Fritz A Kuttner
Biographic Data
| ID | 104537 |
|---|---|
| NAME | Fritz A Kuttner |
| GIVEN NAMES | Fritz A |
| FAMILY NAME | Kuttner |
| SIGNATURE | KUTTNER F A |
| VERIFIED | No |
| TOTAL WORKS | 12 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 12 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1953 |
| LATEST PUBLICATION YEAR | 1980 |
| H-INDEX | 1 |
Argument by Insult--A Reaction to Schneider's Letter
Argument by Insult
Albrecht Schneider's reply to Christensen (Ethnomusicology 22:476-479) touches vital interests of our entire membership and should not be allowed to pass without vigorous protest. There is no doubt that Mr. Schneider is entitled to publicly argue his defense against Christensen's review of the book Musikwissenschaft und Kulturkreislehre. Whether he is unconditionally entitled to do so in the pages of Ethnomusicology is very questionable; there ar…
The 749-Temperament of Huai Nan Tzu (+ 123 B. C)
Prince Chu Tsai-Yu's Life and Work
In Western accounts of Chinese musical history Chu Tsai-yii1 is one of most frequently mentioned personalities, but unfortunately very few facts have been accurately reported about this eminent musical historian and theorist who flourished toward end of 16th century. Since so far there exist no published translations in Western languages of his many writings, it seems desirable to present most important data of his work and life, particularly bec…
The Development of the Concept of Music in China's Early History
Sonq Dynasty Musical Sources and Their Interpretation
A Musicological Interpretation of the Twelve Lus in China's Traditional Tone System
ery early in their recorded history the Chinese developed a tone system which divides the interval of the octave into twelve semitones by twelve consecutive steps of perfect fifths. The same system, with minor deviations, is known in Western music theory where it is called Pythagorean because tradition ascribes its mathematical construction to the Greek philosopher. In one of his studies the author was able to prove by physical evidence that this…
The Music of China
hina's musical civilization is not the earliest in known antiquity, but it is the only one spanning more than 30 centuries of uninterrupted tradition and development. Its earliest recognizable manifestations reach into the thirteenth or fourteenth centuries B.C., according to recent interpretations by Oriental archeo-musicology, while the first documentary evidence of a highly developed musical life can be placed in the tenth century B.C.* There …
Chinesische Musik
Nochmals
Der stroboskopische Frequenzmesser
The Musical Significance of Archaic Chinese Jades of the PI Disk Type
Nochmals
Der stroboskopische Frequenzmesser
The Musical Significance of Archaic Chinese Jades of the PI Disk Type
Chinesische Musik
The Music of China
hina's musical civilization is not the earliest in known antiquity, but it is the only one spanning more than 30 centuries of uninterrupted tradition and development. Its earliest recognizable manifestations reach into the thirteenth or fourteenth centuries B.C., according to recent interpretations by Oriental archeo-musicology, while the first documentary evidence of a highly developed musical life can be placed in the tenth century B.C.* There …
A Musicological Interpretation of the Twelve Lus in China's Traditional Tone System
ery early in their recorded history the Chinese developed a tone system which divides the interval of the octave into twelve semitones by twelve consecutive steps of perfect fifths. The same system, with minor deviations, is known in Western music theory where it is called Pythagorean because tradition ascribes its mathematical construction to the Greek philosopher. In one of his studies the author was able to prove by physical evidence that this…
The Development of the Concept of Music in China's Early History
Sonq Dynasty Musical Sources and Their Interpretation
The 749-Temperament of Huai Nan Tzu (+ 123 B. C)
Prince Chu Tsai-Yu's Life and Work
In Western accounts of Chinese musical history Chu Tsai-yii1 is one of most frequently mentioned personalities, but unfortunately very few facts have been accurately reported about this eminent musical historian and theorist who flourished toward end of 16th century. Since so far there exist no published translations in Western languages of his many writings, it seems desirable to present most important data of his work and life, particularly bec…
Argument by Insult
Albrecht Schneider's reply to Christensen (Ethnomusicology 22:476-479) touches vital interests of our entire membership and should not be allowed to pass without vigorous protest. There is no doubt that Mr. Schneider is entitled to publicly argue his defense against Christensen's review of the book Musikwissenschaft und Kulturkreislehre. Whether he is unconditionally entitled to do so in the pages of Ethnomusicology is very questionable; there ar…
Argument by Insult--A Reaction to Schneider's Letter
Philosophy (6 works) · Art (5 works) · History (5 works) · Linguistics (4 works) · Literature (4 works) · Musicology and Musical Analysis (4 works) · Ancient history (3 works) · Archaeology (3 works) · China (3 works) · Chinese history and philosophy (3 works)