Francis Ames-Lewis

Biographic Data

ID1046615
NAMEFrancis Ames-Lewis
GIVEN NAMESFrancis
FAMILY NAMEAmes-Lewis
SIGNATUREAMES-LEWIS F
VERIFIEDNo
TOTAL WORKS14
TOTAL CITATIONS0
WORKS AS AUTHOR14
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1984
LATEST PUBLICATION YEAR2021
H-INDEX0

  • Michelangelo, God's Architect

    Open AccessFrancis Ames-Lewis, Francis Ames‐LewisARTICLERenaissance Quarterly2021

    Michelangelo, God's Architect: The Story of His Final Years and Greatest Masterpiece. William E. Wallace. Princeton, NJ: Princeton University Press, 2019. xii + 278 pp. + color pls. $29. - Volume 74 Issue 4

  • Michelangelo

    Open AccessFrancis Ames-Lewis, Francis Ames‐LewisARTICLERenaissance Quarterly2018

    Michelangelo: Divine Draftsman and Designer. Carmen Bambach. Exh. Cat. With essays by Claire Barry, Francesco Caglioti, Caroline Elam, Marcella Marongiu, and Mauro Mussolin. New York: The Metropolitan Museum of Art, 2017. 392 pp. $65. - Volume 71 Issue 4

  • Myth, Allegory, and Faith

    Open AccessFrancis Ames-Lewis, Francis Ames‐LewisARTICLERenaissance Quarterly2017

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Rethinking Renaissance Drawings

    Open AccessFrancis Ames-Lewis, Francis Ames‐LewisARTICLERenaissance Quarterly2017

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Andrea del Sarto

    Open AccessFrancis Ames-Lewis, Francis Ames‐LewisARTICLERenaissance Quarterly2016

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Isabella and Leonardo

    Francis Ames-Lewis, Francis Ames‐Lewis et al.ARTICLERenaissance and Reformation2014

    Ames-Lewis, Francis. Isabella and Leonardo: The Artistic Relationship between Isabella d’Este and Leonardo da Vinci, 1500–1506. An article from journal Renaissance and Reformation / Renaissance et Réforme (Volume 37, Number 2, Spring 2014, pp. 5-198), on Érudit

  • The Business of Art

    Open AccessFrancis Ames-Lewis, Francis Ames‐LewisARTICLERenaissance Quarterly2006

    Michelle O’Malley. The Business of Art: Contracts and the Commissioning Process in Renaissance Italy. New Haven: Yale University Press, 2005. x + 358 pp. index. append. illus. bibl. $50. ISBN: 0-300-10438-3. - Volume 59 Issue 2

  • The Drawings of Stefano Da Verona and His Circle and the Origins of Collecting in Italy

    Francis Ames-Lewis, Francis Ames‐LewisARTICLESpeculum2005

  • Changing Patrons

    Open AccessFrancis Ames-Lewis, Francis Ames‐LewisARTICLERenaissance Quarterly2005

    Jill Burke. Changing Patrons: Social Identity and the Visual Arts in Renaissance Florence. University Park : The Pennsylvania State University Press, 2004. xvi + 280 pp. index. append. illus. bibl. $55. ISBN: 0-271-02362-7. - Volume 58 Issue 2

  • Pollaiuolo, Antonio

    Francis Ames-LewisCHAPTER2003

  • Pollaiuolo family

    Francis Ames-Lewis, Francis Ames‐LewisCHAPTER2003

  • Medici, Piero (di Cosimo) [the Gouty] de’, Lord of Florence

    Francis Ames-LewisCHAPTER2003

  • Donatello's Bronze David and the Palazzo Medici Courtyard

    Open AccessFrancis Ames-Lewis, Francis Ames‐LewisARTICLERenaissance Studies1989

  • Drawing in Early Renaissance Italy

    Nancy Hubbe, Francis Ames-Lewis et al.ARTICLELeonardo1984

    During the 15th century, drawing evolved into an art form in its own right. This manual examines the work of major draughtsmen of the century - Pisanello, Jacopo Bellini, Pollaiuolo, Ghirlandaio, Carpaccio and Leonardo - in order to discuss the new types of drawing that evolved