Luz Neira
Biographic Data
| ID | 10483949 |
|---|---|
| NAME | Luz Neira |
| GIVEN NAMES | Luz |
| FAMILY NAME | Neira |
| SIGNATURE | NEIRA L |
| AFFILIATIONS | Anhembi Morumbi University |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2015 |
| LATEST PUBLICATION YEAR | 2015 |
| H-INDEX | 0 |
Moda Brasileira
Upon entering the global fashion system in the 1950s – later than most established fashion capitals – Brazilian fashion had to find its place without directly competing with those established markets. Instead, the goal was to solidify the image of a nation with no resources as a competitor in the existing global fashion system. The goal was, instead, to solidify the image of a nation that had no resources to establish itself at a level equivalent…
Medusa en los mosaicos romanos
La mirada en la representación de episodios mitológicos responde a una gran diversidad, acorde a la variedad de las distintas leyendas en las que la mirada es esencial. En este sentido, tanto desde un punto de vista iconográfico como conceptual y simbólico son muy diferentes las miradas plasmadas. Miradas correspondidas, miradas de quién mira sin ser visto, miradas prohibidas, la consecuencia de una de estas miradas sin que la mirada aparezca de …
No prominent works on this page.
Moda Brasileira
Upon entering the global fashion system in the 1950s – later than most established fashion capitals – Brazilian fashion had to find its place without directly competing with those established markets. Instead, the goal was to solidify the image of a nation with no resources as a competitor in the existing global fashion system. The goal was, instead, to solidify the image of a nation that had no resources to establish itself at a level equivalent…
Medusa en los mosaicos romanos
La mirada en la representación de episodios mitológicos responde a una gran diversidad, acorde a la variedad de las distintas leyendas en las que la mirada es esencial. En este sentido, tanto desde un punto de vista iconográfico como conceptual y simbólico son muy diferentes las miradas plasmadas. Miradas correspondidas, miradas de quién mira sin ser visto, miradas prohibidas, la consecuencia de una de estas miradas sin que la mirada aparezca de …
Art (2 works) · Ancient Mediterranean Archaeology and History (1 work) · Classical Antiquity Studies (1 work) · Clothing (1 work) · Context (archaeology) (1 work) · Fashion and Cultural Textiles (1 work) · Fashion industry (1 work) · Historical and Architectural Studies (1 work) · History (1 work) · Humanities (1 work)