Philip Hagreen
Biographic Data
| ID | 1049758 |
|---|---|
| NAME | Philip Hagreen |
| GIVEN NAMES | Philip |
| FAMILY NAME | Hagreen |
| SIGNATURE | HAGREEN P |
| VERIFIED | No |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 7 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1920 |
| LATEST PUBLICATION YEAR | 1929 |
| H-INDEX | 0 |
Signals
Of the hero of this story I know little, but as that little is known perhaps only to me, I record it. It must have been some time in 1915 that I first met him. At a dismal 'depôt' in the Midlands, I was sharing a leaky tent with a fellow Second Lieutenant known to his friends as 'Jimbo.' As we were endeavouring, by means of a Primus stove, to dry some clothes faster than the leakage of the tent wetted them, we were nowise pleased to hear that a n…
The English School of Painting
THE ENGLISH SCHOOL OF PAINTING Get access PHILIP HAGREEN PHILIP HAGREEN Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume I, Issue 4, October 1920, Pages 359–366, https://doi.org/10.1093/ml/I.4.359 Published: 01 October 1920
J. L. Forain: A Great Catholic Artist
Random Thoughts on the National Gallery
The Royal Academy
A few years ago, to speak of the progress of the Royal Academy would have been a contradiction in terms ; but a perusal of this year's exhibition shows that the apparently impossible has happened. As I had not visited the Academy for six or seven years, the improvement was probably more apparent to me than it would have been to those who consider a regular attendance to be part of their duty as Englishmen. The stirring to life of this stagnant in…
The Diploma Gallery
At the Leicester Galleries
It would be interesting if statistics could be obtained showing the relative number of people who attend concerts and of those who visit exhibitions of painting, sculpture, etc. I am always amazed at the fewness of the latter, except in the case of the Royal Academy, when I am equally amazed at their number.We cannot measure the enjoyment received from music and the graphic arts, but there is an element of adventure in most exhibitions which is a…
No prominent works on this page.
The English School of Painting
THE ENGLISH SCHOOL OF PAINTING Get access PHILIP HAGREEN PHILIP HAGREEN Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume I, Issue 4, October 1920, Pages 359–366, https://doi.org/10.1093/ml/I.4.359 Published: 01 October 1920
J. L. Forain: A Great Catholic Artist
Random Thoughts on the National Gallery
The Royal Academy
A few years ago, to speak of the progress of the Royal Academy would have been a contradiction in terms ; but a perusal of this year's exhibition shows that the apparently impossible has happened. As I had not visited the Academy for six or seven years, the improvement was probably more apparent to me than it would have been to those who consider a regular attendance to be part of their duty as Englishmen. The stirring to life of this stagnant in…
The Diploma Gallery
At the Leicester Galleries
It would be interesting if statistics could be obtained showing the relative number of people who attend concerts and of those who visit exhibitions of painting, sculpture, etc. I am always amazed at the fewness of the latter, except in the case of the Royal Academy, when I am equally amazed at their number.We cannot measure the enjoyment received from music and the graphic arts, but there is an element of adventure in most exhibitions which is a…
Signals
Of the hero of this story I know little, but as that little is known perhaps only to me, I record it. It must have been some time in 1915 that I first met him. At a dismal 'depôt' in the Midlands, I was sharing a leaky tent with a fellow Second Lieutenant known to his friends as 'Jimbo.' As we were endeavouring, by means of a Primus stove, to dry some clothes faster than the leakage of the tent wetted them, we were nowise pleased to hear that a n…
Citation (5 works) · Computer Science (5 works) · Library science (5 works) · Religious Tourism and Spaces (3 works) · Art (2 works) · Catholicism and Religious Studies (2 works) · Information retrieval (2 works) · Reformation and Early Modern Christianity (2 works) · Art history (1 works) · Art History and Market Analysis (1 works)