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J H Kwabena Nketia

Biographic Data

ID104949
NAMEJ H Kwabena Nketia
GIVEN NAMESJ H Kwabena
FAMILY NAMENketia
SIGNATURENKETIA J H K
VERIFIEDNo
TOTAL WORKS19
TOTAL CITATIONS27
AUTHOR COUNT19
EDITOR COUNT0
FIRST PUBLICATION YEAR1949
LATEST PUBLICATION YEAR2018
H-INDEX4
  • Historical Evidence in ga Religious Music

    J H Kwabena Nketia•CHAPTER•Historian in Tropical Africa•2018

    The ‘oral traditions’ of African societies in Ghana do not deal only with migrations, wars, and dynasties when these traditions refer to the past. Sporadic references to material culture and art forms—to songs, musical instruments and dances— are made in ‘historical’ narrations, particularly where these are linked to important events, significant places or outstanding individuals, or where there are remarkable innovations. These provide the histo…

  • Musicology and Linguistics: Integrating the Phraseology of Text and Tune in the Creative Process

    J H Kwabena Nketia•ARTICLE•Black Music Research Journal•2002•References: 1

    The implications of analogous features of music and for theory and method in disciplines of musicology and linguistics have long been of interest to scholars. In a paper on Sounds and Prosodies, originally published in 1948, J. R. Firth (1957b, 121-138) contends that the musical aspects of language previously recognized as speech attributes belong to a syntagmatic system he wished to designate as This system includes properties of syllabic struct…

  • Ghana, Republic of

    J H Kwabena Nketia•CHAPTER•The new Grove dictionary of music…•2001

  • The JVC & Smithsonian Folkways Video Anthology of Music and Dance of Africa

    Frank Gunderson, Hiroshi Yamamoto et al.•ARTICLE•Ethnomusicology•1999

  • Contextual Strategies of Inquiry and Systematization

    J H Kwabena Nketia•ARTICLE•Ethnomusicology•1990•Cited by: 4

    WFThen the President of the Society invited me to give the Seeger Memorial Lecture, she suggested I speak about some methodological issue of particular interest to me. Since the theme of this year's meeting is Assessing Ethnomusicology Today, I have chosen, on this occasion, to present a critique of context and contextualization, using the holism of Seeger as a springboard, while citing here and there some of his corroborative statements and gene…

  • African Music and Western Praxis: A Review of Western Perspectives on African Musicology

    J H Kwabena Nketia•ARTICLE•Canadian Journal of African…•1986

    (1986). African Music and Western Praxis: A Review of Western Perspectives on African Musicology. Canadian Journal of African Studies / Revue canadienne des études africaines: Vol. 20, No. 1, pp. 36-56

  • Selected Reports in Ethnomusicology, Vol 5: Studies in African Music

    Ruth M Stone, J H Kwabena Nketia et al.•ARTICLE•Ethnomusicology•1986

  • Developing Contemporary Idioms out of Traditional Music

    J H Kwabena Nketia•ARTICLE•Studia musicologica•1982•Cited by: 1

    J. H. Kwabena Nketia, Developing Contemporary Idioms out of Traditional Music, Studia Musicologica Academiae Scientiarum Hungaricae, T. 24, Supplementum: Report of the Musicological Congress of the International Music Council (1982), pp. 81-97

  • The Music of Africa

    Asante Darkwa, J H Kwabena Nketia•ARTICLE•The Black Perspective in Music•1975

  • The Music of Africa

    Robert Kauffman, Robert J Kauffman et al.•ARTICLE•African Arts•1975

  • The Music of Africa

    Willard Rhodes, J H Kwabena Nketia•ARTICLE•Ethnomusicology•1975

  • The Study of African and Afro-American Music

    J H Kwabena Nketia•ARTICLE•The Black Perspective in Music•1973

  • The Language Problem and the African Personality

    J H Kwabena Nketia•ARTICLE•Présence Africaine•1968

  • Drumming in Akan Communities of Ghana

    Alan P Merriam, J H Kwabena Nketia•ARTICLE•Ethnomusicology•1965•Cited by: 9

  • African Music in Ghana

    David Rycroft, David K Rycroft et al.•ARTICLE•Ethnomusicology•1964

  • The Hocket-Technique in African Music

    Open Access•J H Kwabena Nketia•ARTICLE•Journal of the International Folk…•1962•Cited by: 3•References: 1

    Studies of the musical instruments of Africa by Kirby, Wachsmann, Maquet, Solderberg and others, have demonstrated that, in addition to drums, examples of all the main classes of musical instruments are to be found in sub-Saharan Africa. In addition to drums, there is a wide variety of idiophones (including xylophones), as well as various types of lutes, zithers, flutes, etc. In spite of this variety, there appears to be a widespread tendency to …

