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Beverley Diamond

Biographic Data

ID104784
NAMEBeverley Diamond
GIVEN NAMESBeverley
FAMILY NAMEDiamond
SIGNATUREDIAMOND B
AFFILIATIONSMemorial University of Newfoundland
VERIFIEDNo
TOTAL WORKS24
TOTAL CITATIONS2
AUTHOR COUNT21
EDITOR COUNT3
FIRST PUBLICATION YEAR1992
LATEST PUBLICATION YEAR2023
H-INDEX1
  • Tom Gordon. Called Upstairs. Moravian Inuit Music in Labrador

    Open Access•Beverley Diamond•ARTICLE•Newfoundland and Labrador Studies•2023

    Tom Gordon. Called Upstairs. Moravian Inuit Music in Labrador. An article from journal Newfoundland and Labrador Studies (Disasters, Pandemics and Crises in Newfoundland and Labrador: Past, Present and Future), on Érudit

  • Hungry Listening: Resonant Theory for Indigenous Sound Studies by Dylan Robinson

    Beverley Diamond•BOOK•Native American and Indigenous…•2023

    Reviewed by: Hungry Listening: Resonant Theory for Indigenous Sound Studies by Dylan Robinson Beverley Diamond (bio) Hungry Listening: Resonant Theory for Indigenous Sound Studies by Dylan Robinson University of Minnesota Press, 2020 HUNGRY LISTENING examines intercultural performances by or with Indigenous musicians. Robinson discusses how classical concerts, where music is presented for aesthetic contemplation, contrast with Indigenous practice…

  • The Routledge Companion to Ethics and Research in Ethnomusicology

    Open Access•Jonathan P J Stock, Beverley Diamond•BOOK•Routledge Companion to Ethics and…•2022

  • Moravian Soundscapes: A Sonic History of the Moravian Missions in Early Pennsylvania. Sarah Justina Eyerly

    Open Access•Beverley Diamond•ARTICLE•Music and Letters•2022

  • Transforming Ethnomusicology Volume II: Political, Social & Ecological Issues

    Beverley Diamond, Salwa El-Shawan Castelo-Branco•BOOK•Transforming Ethnomusicology…•2021

    Transforming Ethnomusicology aims to deepen and broaden the dialogue about social engagement within the discipline of ethnomusicology. It draws upon a wide array of perspectives that stem from different ethnocultural contexts, philosophical histories, and cultural situations. Volume I begins with overviews of ethical praxis and collaboration in different countries and institutions. Some of the following studies reflect on the challenges that ethn…

  • Transforming Ethnomusicology Volume II: Political, Social and Ecological Issues

    Beverley Diamond, Salwa El-Shawan Castelo-Branco•BOOK•Transforming Ethnomusicology…•2021

  • Transforming Ethnomusicology Volume I: Methodologies, Institutional Structures, and Policies

    Beverley Diamond, Salwa El-Shawan Castelo-Branco•BOOK•Transforming Ethnomusicology…•2021

  • Affect, Ontology, and Indigenous Protocol: Encounters in Canada

    Open Access•Beverley Diamond•CHAPTER•Ethnomusicology Matters•2019

  • Santu Toney, a Transnational Beothuk Woman

    Beverley Diamond•CHAPTER•Tracing Ochre•2018

  • Aboriginal Music in Contemporary Canada: Echoes and Exchanges

    Anna Hoefnagels, Beverley Diamond•BOOK•Aboriginal Music in Contemporary•2012

    First Nations, Inuit, and Métis music in Canada is dynamic and diverse, reflecting continuities with earlier traditions and innovative approaches to creating new musical sounds. Aboriginal Music in Contemporary Canada narrates a story of resistance and renewal, struggle and success, as indigenous musicians in Canada negotiate who they are and who they want to be. Comprised of essays, interviews, and personal reflections by Aboriginal and non-Abor…

  • Aboriginal Music in Contemporary: Echoes and Exchanges

    Anna Hoefnagels, Beverley Diamond•BOOK•Aboriginal Music in Contemporary•2012

  • Guest Editor's preface

    Open Access•Salwa El-Shawan Castelo-Branco, Beverley Diamond et al.•ARTICLE•Yearbook for Traditional Music•2012

    An abstract is not available for this content so a preview has been provided. As you have access to this content, a full PDF is available via the ‘Save PDF’ action button

  • Indian Blues: American Indians and the Politics of Music, 1879–1934

    Beverley Diamond•ARTICLE•Journal of American Ethnic History•2012

  • Hauser, Michael, 2010 Traditional Inuit Songs from the Thule Area, Copenhagen, Museum Tusculanum Press and Meddelelser om Grønland, 346, vol. 1: 827 Pages, vol. 2: 729 pages and CD.

