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Dru Dougherty

Biographic Data

ID1050929
NAMEDru Dougherty
GIVEN NAMESDru
FAMILY NAMEDougherty
SIGNATUREDOUGHERTY D
VERIFIEDNo
TOTAL WORKS24
TOTAL CITATIONS0
WORKS AS AUTHOR24
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1979
LATEST PUBLICATION YEAR2013
H-INDEX0
  • Annual Index Volume XC (2013)

    Alonso Veloso, Mara Jos et al.•ARTICLE•Bulletin of Spanish Studies•2013

  • Dos discursos y un mensaje

    Dru Dougherty, Marina Catzaras et al.•ARTICLE•Revista de Crítica Literaria…•2005

  • Multicultural Iberia

    Paul O'Donnell, Paul E O'Donnell et al.•ARTICLE•Hispanic Review•2002•References: 5

    romance Triste deleytaçión was a Castilian-writing Catalan.Cortijo focuses on the influence of bilingual author Pere Torroella, whose misogynistic Maldezir de mugeres, apparently "interpreted as an attack against the literary and social status quo," sparked not only adverse reaction, but also a parody, Repetición de amores, parts of which bear a resemblance to "the anonymous first act of Celestina."By comparing some twenty manuscripts, Cortijo ra…

  • Guia para caminantes en Santa Fe de Tierra Firme. Estudio sistemico de Tirano Banderas

    Robert Lima, Dru Dougherty•ARTICLE•Hispanic Review•2002

  • Multicultural Iberia

    David Knutson, Dru Dougherty et al.•ARTICLE•Hispania•2001•References: 5

    romance Triste deleytaçión was a Castilian-writing Catalan.Cortijo focuses on the influence of bilingual author Pere Torroella, whose misogynistic Maldezir de mugeres, apparently "interpreted as an attack against the literary and social status quo," sparked not only adverse reaction, but also a parody, Repetición de amores, parts of which bear a resemblance to "the anonymous first act of Celestina."By comparing some twenty manuscripts, Cortijo ra…

  • Rewriting Melodrama. The Hidden Paradigm in Modern Spanish Theater

    Dru Dougherty, Wadda C Rios-Font•ARTICLE•Hispanic Review•2001

    Rewriting Melodrama. The Hidden Paradigm in Modern Spanish Theater. By Wadda C. Rios-Font. Lewisburg: Bucknell UP and Associated UP, 1997. 233 pages. In Rewriting Melodrama, Wadda Rios-Font reminds us that the prevailing esthetic form in late nineteenth-century Europe was melodrama, both in fiction and on the stage. The form's association with low culture explains, perhaps, its relative neglect by serious scholars until Peter Brooks published his…

  • La escena madrilena entre 1926 y 1931. Un lustro de transicion

    Luis T Gonzalez-del-Valle, Maria Francisca Vilches et al.•ARTICLE•Hispanic Review•1999

  • La escena madrilena entre 1926 y 1931

    Phyllis Zatlin, Vilches de Frutos et al.•ARTICLE•Hispania•1998

  • Anticolonialismo, "Arte de avanzada" y "Tirano Banderas" de Valle-Inclan

    Dru Dougherty•ARTICLE•Revista de Crítica Literaria…•1998

  • El teatro en Espana

    Marion Peter Holt, Dru Dougherty et al.•ARTICLE•Hispania•1994

  • El teatro en Espana. Entre la tradicion y la vanguardia. 1918-1939

    María Montserrat Alás-Brun, Dru Dougherty et al.•ARTICLE•Hispanic Review•1994

  • "Guia de lectura de "Martes de carnaval

    Dru Dougherty, Manuel Aznar Soler•ARTICLE•Hispanic Review•1994

  • El expresionismo en Valle-Inclan

    Dru Dougherty, Carlos Jerez Farrán•ARTICLE•Hispanic Review•1993

  • La escena madrilena entre 1918 y 1926

    Robert L Nicholas, Dru Dougherty et al.•ARTICLE•Hispanic Review•1993

  • Carnaval y teatro

    Dru Dougherty, Dru Dougherty Dru Dougherty et al.•ARTICLE•Bulletin Hispanique•1992