  • The Problem of Meaning in African Music

    J H Kwabena Nketia•ARTICLE•Ethnomusicology•1962•Cited by: 6•References: 4

    The study of as a universal aspect of human behaviour is becoming increasingly recognized as the focus of Ethnomusicology. Seeger has said that the ultimate task of musicology is to contribute to the study of man what can known of man as maker and user (Seeger 1952:366). Other writers have similarly shown concern for what is conceived to be (McAllester 1954) or what means to those who make it, and have referred in this connection to the close rel…

  • The role of the drummer in Akan society

    J H Kwabena Nketia, J H Nketia•ARTICLE•African Music: Journal of the…•1954•Cited by: 4

    Drumming is widely enjoyed in all Akan communities of the Gold Coast, but unlike singing, the performers are fewer than might be expected, for the art of drumming requires skill and perfection which only a few attain. Moreover opportunities of drumming and learning to drum are not open to all. In social life all the important forms of drumming are carried on by individuals or groups of individuals selected from the male section of various Akan co…

  • West African Voices

    D C Osadebay, E L Lasebikan et al.•ARTICLE•African Affairs•1949

    A new literary programme has been started in the West African Service of the B.B.C., and this article is a reprint of one of the talks. The Ibo speaker was formerly in the Customs, and qualified as a barrister last November: he is also the author of numerous poems in English, and of a novel, The Prince of Utete. The other two are schoolmasters working as Assistants at the School of Oriental and African Studies. For technical reasons, the orthogra…

  • Drumming in Akan Communities of Ghana

    Alan P Merriam, J H Kwabena Nketia•ARTICLE•Ethnomusicology•1965•Cited by: 9

  • The Problem of Meaning in African Music

    J H Kwabena Nketia•ARTICLE•Ethnomusicology•1962•Cited by: 6•References: 4

    The study of as a universal aspect of human behaviour is becoming increasingly recognized as the focus of Ethnomusicology. Seeger has said that the ultimate task of musicology is to contribute to the study of man what can known of man as maker and user (Seeger 1952:366). Other writers have similarly shown concern for what is conceived to be (McAllester 1954) or what means to those who make it, and have referred in this connection to the close rel…

  • Contextual Strategies of Inquiry and Systematization

    J H Kwabena Nketia•ARTICLE•Ethnomusicology•1990•Cited by: 4

    WFThen the President of the Society invited me to give the Seeger Memorial Lecture, she suggested I speak about some methodological issue of particular interest to me. Since the theme of this year's meeting is Assessing Ethnomusicology Today, I have chosen, on this occasion, to present a critique of context and contextualization, using the holism of Seeger as a springboard, while citing here and there some of his corroborative statements and gene…

  • The role of the drummer in Akan society

    J H Kwabena Nketia, J H Nketia•ARTICLE•African Music: Journal of the…•1954•Cited by: 4

    Drumming is widely enjoyed in all Akan communities of the Gold Coast, but unlike singing, the performers are fewer than might be expected, for the art of drumming requires skill and perfection which only a few attain. Moreover opportunities of drumming and learning to drum are not open to all. In social life all the important forms of drumming are carried on by individuals or groups of individuals selected from the male section of various Akan co…

  • The Hocket-Technique in African Music

    Open Access•J H Kwabena Nketia•ARTICLE•Journal of the International Folk…•1962•Cited by: 3•References: 1

    Studies of the musical instruments of Africa by Kirby, Wachsmann, Maquet, Solderberg and others, have demonstrated that, in addition to drums, examples of all the main classes of musical instruments are to be found in sub-Saharan Africa. In addition to drums, there is a wide variety of idiophones (including xylophones), as well as various types of lutes, zithers, flutes, etc. In spite of this variety, there appears to be a widespread tendency to …

  • Developing Contemporary Idioms out of Traditional Music

    J H Kwabena Nketia•ARTICLE•Studia musicologica•1982•Cited by: 1

    J. H. Kwabena Nketia, Developing Contemporary Idioms out of Traditional Music, Studia Musicologica Academiae Scientiarum Hungaricae, T. 24, Supplementum: Report of the Musicological Congress of the International Music Council (1982), pp. 81-97

  • West African Voices

    D C Osadebay, E L Lasebikan et al.•ARTICLE•African Affairs•1949

    A new literary programme has been started in the West African Service of the B.B.C., and this article is a reprint of one of the talks. The Ibo speaker was formerly in the Customs, and qualified as a barrister last November: he is also the author of numerous poems in English, and of a novel, The Prince of Utete. The other two are schoolmasters working as Assistants at the School of Oriental and African Studies. For technical reasons, the orthogra…

  • The role of the drummer in Akan society

    J H Kwabena Nketia, J H Nketia•ARTICLE•African Music: Journal of the…•1954•Cited by: 4

    Drumming is widely enjoyed in all Akan communities of the Gold Coast, but unlike singing, the performers are fewer than might be expected, for the art of drumming requires skill and perfection which only a few attain. Moreover opportunities of drumming and learning to drum are not open to all. In social life all the important forms of drumming are carried on by individuals or groups of individuals selected from the male section of various Akan co…

  • The Hocket-Technique in African Music

    Open Access•J H Kwabena Nketia•ARTICLE•Journal of the International Folk…•1962•Cited by: 3•References: 1