    Open Access•Beverley Diamond•ARTICLE•Études/Inuit/Studies•2011

    HAUSER, Michael, 2010 Traditional Inuit Songs from the Thule Area, Copenhagen, Museum Tusculanum Press and Meddelelser om Grønland, 346, vol. 1: 827 pages, vol. 2: 729 pages and CD.. Un article de la revue Études/Inuit/Studies (Propriété intellectuelle et éthique) diffusée par la plateforme Érudit.

  • Tautirut

    Beverley Diamond•CHAPTER•The new Grove dictionary of music…•2011

  • Canada Research Chair in Ethnomusicology

    Beverley Diamond•ARTICLE•Ethnologies•2007

    Like most Canada Research Chairs, I have been involved with an array of curricular and community initiatives, as well as new research and new reflective / interpretive work. The primary work in each of these areas is described below. Space In order to have the studio facilities, meeting and resources to undertake a wide array of projects, I established the Research Centre for the Study of Music, Media and Place (MMaP) at Memorial University (www.…

  • Imagining Native America in MusicPowwowPutting a Song on Top of It: Expression and Identity on the San Carlos Apache ReservationThe Encyclopedia of Native Music: More than a Century of Recordings from…

    Beverley Diamond•ARTICLE•Ethnomusicology•2007

    Book Review| October 01 2007 Imagining Native America in MusicPowwowPutting a Song on Top of It: Expression and Identity on the San Carlos Apache ReservationThe Encyclopedia of Native Music: More than a Century of Recordings from Wax Cylinder to the Internet Imagining Native America in Music, Michael V. Pisani.Powwow, Clyde Ellis, Luke Eric Lassiter and Gary H. Dunham.Putting a Song on Top of It: Expression and Identity on the San Carlos Apache R…

  • Canadian Reflections on Palindromes, Inversions, and Other Challenges to Ethnomusicology's Coherence

    Beverley Diamond•ARTICLE•Ethnomusicology•2006

    Research Article| April 01 2006 Canadian Reflections on Palindromes, Inversions, and Other Challenges to Ethnomusicology’s Coherence Beverley Diamond Beverley Diamond Search for other works by this author on: This Site Google Ethnomusicology (2006) 50 (2): 324–336. https://doi.org/10.2307/20174456 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Beverley Diamond; Canadian Reflections on Palindromes…

  • Heartbeat 2: More Voices of First Nations Women

    Beverley Diamond, Howard Ba et al.•ARTICLE•Ethnomusicology•2003•Cited by: 1

  • United States of America

    Richard Crawford, Philip V Bohlman et al.•CHAPTER•The new Grove dictionary of music…•2001

  • Re-placing Performance: A case study of the Yukon music scene in the Canadian north

    Beverley Diamond•ARTICLE•Journal of Intercultural Studies•2001•Cited by: 1•References: 1

    This article examines issues of performance in relation to Jerry Alfred and the Medicine Beat, a band led by the Northern Tutchone (indigenous) singer-songwriter, Jerry Alfred from Canada's Yukon Territory, adjacent to Alaska. Like many Yukon musical ensembles, this is an eclectic combination of individuals trained in First Nations traditional, classical, jazz, cabaret, country and rock music. The author demonstrates that performance is best unde…

  • Native American Dance: Ceremonies and Social Traditions

    Beverley Diamond, Charlotte Heth•ARTICLE•Ethnomusicology•1997

  • [Chants des] Inuit Iglulik (Canada)

    Beverley Diamond, Jean-Jacques Nattiez et al.•ARTICLE•Ethnomusicology•1996

  • On Concepts and Classifications of Musical Instruments

    Beverley Diamond, Margaret J Kartomi•ARTICLE•Asian Music•1992

  • Heartbeat 2: More Voices of First Nations Women

    Beverley Diamond, Howard Ba et al.•ARTICLE•Ethnomusicology•2003•Cited by: 1

  • Re-placing Performance: A case study of the Yukon music scene in the Canadian north

