Bertrand Lavédrine

Biographic Data

ID	104871
NAME	Bertrand Lavédrine
GIVEN NAMES	Bertrand
FAMILY NAME	Lavédrine
SIGNATURE	LAVÉDRINE B
AFFILIATIONS	Centre National de la Recherche Scientifique
ORCID	0000-0002-9710-3895
VERIFIED	Yes
TOTAL WORKS	23
TOTAL CITATIONS	24
AUTHOR COUNT	23
EDITOR COUNT	0
FIRST PUBLICATION YEAR	1994
LATEST PUBLICATION YEAR	2024
H-INDEX	3

Novel MOF paper composites for the removal of airborne pollutants from the environment of cultural heritage artefacts
Open AccessPierre Tignol, Vanessa Pimenta et al.ARTICLEJournal of Cultural Heritage2024Cited by: 1
Iron(III) based Metal-Organic Frameworks in cellulose acetate film preservation: Fundamental aspects and first application
Open AccessAbeer Al Mohtar, Maria Inês Severino et al.ARTICLEJournal of Cultural Heritage2024References: 17
Low-temperature storage to slow down degradation is accepted by the film conservation community. Still, this solution prohibits public access, is price-sensitive, has high energy costs, and there are concerns about their effects on the physical stability and material lifetime. In this research, a smart solution is developed based on the selective capture of acetic acid produced by the cellulose acetate polymer. This innovative approach is based o…
Contributions to the Characterization of Chromogenic Dyes in Color Slides
Open AccessJoana Silva, A Jorge Parola et al.ARTICLEHeritage2022Cited by: 1
Chromogenic reversal films (or color slides) are first-generation positive transparencies. These were used for various purposes, namely as an artistic medium, especially from the 1960s onwards. However, these materials are intrinsically vulnerable to chemical degradation and have poor long-term stability. Although over time significant improvements have been achieved in the stability of chromogenic products, chromogenic dyes are highly susceptibl…
Evaluation of the hygroexpansion of Japanese papers by digital image correlation (3D-DIC) and application to the study of the impact of inlay mounting on the strain of an albumen photographic print
Open AccessBertrand LavédrineARTICLEJournal of Cultural Heritage2022References: 27
Quantitative and qualitative assessment of VOCs emitted from cellulose acetate movie films by PTR-ToF-MS
Open AccessJulien Kammer, Francois Truong et al.ARTICLEJournal of Cultural Heritage2021References: 27
Replication and study of the colouration of Edmond Becquerel's photochromatic images
Open AccessVictor de Seauve, Marie‐Angélique Languille et al.ARTICLEJournal of Cultural Heritage2020Cited by: 1
Conservation of plasticized PVC artifacts in museums: Influence of wrapping materials
Open AccessAdeline Royaux, Emilande Apchain et al.ARTICLEJournal of Cultural Heritage2020References: 17
Macroscopic reflectance spectral imaging to reveal multiple and complementary types of information for the non-invasive study of an entire polychromatic manuscript
Open AccessFrancois Pottier, Fabien Pottier et al.ARTICLEJournal of Cultural Heritage2019
Effets du nettoyage et du conditionnement sur la dégradation des PVC plastifiés
Open AccessAdeline Royaux, Nathalie Balcar et al.ARTICLESpotlight2018
Le polychlorure de vinyle plastifié est un polymère synthétique, largement utilisé depuis le milieu du xxe siècle et jusqu’à nos jours, pour la production d’œuvres d’art et d’objets. Son état de conservation est souvent médiocre en raison de la migration des plastifiants. L’étude de l’impact du nettoyage et du mode de conditionnement de PVC vieillis naturellement en environnement muséal sur leur évolution permet d’envisager des conditions de cons…
Identification of chromogenic colour photographic print brand by fiber optical reflectance spectroscopy and statistical analysis
Open AccessAurélie Tournié, Philippe Carré et al.ARTICLEJournal of Cultural Heritage2017Cited by: 1References: 14
A methodology for detecting the level of fungal contamination in the French Film Archives vaults
