Ireland. If folklore provides models for contemplating and r…

  • Sacred Art: Catholic Saints and Candomblé Gods in Modern Brazil (Glassie and Shukla)

    Open Access•Ray Cashman•ARTICLE•Museum Anthropology Review…•2018•Cited by: 1•References: 1

    This work is a book review considering the title Sacred Art: Catholic Saints and Candomblé Gods in Modern Brazil by Henry Glassie and Pravina Shukla

  • Visions of Irish Nationalism

    Ray Cashman•ARTICLE•Journal of Folklore Research•2008•Cited by: 1•References: 9

    Murals, graffiti, flags, and annual commemorative parades are common in urban Northern Ireland where Irish Catholic nationalists and British Protestant unionists use these vernacular forms of custom and material culture to reiterate their differential identities in terms of ethnicity, denomination, and politics. Rural areas, on the other hand, present a very different visual scene with far fewer public visual displays broadcasting political messa…

  • The Heroic Outlaw in Irish Folklore and Popular Literature

    Ray Cashman•ARTICLE•Folklore•2000•Cited by: 3•References: 2

    As a symbolic figure in Irish folklore and popular literature, the outlaw embodies folk morality in conflict with the self-interest and inequity of the state. In the aftermath of British colonisation, the Irish outlaw is represented as more than a criminal. He provides a hero through whom ordinary Irishmen and women can vicariously enjoy brief victories, and imagine their collective dignity in the midst of political defeat and its consequences. L…

  • From Corrib to Cultra: Folklife Essays in Honour of Alan Gailey (review)

    Ray Cashman•ARTICLE•Journal of American Folklore•2003

    The introduction and seventeen articles that comprise this festschrift in honor of folklife scholar Alan Gailey are lucidly written, informative, and founded on meticulous research. The diversity of topics engaged reflects the [End Page 487] broad scope of folklife as a productively interdisciplinary field of study to which Gailey has been such a generous and learned contributor. Although the essays in this collection focus largely on Irish, Scot…

  • From Corrib to Cultra: Folklife Essays in Honour of Alan Gailey

    Ray Cashman•ARTICLE•Journal of American Folklore•2003

    Book Review| October 01 2003 From Corrib to Cultra: Folklife Essays in Honour of Alan Gailey From Corrib to Cultra: Folklife Essays in Honour of Alan Gailey, Trefor M. Owen. Ray Cashman Ray Cashman Search for other works by this author on: This Site Google Journal of American Folklore (2003) 116 (462): 487–489. https://doi.org/10.2307/4137764 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Ray Cas…

  • Dying the Good Death: Wake and Funeral Customs in County Tyrone

    Ray Cashman•ARTICLE•New hibernia review•2006•Cited by: 5•References: 3

    One Saturday morning, about three months after settling into Ballymongan townland, I woke a bit late and groggy from a music session in Eugene O'Donnell's kitchen the night before. I wandered outside to appreciate some rare sunshine and was greeted with a flat tire. Resigned, I crouched down to try replacing it without the benefit of proper tools and soon saw my neighbor Danny Gallen coming to greet me. I assumed that he was coming to offer me a …

  • Stitching Beauty: Kuna Indian Textiles from Panama

    Open Access•Ray Cashman•ARTICLE•Museum Anthropology•2006

    Stitching Beauty: Kuna Indian Textiles from Panama. Birmingham Museum of Art. September 25, 2005-December 31, 2005

  • Visions of Irish Nationalism

    Ray Cashman•ARTICLE•Journal of Folklore Research•2008•Cited by: 1•References: 9

    Murals, graffiti, flags, and annual commemorative parades are common in urban Northern Ireland where Irish Catholic nationalists and British Protestant unionists use these vernacular forms of custom and material culture to reiterate their differential identities in terms of ethnicity, denomination, and politics. Rural areas, on the other hand, present a very different visual scene with far fewer public visual displays broadcasting political messa…

  • The Individual and Tradition: Folkloristic Perspectives

    Ray Cashman, Henry Glassie•BOOK•The individual and tradition•2011

    Performer-centered studies of folk artists

  • Storytelling on the Northern Irish Border: Characters and Community

    Ray Cashman•BOOK•Storytelling on the northern…•2011

    Stories may begin as entertainment, but in fact they can actually portray change in the way of life. Through careful ethnographic observation, Cashman (English and folklore, Ohio State Univ.) uses stories to capture life in Aghyaran, a small town on the northern Irish border. He analyzes the stories and the traditions of ceilis (i.e., get-togethers) and wakes, offering a glimpse into a community and its social life as he contemplates the lasting …

  • Sacred Art: Catholic Saints and Candomblé Gods in Modern Brazil (Glassie and Shukla)

    Open Access•Ray Cashman•ARTICLE•Museum Anthropology Review…•2018•Cited by: 1•References: 1

    This work is a book review considering the title Sacred Art: Catholic Saints and Candomblé Gods in Modern Brazil by Henry Glassie and Pravina Shukla

  • Neighborliness and Decency, Witchcraft and Famine: Reflections on Community from Irish Folklore

    Ray Cashman•ARTICLE•Journal of American Folklore•2021•Cited by: 1•References: 29

    Many examples of Irish folklore reflect and instill enduring conceptions about the workings, vulnerability, and viability of community, which is understood to be a doing, a project in need of continual maintenance. Arguably, there has been no more devastating blow to the vernacular understanding of community as social contract for mutual support than the mid-nineteenth-century Famine in Ireland. If folklore provides models for contemplating and r…

Art (7 works) · History (7 works) · Irish (5 works) · Irish and British Studies (5 works) · Literature (5 works) · Archaeology (4 works) · Folklore (4 works) · Folklore, Mythology, and Literature Studies (4 works) · History (4 works) · Political science (4 works)

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