    Beverley Diamond•ARTICLE•Journal of Intercultural Studies•2001•Cited by: 1•References: 1

    This article examines issues of performance in relation to Jerry Alfred and the Medicine Beat, a band led by the Northern Tutchone (indigenous) singer-songwriter, Jerry Alfred from Canada's Yukon Territory, adjacent to Alaska. Like many Yukon musical ensembles, this is an eclectic combination of individuals trained in First Nations traditional, classical, jazz, cabaret, country and rock music. The author demonstrates that performance is best unde…

  • On Concepts and Classifications of Musical Instruments

    Beverley Diamond, Margaret J Kartomi•ARTICLE•Asian Music•1992

  • [Chants des] Inuit Iglulik (Canada)

    Beverley Diamond, Jean-Jacques Nattiez et al.•ARTICLE•Ethnomusicology•1996

  • Native American Dance: Ceremonies and Social Traditions

    Beverley Diamond, Charlotte Heth•ARTICLE•Ethnomusicology•1997

  • United States of America

    Richard Crawford, Philip V Bohlman et al.•CHAPTER•The new Grove dictionary of music…•2001

  • Re-placing Performance: A case study of the Yukon music scene in the Canadian north

    Beverley Diamond•ARTICLE•Journal of Intercultural Studies•2001•Cited by: 1•References: 1

    This article examines issues of performance in relation to Jerry Alfred and the Medicine Beat, a band led by the Northern Tutchone (indigenous) singer-songwriter, Jerry Alfred from Canada's Yukon Territory, adjacent to Alaska. Like many Yukon musical ensembles, this is an eclectic combination of individuals trained in First Nations traditional, classical, jazz, cabaret, country and rock music. The author demonstrates that performance is best unde…

  • Heartbeat 2: More Voices of First Nations Women

    Beverley Diamond, Howard Ba et al.•ARTICLE•Ethnomusicology•2003•Cited by: 1

  • Canadian Reflections on Palindromes, Inversions, and Other Challenges to Ethnomusicology's Coherence

    Beverley Diamond•ARTICLE•Ethnomusicology•2006

    Research Article| April 01 2006 Canadian Reflections on Palindromes, Inversions, and Other Challenges to Ethnomusicology’s Coherence Beverley Diamond Beverley Diamond Search for other works by this author on: This Site Google Ethnomusicology (2006) 50 (2): 324–336. https://doi.org/10.2307/20174456 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Beverley Diamond; Canadian Reflections on Palindromes…

  • Canada Research Chair in Ethnomusicology

    Beverley Diamond•ARTICLE•Ethnologies•2007

    Like most Canada Research Chairs, I have been involved with an array of curricular and community initiatives, as well as new research and new reflective / interpretive work. The primary work in each of these areas is described below. Space In order to have the studio facilities, meeting and resources to undertake a wide array of projects, I established the Research Centre for the Study of Music, Media and Place (MMaP) at Memorial University (www.…

  • Imagining Native America in MusicPowwowPutting a Song on Top of It: Expression and Identity on the San Carlos Apache ReservationThe Encyclopedia of Native Music: More than a Century of Recordings from…

    Beverley Diamond•ARTICLE•Ethnomusicology•2007

    Book Review| October 01 2007 Imagining Native America in MusicPowwowPutting a Song on Top of It: Expression and Identity on the San Carlos Apache ReservationThe Encyclopedia of Native Music: More than a Century of Recordings from Wax Cylinder to the Internet Imagining Native America in Music, Michael V. Pisani.Powwow, Clyde Ellis, Luke Eric Lassiter and Gary H. Dunham.Putting a Song on Top of It: Expression and Identity on the San Carlos Apache R…

  • Hauser, Michael, 2010 Traditional Inuit Songs from the Thule Area, Copenhagen, Museum Tusculanum Press and Meddelelser om Grønland, 346, vol. 1: 827 Pages, vol. 2: 729 pages and CD.

    Open Access•Beverley Diamond•ARTICLE•Études/Inuit/Studies•2011

    HAUSER, Michael, 2010 Traditional Inuit Songs from the Thule Area, Copenhagen, Museum Tusculanum Press and Meddelelser om Grønland, 346, vol. 1: 827 pages, vol. 2: 729 pages and CD.. Un article de la revue Études/Inuit/Studies (Propriété intellectuelle et éthique) diffusée par la plateforme Érudit.

