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Richard Kostelanetz

Biographic Data

ID1045664
NAMERichard Kostelanetz
GIVEN NAMESRichard
FAMILY NAMEKostelanetz
SIGNATUREKOSTELANETZ R
VERIFIEDNo
TOTAL WORKS27
TOTAL CITATIONS2
WORKS AS AUTHOR27
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1968
LATEST PUBLICATION YEAR2021
H-INDEX1
  • Aaron Copland

    Richard Kostelanetz, Steve Silverstein•BOOK•Aaron Copland : A Reader•2021

    This book presents a selection of the best writings, of the American composer and music legend Aaron Copland, on a wide variety of topics. It features excerpts from his correspondence and recommendations he wrote for other composers.

  • Aaron Copland

    Richard Kostelanetz•BOOK•Aaron Copland : A Reader•2021

  • Tip to Moviegoers

    Richard Kostelanetz, Steve Silverstein•CHAPTER•Aaron Copland : A Reader•2021

  • Soho

    Richard Kostelanetz•BOOK•Soho•2003

    Soho: The Rise and Fall documents how a little-known industrial neighborhood in New York became, through one of the accidents of history, a nexus of creative activity for a brief but intensive period. Such an ideal situation--entirely unplanned--could not last forever; the author shows how market forces squeezed out this art utopia, to be replaced by a shadow of its former self.

  • Sephardic Culture and Me

    Richard Kostelanetz•ARTICLE•European Judaism•2000

    In memory of my friend Diane Dietchman Tong (1943–1998), an independent scholar who wrote her MA on the Judeo-Spanish language commonly called Ladino. There is a rumour in my family that when I was born in 1940 my parents thought about sending out a card that would read, 'Now we present our son Dick, one part kike, some parts spic'. Politically correct before everyone else, so avant-garde were they, my parents decided instead to print a more conv…

  • Ages of the Avant-Garde

    Bonnie Marranca, Meredith Monk et al.•ARTICLE•Performing Arts Journal•1994

    Bonnie Marranca, Meredith Monk, Richard Foreman, Carolee Schneemann, Maria Irene Fornes, Deborah Jowitt, Deborah Hay, Rachel Rosenthal, Jill Johnston, Kenneth Bernard, Yvonne Rainer, Jean-Claude van Itallie, Dick Higgins, Richard Kostelanetz, Judith Malina, Joyce Aaron, Herbert Blau, Anna Halprin, Barbara Hammer, Rosalyn Drexler, Rochelle Owens, Allan Kaprow, Ages of the Avant-Garde, Performing Arts Journal, Vol. 16, No. 1, Bodies of Work (Jan., …

  • X (Kostelanetz + Cage)

    Dick Higgins, Richard Kostelanetz•ARTICLE•Performing Arts Journal•1994

  • Retrospect on My Fictions

    Richard Kostelanetz•ARTICLE•ANQ A Quarterly Journal of Short…•1992

  • Making Radio Waves

    Jacki Apple, Regine Beyer et al.•ARTICLE•TDR/The Drama Review•1992

  • Whither Avant-Garde American Radio Art

    Richard Kostelanetz•ARTICLE•TDR/The Drama Review•1991

  • Expanded 'Writing' in Nontraditional Media

    Richard Kostelanetz•ARTICLE•Leonardo•1986

    The author describes how be bas worked since 1967 with alternative ways of structuring language and of ‘publishing’ his literary art. He discusses his visual poetry, visual fiction, numerical art, audiotapes, videotapes, photographic and holographic writing, and book art. In his current work, Epiphanies , the initial text of single-sentence stories has been recomposed and published in ways uniquely appropriate to the media of print, exhibition, a…

  • Dance notes and queries

    Richard Kostelanetz•ARTICLE•Dance Chronicle•1985

  • Books by Artists

    Richard Kostelanetz, Tim Guest et al.•ARTICLE•Leonardo•1983

    Guest provides a history of the artist's book, linking its development to the dematerialization of the art object. Includes a new translation of Celant's 1981 essay Book as Artwork: 1960/1972 as well as descriptions of the 59 books in exhibition. With an index of artists' names

  • ABC of Contemporary Reading

    Richard Kostelanetz•ARTICLE•Poetics Today•1982

    PREFACE Ezra Pound's purpose in his of (1934) was predisposing people to comprehend modernist poetry. As a longer, more resonant sequel to his earlier essay on How to Read (1928), this book could have been called ABC of Understanding. Pound wanted, with all the intelligence and passion he could command, to sensitize his readers to appreciate the new literature he loved and incidentally made. On behalf of this goal, his book recommends, explains, …