Open AccessMalalanirina Sylvia Rakotonirainy, Léon-Bavi Vilmont et al.ARTICLEJournal of Cultural Heritage2016Cited by: 5References: 9
What do plastics emit? HS-SPME-GC/MS analyses of new standard plastics and plastic objects in museum collections
Open AccessAgnès Lattuati-Derieux, Agnès Lattuati‐Derieux et al.ARTICLEJournal of Cultural Heritage2013Cited by: 1References: 37
Plastiques et patrimoines
Open AccessBertrand LavédrineARTICLESpotlight2013
Introduites depuis une centaine d'années par l'industrie, les matières plastiques ont été largement utilisées pour produire des objets de la vie quotidienne et des œuvres d'art qui font aujourd'hui partie des collections patrimoniales. Malheureusement certains de ces matériaux se dégradent trop rapidement et les connaissances en matière de conservation et de restauration sont encore balbutiantes. La prise de conscience récente de l'importance des…
LEDs as a tool to enhance faded colours of museums artefacts
Open AccessFrançoise Viénot, Guillaume Coron et al.ARTICLEJournal of Cultural Heritage2011Cited by: 1References: 12
Le développement durable: Une Priorité Pour La Recherche Sur La Conservation Des Biens Culturels
Open AccessBertrand LavédrineARTICLESpotlight2011
Les recherches scientifiques sur la conservation matérielle du patrimoine culturel ont évolué au cours des dernières décennies : orientées à l'origine sur le traitement des objets, elles se sont progressivement ouvertes à l'étude de l'impact de l'environnement pour enfin prendre en considération la dimension du « développement durable ». Cet article montre, au travers de quelques exemples, comment le développement durable s'est imposé naturelleme…
Analysis of a varnish applied by Nicéphore Niépce to make a print used for photographic purpose transparent
Open AccessAgnès Lattuati-Derieux, Agnès Lattuati‐Derieux et al.ARTICLEJournal of Cultural Heritage2010
Characterization of U-matic videotape deterioration by size exclusion chromatography and pyrolysis gas chromatography/mass spectrometry and the role of adipic acid
Open AccessBenoît Thiébaut, Léon-Bavi Vilmont et al.ARTICLEJournal of Cultural Heritage2009Cited by: 2References: 26
Characterization and degradation pathways of ancient Korean waxed papers
Open AccessAgnès Lattuati-Derieux, Agnès Lattuati‐Derieux et al.ARTICLEJournal of Cultural Heritage2009Cited by: 3References: 9
Mass deacidification of papers and books: V. Fungistatic properties of papers treated with aminoalkylalkoxysilanes
Open AccessMalalanirina Sylvia Rakotonirainy, Anne-Laurence Dupont et al.ARTICLEJournal of Cultural Heritage2008Cited by: 1References: 8
Isolation and attempts of biomolecular characterization of fungal strains associated to foxing on a 19th century book
Open AccessMalalanirina Sylvia Rakotonirainy, Eglantine Heude et al.ARTICLEJournal of Cultural Heritage2007Cited by: 5References: 21
Characterisation of compounds emitted during natural and artificial ageing of a book. Use of headspace-solid-phase microextraction/gas chromatography/mass spectrometry
Open AccessAgnès Lattuati-Derieux, Agnès Lattuati‐Derieux et al.ARTICLEJournal of Cultural Heritage2006Cited by: 2References: 19
An approach of a study of the interaction between collagen and sulphur dioxide by using ESI and Maldi-TOFMS
Open AccessKarim Dif, Claude Pepe et al.ARTICLEJournal of Cultural Heritage2002
The autochrome process: From concept to prototype
Bertrand Lavédrine, Jean-Paul Gandolfo et al.ARTICLEHistory of Photography1994
The autochrome was the first successful commercial colour process. It was invented by Louis and Auguste Lumiere at the tum of the century, patented in 1903 and produced until the 1950s on a sheet film called ‘Filmcolor’. Many articles were published between 1903 when the autochrome process was unveiled to the public, and 1935 when the decline of the screen process began and the first colour films with chromogenic development appeared. There are d…