    Studies of the musical instruments of Africa by Kirby, Wachsmann, Maquet, Solderberg and others, have demonstrated that, in addition to drums, examples of all the main classes of musical instruments are to be found in sub-Saharan Africa. In addition to drums, there is a wide variety of idiophones (including xylophones), as well as various types of lutes, zithers, flutes, etc. In spite of this variety, there appears to be a widespread tendency to …

  • The Problem of Meaning in African Music

    J H Kwabena Nketia•ARTICLE•Ethnomusicology•1962•Cited by: 6•References: 4

    The study of as a universal aspect of human behaviour is becoming increasingly recognized as the focus of Ethnomusicology. Seeger has said that the ultimate task of musicology is to contribute to the study of man what can known of man as maker and user (Seeger 1952:366). Other writers have similarly shown concern for what is conceived to be (McAllester 1954) or what means to those who make it, and have referred in this connection to the close rel…

  • African Music in Ghana

    David Rycroft, David K Rycroft et al.•ARTICLE•Ethnomusicology•1964

  • Drumming in Akan Communities of Ghana

    Alan P Merriam, J H Kwabena Nketia•ARTICLE•Ethnomusicology•1965•Cited by: 9

  • The Language Problem and the African Personality

    J H Kwabena Nketia•ARTICLE•Présence Africaine•1968

  • The Study of African and Afro-American Music

    J H Kwabena Nketia•ARTICLE•The Black Perspective in Music•1973

  • The Music of Africa

    Asante Darkwa, J H Kwabena Nketia•ARTICLE•The Black Perspective in Music•1975

  • The Music of Africa

    Robert Kauffman, Robert J Kauffman et al.•ARTICLE•African Arts•1975

  • The Music of Africa

    Willard Rhodes, J H Kwabena Nketia•ARTICLE•Ethnomusicology•1975

  • Developing Contemporary Idioms out of Traditional Music

    J H Kwabena Nketia•ARTICLE•Studia musicologica•1982•Cited by: 1

    J. H. Kwabena Nketia, Developing Contemporary Idioms out of Traditional Music, Studia Musicologica Academiae Scientiarum Hungaricae, T. 24, Supplementum: Report of the Musicological Congress of the International Music Council (1982), pp. 81-97

  • African Music and Western Praxis: A Review of Western Perspectives on African Musicology

    J H Kwabena Nketia•ARTICLE•Canadian Journal of African…•1986

    (1986). African Music and Western Praxis: A Review of Western Perspectives on African Musicology. Canadian Journal of African Studies / Revue canadienne des études africaines: Vol. 20, No. 1, pp. 36-56

  • Selected Reports in Ethnomusicology, Vol 5: Studies in African Music

    Ruth M Stone, J H Kwabena Nketia et al.•ARTICLE•Ethnomusicology•1986

  • Contextual Strategies of Inquiry and Systematization

    J H Kwabena Nketia•ARTICLE•Ethnomusicology•1990•Cited by: 4

    WFThen the President of the Society invited me to give the Seeger Memorial Lecture, she suggested I speak about some methodological issue of particular interest to me. Since the theme of this year's meeting is Assessing Ethnomusicology Today, I have chosen, on this occasion, to present a critique of context and contextualization, using the holism of Seeger as a springboard, while citing here and there some of his corroborative statements and gene…

  • The JVC & Smithsonian Folkways Video Anthology of Music and Dance of Africa

    Frank Gunderson, Hiroshi Yamamoto et al.•ARTICLE•Ethnomusicology•1999

  • Ghana, Republic of

    J H Kwabena Nketia•CHAPTER•The new Grove dictionary of music…•2001

  • Musicology and Linguistics: Integrating the Phraseology of Text and Tune in the Creative Process

    J H Kwabena Nketia•ARTICLE•Black Music Research Journal•2002•References: 1

    The implications of analogous features of music and for theory and method in disciplines of musicology and linguistics have long been of interest to scholars. In a paper on Sounds and Prosodies, originally published in 1948, J. R. Firth (1957b, 121-138) contends that the musical aspects of language previously recognized as speech attributes belong to a syntagmatic system he wished to designate as This system includes properties of syllabic struct…

  • Historical Evidence in ga Religious Music

    J H Kwabena Nketia•CHAPTER•Historian in Tropical Africa•2018

    The ‘oral traditions’ of African societies in Ghana do not deal only with migrations, wars, and dynasties when these traditions refer to the past. Sporadic references to material culture and art forms—to songs, musical instruments and dances— are made in ‘historical’ narrations, particularly where these are linked to important events, significant places or outstanding individuals, or where there are remarkable innovations. These provide the histo…

Music History and Culture (13 works) · Diverse Musicological Studies (11 works) · Art (9 works) · Geography (6 works) · History (5 works) · Musicology and Musical Analysis (5 works) · Sociology (5 works) · History (4 works) · Philosophy (4 works) · Visual arts (4 works)

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