  • Esthetics Contemporary

    Haig Katchadourian, Richard Kostelanetz•ARTICLE•Leonardo•1981

  • My Artwork Entitled 'On Holography

    Richard Kostelanetz•ARTICLE•Leonardo•1980

  • On Book-Art

    Richard Kostelanetz•ARTICLE•Leonardo•1979

  • Constructs

    Joseph Germana, Richard Kostelanetz•ARTICLE•Leonardo•1979

  • Text-Sound Art

    Richard Kostelanetz•ARTICLE•Performing Arts Journal•1978

  • Text-Sound Art

    Richard Kostelanetz•ARTICLE•Performing Arts Journal•1977

  • American Experimental Theatre

    Sam Shepard, Stanley Kauffmann et al.•ARTICLE•Performing Arts Journal•1977

    Sam Shepard, Stanley Kauffmann, Robert Patrick, Lawrence Kornfeld, Megan Terry, Crystal Field, Richard Kostelanetz, Carl Weber, Wynn Handman, Rochelle Owens, Carolee Schneemann, Michael Feingold, American Experimental Theatre: Then and Now, Performing Arts Journal, Vol. 2, No. 2 (Autumn, 1977), pp. 13-24

  • Examples of My Visual Numerical Art

    Richard Kostelanetz•ARTICLE•Leonardo•1977

    1. The graphic works that I shall describe are both visually and numerically organized and they were made to give aesthetic pleasure. Their 'meaning' is primarily, though not exclusively, in terms of numbers. (The mysticism of numerology does not concern me.) In my art, the numerical relationships are those of simple arithmetic; and since these relationships are not arbitrary, the works might be

  • Literary Video

    Richard Kostelanetz•ARTICLE•Performing Arts Journal•1976

  • Moholy-Nagy

    Ilya Bolotowsky, Richard Kostelanetz•ARTICLE•Leonardo•1973

  • Beyond Left and Right

    W David Lewis, Richard Kostelanetz•ARTICLE•Technology and Culture•1970

Next
  • The Theatre of Mixed Means

    Burnet M Hobgood, Richard Kostelanetz•ARTICLE•Educational Theatre Journal•1968•Cited by: 2

  • The Theatre of Mixed Means

    Burnet M Hobgood, Richard Kostelanetz•ARTICLE•Educational Theatre Journal•1968•Cited by: 2

  • New Dimensions of Political Thought and Social Change

    Tommy W Rogers, Richard Kostelanetz et al.•ARTICLE•Phylon (1960•1969

  • Beyond Left and Right

    W David Lewis, Richard Kostelanetz•ARTICLE•Technology and Culture•1970

  • Moholy-Nagy

    Ilya Bolotowsky, Richard Kostelanetz•ARTICLE•Leonardo•1973

  • Literary Video

    Richard Kostelanetz•ARTICLE•Performing Arts Journal•1976

  • Text-Sound Art

    Richard Kostelanetz•ARTICLE•Performing Arts Journal•1977

  • American Experimental Theatre

    Sam Shepard, Stanley Kauffmann et al.•ARTICLE•Performing Arts Journal•1977

    Sam Shepard, Stanley Kauffmann, Robert Patrick, Lawrence Kornfeld, Megan Terry, Crystal Field, Richard Kostelanetz, Carl Weber, Wynn Handman, Rochelle Owens, Carolee Schneemann, Michael Feingold, American Experimental Theatre: Then and Now, Performing Arts Journal, Vol. 2, No. 2 (Autumn, 1977), pp. 13-24

  • Examples of My Visual Numerical Art

    Richard Kostelanetz•ARTICLE•Leonardo•1977

    1. The graphic works that I shall describe are both visually and numerically organized and they were made to give aesthetic pleasure. Their 'meaning' is primarily, though not exclusively, in terms of numbers. (The mysticism of numerology does not concern me.) In my art, the numerical relationships are those of simple arithmetic; and since these relationships are not arbitrary, the works might be