  • Tautirut

    Beverley Diamond•CHAPTER•The new Grove dictionary of music…•2011

  • Aboriginal Music in Contemporary Canada: Echoes and Exchanges

    Anna Hoefnagels, Beverley Diamond•BOOK•Aboriginal Music in Contemporary•2012

    First Nations, Inuit, and Métis music in Canada is dynamic and diverse, reflecting continuities with earlier traditions and innovative approaches to creating new musical sounds. Aboriginal Music in Contemporary Canada narrates a story of resistance and renewal, struggle and success, as indigenous musicians in Canada negotiate who they are and who they want to be. Comprised of essays, interviews, and personal reflections by Aboriginal and non-Abor…

  • Aboriginal Music in Contemporary: Echoes and Exchanges

    Anna Hoefnagels, Beverley Diamond•BOOK•Aboriginal Music in Contemporary•2012

  • Guest Editor's preface

    Open Access•Salwa El-Shawan Castelo-Branco, Beverley Diamond et al.•ARTICLE•Yearbook for Traditional Music•2012

    An abstract is not available for this content so a preview has been provided. As you have access to this content, a full PDF is available via the ‘Save PDF’ action button

  • Indian Blues: American Indians and the Politics of Music, 1879–1934

    Beverley Diamond•ARTICLE•Journal of American Ethnic History•2012

  • Santu Toney, a Transnational Beothuk Woman

    Beverley Diamond•CHAPTER•Tracing Ochre•2018

  • Affect, Ontology, and Indigenous Protocol: Encounters in Canada

    Open Access•Beverley Diamond•CHAPTER•Ethnomusicology Matters•2019

  • Transforming Ethnomusicology Volume II: Political, Social & Ecological Issues

    Beverley Diamond, Salwa El-Shawan Castelo-Branco•BOOK•Transforming Ethnomusicology…•2021

    Transforming Ethnomusicology aims to deepen and broaden the dialogue about social engagement within the discipline of ethnomusicology. It draws upon a wide array of perspectives that stem from different ethnocultural contexts, philosophical histories, and cultural situations. Volume I begins with overviews of ethical praxis and collaboration in different countries and institutions. Some of the following studies reflect on the challenges that ethn…

  • Transforming Ethnomusicology Volume II: Political, Social and Ecological Issues

    Beverley Diamond, Salwa El-Shawan Castelo-Branco•BOOK•Transforming Ethnomusicology…•2021

  • Transforming Ethnomusicology Volume I: Methodologies, Institutional Structures, and Policies

    Beverley Diamond, Salwa El-Shawan Castelo-Branco•BOOK•Transforming Ethnomusicology…•2021

  • The Routledge Companion to Ethics and Research in Ethnomusicology

    Open Access•Jonathan P J Stock, Beverley Diamond•BOOK•Routledge Companion to Ethics and…•2022

  • Moravian Soundscapes: A Sonic History of the Moravian Missions in Early Pennsylvania. Sarah Justina Eyerly

    Open Access•Beverley Diamond•ARTICLE•Music and Letters•2022

  • Tom Gordon. Called Upstairs. Moravian Inuit Music in Labrador

    Open Access•Beverley Diamond•ARTICLE•Newfoundland and Labrador Studies•2023

    Tom Gordon. Called Upstairs. Moravian Inuit Music in Labrador. An article from journal Newfoundland and Labrador Studies (Disasters, Pandemics and Crises in Newfoundland and Labrador: Past, Present and Future), on Érudit

  • Hungry Listening: Resonant Theory for Indigenous Sound Studies by Dylan Robinson

    Beverley Diamond•BOOK•Native American and Indigenous…•2023

    Reviewed by: Hungry Listening: Resonant Theory for Indigenous Sound Studies by Dylan Robinson Beverley Diamond (bio) Hungry Listening: Resonant Theory for Indigenous Sound Studies by Dylan Robinson University of Minnesota Press, 2020 HUNGRY LISTENING examines intercultural performances by or with Indigenous musicians. Robinson discusses how classical concerts, where music is presented for aesthetic contemplation, contrast with Indigenous practice…

Art (13 works) · Diverse Musicological Studies (12 works) · Sociology (9 works) · Computer Science (8 works) · Musical (8 works) · Visual arts (8 works) · History (7 works) · Ethnomusicology (6 works) · Geography (5 works) · Music History and Culture (5 works)

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