Bruce Thomas Boehrer
Biographic Data
| ID | 1047096 |
|---|---|
| NAME | Bruce Thomas Boehrer |
| GIVEN NAMES | Bruce Thomas |
| FAMILY NAME | Boehrer |
| SIGNATURE | BOEHRER B T |
| VERIFIED | No |
| TOTAL WORKS | 13 |
| TOTAL CITATIONS | 2 |
| AUTHOR COUNT | 13 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1988 |
| LATEST PUBLICATION YEAR | 2009 |
| H-INDEX | 1 |
Mythologizing the Middle Class
This paper examines the strategies through which John Ford's play validates an image of the rising urban middle class as constitutionally confused and therefore destructive to the social fabric of seventeenth-century London. The portrayal of the middle class as struggling to inhabit signifiers of gentility while simultaneously undermining their value as indicators of adherence to any particular social code constructs the urban bourgeois as an obj…
Renaissance classicism and Roman sexuality
Monarchy and Incest in Renaissance England
In Monarchy and Incest in Renaissance England, Bruce Thomas Boehrer argues that a preoccupation with incest is built not the dominant social and cultural concerns of early modern England. Proceeding from a study of Henry III's divorce and succession legislation, through the reigns of Elizabeth I, James I, and Charles I, this work examines the interrelation between family politics and literary expression in and around the English royal court
Epicoene , charivari, Skimmington
Spectacles of Strangeness
Selected by Choice magazine as an Outstanding Academic Title for 1994 Bartels focuses on Marlowe's preoccupation with strangers and strange lands, and his use-and subversion-of Elizabethan stereotypes. Setting Marlovian drama in the context of England's nascent imperialism, Bartels probes the significance of the alien as the vital presence on the Renaissance stage and within Renaissance society
Monarchy and Incest in Renaissance England
Paradise Lost and the General Epistle of James
Paradise Lost and the General Epistle of James
Shakespearian Sentences
Providence as Punishment in the Works of Milton
The Poem's Two Bodies
The End of Kinship
"Carelesse Modestee"
The End of Kinship
"Carelesse Modestee"
Shakespearian Sentences
Providence as Punishment in the Works of Milton
The Poem's Two Bodies
Paradise Lost and the General Epistle of James
Paradise Lost and the General Epistle of James
Monarchy and Incest in Renaissance England
Epicoene , charivari, Skimmington
Spectacles of Strangeness
Selected by Choice magazine as an Outstanding Academic Title for 1994 Bartels focuses on Marlowe's preoccupation with strangers and strange lands, and his use-and subversion-of Elizabethan stereotypes. Setting Marlovian drama in the context of England's nascent imperialism, Bartels probes the significance of the alien as the vital presence on the Renaissance stage and within Renaissance society
Monarchy and Incest in Renaissance England
In Monarchy and Incest in Renaissance England, Bruce Thomas Boehrer argues that a preoccupation with incest is built not the dominant social and cultural concerns of early modern England. Proceeding from a study of Henry III's divorce and succession legislation, through the reigns of Elizabeth I, James I, and Charles I, this work examines the interrelation between family politics and literary expression in and around the English royal court
Renaissance classicism and Roman sexuality
Mythologizing the Middle Class
This paper examines the strategies through which John Ford's play validates an image of the rising urban middle class as constitutionally confused and therefore destructive to the social fabric of seventeenth-century London. The portrayal of the middle class as struggling to inhabit signifiers of gentility while simultaneously undermining their value as indicators of adherence to any particular social code constructs the urban bourgeois as an obj…
Art (10 works) · Literature (9 works) · Philosophy (8 works) · Philosophy (7 works) · History (5 works) · Law (5 works) · Political science (5 works) · Psychology (4 works) · Sociology (4 works) · American Constitutional Law and Politics (3 works)