  • Text-Sound Art

    Richard Kostelanetz•ARTICLE•Performing Arts Journal•1978

  • On Book-Art

    Richard Kostelanetz•ARTICLE•Leonardo•1979

  • Constructs

    Joseph Germana, Richard Kostelanetz•ARTICLE•Leonardo•1979

  • My Artwork Entitled 'On Holography

    Richard Kostelanetz•ARTICLE•Leonardo•1980

  • Esthetics Contemporary

    Haig Katchadourian, Richard Kostelanetz•ARTICLE•Leonardo•1981

  • ABC of Contemporary Reading

    Richard Kostelanetz•ARTICLE•Poetics Today•1982

    PREFACE Ezra Pound's purpose in his of (1934) was predisposing people to comprehend modernist poetry. As a longer, more resonant sequel to his earlier essay on How to Read (1928), this book could have been called ABC of Understanding. Pound wanted, with all the intelligence and passion he could command, to sensitize his readers to appreciate the new literature he loved and incidentally made. On behalf of this goal, his book recommends, explains, …

  • Books by Artists

    Richard Kostelanetz, Tim Guest et al.•ARTICLE•Leonardo•1983

    Guest provides a history of the artist's book, linking its development to the dematerialization of the art object. Includes a new translation of Celant's 1981 essay Book as Artwork: 1960/1972 as well as descriptions of the 59 books in exhibition. With an index of artists' names

  • Dance notes and queries

    Richard Kostelanetz•ARTICLE•Dance Chronicle•1985

  • Expanded 'Writing' in Nontraditional Media

    Richard Kostelanetz•ARTICLE•Leonardo•1986

    The author describes how be bas worked since 1967 with alternative ways of structuring language and of ‘publishing’ his literary art. He discusses his visual poetry, visual fiction, numerical art, audiotapes, videotapes, photographic and holographic writing, and book art. In his current work, Epiphanies , the initial text of single-sentence stories has been recomposed and published in ways uniquely appropriate to the media of print, exhibition, a…

  • Whither Avant-Garde American Radio Art

    Richard Kostelanetz•ARTICLE•TDR/The Drama Review•1991

  • Retrospect on My Fictions

    Richard Kostelanetz•ARTICLE•ANQ A Quarterly Journal of Short…•1992

  • Making Radio Waves

    Jacki Apple, Regine Beyer et al.•ARTICLE•TDR/The Drama Review•1992

  • Ages of the Avant-Garde

    Bonnie Marranca, Meredith Monk et al.•ARTICLE•Performing Arts Journal•1994

    Bonnie Marranca, Meredith Monk, Richard Foreman, Carolee Schneemann, Maria Irene Fornes, Deborah Jowitt, Deborah Hay, Rachel Rosenthal, Jill Johnston, Kenneth Bernard, Yvonne Rainer, Jean-Claude van Itallie, Dick Higgins, Richard Kostelanetz, Judith Malina, Joyce Aaron, Herbert Blau, Anna Halprin, Barbara Hammer, Rosalyn Drexler, Rochelle Owens, Allan Kaprow, Ages of the Avant-Garde, Performing Arts Journal, Vol. 16, No. 1, Bodies of Work (Jan., …

  • X (Kostelanetz + Cage)

    Dick Higgins, Richard Kostelanetz•ARTICLE•Performing Arts Journal•1994

  • Sephardic Culture and Me

    Richard Kostelanetz•ARTICLE•European Judaism•2000

    In memory of my friend Diane Dietchman Tong (1943–1998), an independent scholar who wrote her MA on the Judeo-Spanish language commonly called Ladino. There is a rumour in my family that when I was born in 1940 my parents thought about sending out a card that would read, 'Now we present our son Dick, one part kike, some parts spic'. Politically correct before everyone else, so avant-garde were they, my parents decided instead to print a more conv…

  • Soho

    Richard Kostelanetz•BOOK•Soho•2003

    Soho: The Rise and Fall documents how a little-known industrial neighborhood in New York became, through one of the accidents of history, a nexus of creative activity for a brief but intensive period. Such an ideal situation--entirely unplanned--could not last forever; the author shows how market forces squeezed out this art utopia, to be replaced by a shadow of its former self.

  • Aaron Copland

    Richard Kostelanetz, Steve Silverstein•BOOK•Aaron Copland : A Reader•2021

    This book presents a selection of the best writings, of the American composer and music legend Aaron Copland, on a wide variety of topics. It features excerpts from his correspondence and recommendations he wrote for other composers.

Art (15 works) · Computer Science (8 works) · Visual arts (8 works) · History (6 works) · Art history (5 works) · Philosophy (5 works) · Physics (4 works) · Psychology (4 works) · Acoustics (3 works) · Art, Technology, and Culture (3 works)

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