Julian Graffy
Biographic Data
| ID | 1048596 |
|---|---|
| NAME | Julian Graffy |
| GIVEN NAMES | Julian |
| FAMILY NAME | Graffy |
| SIGNATURE | GRAFFY J |
| VERIFIED | No |
| TOTAL WORKS | 12 |
| TOTAL CITATIONS | 6 |
| WORKS AS AUTHOR | 11 |
| WORKS AS EDITOR | 1 |
| FIRST PUBLICATION YEAR | 1978 |
| LATEST PUBLICATION YEAR | 2011 |
| H-INDEX | 1 |
The Cambridge Companion to Twentieth-Century Russian Literature
In Russian history, the twentieth century was an era of unprecedented, radical transformations - changes in social systems, political regimes, and economic structures. A number of distinctive literary schools emerged, each with their own voice, specific artistic character, and ideological background. As a single-volume compendium, the Companion provides a new perspective on Russian literary and cultural development, as it unifies both émigré lite…
Chapaev
"Chapaev" is the most popular film of the Soviet era. Directed by Georgi and Sergei Vasilev, it tells of the legendary exploits of the Red Army Commander Vasili Ivanovich Chapaev during the Russian Civil War. Its greatest fan was Joseph Stalin, who saw it 38 times at late-night showings in the Kremlin. It was both praised by Party ideologues for its faithfulness to the Bolshevik cause and loved by mass audiences for its adventure sequences and it…
Lines of Resistance
Lines of Resistance is a major collection of little-known writings by and about Dziga Vertov, available here in English for the first time. While Vertov's uncompromising writings and his experimental features, such as Man with a Movie Camera, are known and discussed in the West, less is known about the other films he made in the 1920s, and still less about the response they provoked in the Soviet Union and abroad. Vertov liked to call his films a…
"Gogol's "The Overcoat
Bed and Sofa
Abram Room’s daring 1927 film is the story of a ménage á trois - one woman, two men - set in a 1920s Moscow flat. Remarkable for its frankness, humour and corrosive assessment of the new Soviet society, particularly the new Soviet man, _Bed and Sofa_ has found new and enthusiastic audiences in recent years.
The BFI Companion to Eastern European and Russian Cinema
Culture and the Media in the USSR Today
Culture and the Media in the USSR Today
Culture and media institutions are part of the Soviet establishment, yet also head the counter-culture which has gradually been taking shape in the Brezhnev era. Glasnost has introduced new intellectu
Zinoviev’s Art and its Context
Zinoviev is clearly not primarily of interest to us as a painter. Yet his readers encounter him first in precisely that guise, since his Russian language publisher, L'Age d'Homme of Lausanne, has chosen to present almost all his books in identical form, with a cover consisting of one of Zinoviev's paintings in a wide white frame. This uniformity has come to play an important role — it is a sign that Zinoviev's writings are a single text, a collec…
The Origin of Plot in the Light of Typology
level: entry into enclosed space emergence from it. What is not easily explained is something else: the stability of this schema even in cases where direct link with the world of myth has been consciously broken. When Pushkin in Prophet gave an exceptionally precise and detailed picture of acquiring the gift of Shamanism (that is to say prophecy) and one which has now received confirmation in wide variety of texts right down to such details as th…
Notes on the Semiotic Analysis of Detective Novels
I. I. Revzin, Julian Graffy, Notes on the Semiotic Analysis of Detective Novels: With Examples from the Novels of Agatha Christie, New Literary History, Vol. 9, No. 2, Soviet Semiotics and Criticism: An Anthology (Winter, 1978), pp. 385-388
The Poetics of Chekhov
The Origin of Plot in the Light of Typology
level: entry into enclosed space emergence from it. What is not easily explained is something else: the stability of this schema even in cases where direct link with the world of myth has been consciously broken. When Pushkin in Prophet gave an exceptionally precise and detailed picture of acquiring the gift of Shamanism (that is to say prophecy) and one which has now received confirmation in wide variety of texts right down to such details as th…
Notes on the Semiotic Analysis of Detective Novels
I. I. Revzin, Julian Graffy, Notes on the Semiotic Analysis of Detective Novels: With Examples from the Novels of Agatha Christie, New Literary History, Vol. 9, No. 2, Soviet Semiotics and Criticism: An Anthology (Winter, 1978), pp. 385-388
The Poetics of Chekhov
The Origin of Plot in the Light of Typology
level: entry into enclosed space emergence from it. What is not easily explained is something else: the stability of this schema even in cases where direct link with the world of myth has been consciously broken. When Pushkin in Prophet gave an exceptionally precise and detailed picture of acquiring the gift of Shamanism (that is to say prophecy) and one which has now received confirmation in wide variety of texts right down to such details as th…
Zinoviev’s Art and its Context
Zinoviev is clearly not primarily of interest to us as a painter. Yet his readers encounter him first in precisely that guise, since his Russian language publisher, L'Age d'Homme of Lausanne, has chosen to present almost all his books in identical form, with a cover consisting of one of Zinoviev's paintings in a wide white frame. This uniformity has come to play an important role — it is a sign that Zinoviev's writings are a single text, a collec…
Culture and the Media in the USSR Today
Culture and media institutions are part of the Soviet establishment, yet also head the counter-culture which has gradually been taking shape in the Brezhnev era. Glasnost has introduced new intellectu
Culture and the Media in the USSR Today
Bed and Sofa
Abram Room’s daring 1927 film is the story of a ménage á trois - one woman, two men - set in a 1920s Moscow flat. Remarkable for its frankness, humour and corrosive assessment of the new Soviet society, particularly the new Soviet man, _Bed and Sofa_ has found new and enthusiastic audiences in recent years.
The BFI Companion to Eastern European and Russian Cinema
"Gogol's "The Overcoat
Lines of Resistance
Lines of Resistance is a major collection of little-known writings by and about Dziga Vertov, available here in English for the first time. While Vertov's uncompromising writings and his experimental features, such as Man with a Movie Camera, are known and discussed in the West, less is known about the other films he made in the 1920s, and still less about the response they provoked in the Soviet Union and abroad. Vertov liked to call his films a…
Chapaev
"Chapaev" is the most popular film of the Soviet era. Directed by Georgi and Sergei Vasilev, it tells of the legendary exploits of the Red Army Commander Vasili Ivanovich Chapaev during the Russian Civil War. Its greatest fan was Joseph Stalin, who saw it 38 times at late-night showings in the Kremlin. It was both praised by Party ideologues for its faithfulness to the Bolshevik cause and loved by mass audiences for its adventure sequences and it…
The Cambridge Companion to Twentieth-Century Russian Literature
In Russian history, the twentieth century was an era of unprecedented, radical transformations - changes in social systems, political regimes, and economic structures. A number of distinctive literary schools emerged, each with their own voice, specific artistic character, and ideological background. As a single-volume compendium, the Companion provides a new perspective on Russian literary and cultural development, as it unifies both émigré lite…
Art (8 works) · Eastern European Communism and Reforms (6 works) · Art history (5 works) · History (5 works) · Political science (5 works) · Literature (4 works) · European history and politics (3 works) · Russian Literature and Bakhtin Studies (3 works) · Archaeology (2 works) · Engineering (2 works)