    La survivance du carnaval dans la théorie du théâtre donne lieu à l'étude de trois conceptions qui jalonnent l'histoire du théâtre espagnol au XX' siècle : la confusion des concepts de théâtre et de carnaval dans les essais théoriques de Rafael Cansinos-Asséns, l'exploitation des éléments les plus spectaculaires et erotiques de la fête dans des revues comme El Principe Carnaval, de José Juan Cadenas y R. Asensio Más, et aussi la création par Ramó…

  • Valle-Inclan y su mundo

    Dru Dougherty, Roberta L Salper•ARTICLE•Hispanic Review•1991

  • Genio y virtuosismo de Valle-Inclan

    Dru Dougherty, John P Gabriele•ARTICLE•Hispanic Review•1990

  • Valle-Inclan y la Segunda Republica

    Joan J Gilabert, Joan Gilabert et al.•ARTICLE•Hispania•1988

  • Valle-Inclan y la Segunda Republica

    Antonio Risco, Dru Dougherty•ARTICLE•Hispanic Review•1988

  • Theater and Eroticism

    Dru Dougherty•ARTICLE•Hispanic Review•1987

  • Ensayos Sobre Teatro Espanol De Los 20

    John Philip Gabriele, Robert Lima et al.•ARTICLE•Hispania•1986

  • The Semiosis of Stage Decor in Jacinto Grau's El Senor de Pigmalion

    Dru Dougherty•ARTICLE•Hispania•1984

  • Un Valle Inclan olvidado

    Adelaida Lopez De Martinez, Dru Dougherty•ARTICLE•Hispania•1984

  • El Demiurgo y su mundo

    Dru Dougherty, Antonio Risco•ARTICLE•Hispania•1979

No prominent works on this page.

  • El Demiurgo y su mundo

    Dru Dougherty, Antonio Risco•ARTICLE•Hispania•1979

  • The Semiosis of Stage Decor in Jacinto Grau's El Senor de Pigmalion

    Dru Dougherty•ARTICLE•Hispania•1984

  • Un Valle Inclan olvidado

    Adelaida Lopez De Martinez, Dru Dougherty•ARTICLE•Hispania•1984

  • Ensayos Sobre Teatro Espanol De Los 20

    John Philip Gabriele, Robert Lima et al.•ARTICLE•Hispania•1986

  • Theater and Eroticism

    Dru Dougherty•ARTICLE•Hispanic Review•1987

  • Valle-Inclan y la Segunda Republica

    Joan J Gilabert, Joan Gilabert et al.•ARTICLE•Hispania•1988

  • Valle-Inclan y la Segunda Republica

    Antonio Risco, Dru Dougherty•ARTICLE•Hispanic Review•1988

  • Genio y virtuosismo de Valle-Inclan

    Dru Dougherty, John P Gabriele•ARTICLE•Hispanic Review•1990

  • Valle-Inclan y su mundo

    Dru Dougherty, Roberta L Salper•ARTICLE•Hispanic Review•1991

  • Carnaval y teatro

    Dru Dougherty, Dru Dougherty Dru Dougherty et al.•ARTICLE•Bulletin Hispanique•1992

    La survivance du carnaval dans la théorie du théâtre donne lieu à l'étude de trois conceptions qui jalonnent l'histoire du théâtre espagnol au XX' siècle : la confusion des concepts de théâtre et de carnaval dans les essais théoriques de Rafael Cansinos-Asséns, l'exploitation des éléments les plus spectaculaires et erotiques de la fête dans des revues comme El Principe Carnaval, de José Juan Cadenas y R. Asensio Más, et aussi la création par Ramó…

  • El expresionismo en Valle-Inclan

    Dru Dougherty, Carlos Jerez Farrán•ARTICLE•Hispanic Review•1993

  • La escena madrilena entre 1918 y 1926

    Robert L Nicholas, Dru Dougherty et al.•ARTICLE•Hispanic Review•1993

  • El teatro en Espana

    Marion Peter Holt, Dru Dougherty et al.•ARTICLE•Hispania•1994

  • El teatro en Espana. Entre la tradicion y la vanguardia. 1918-1939

    María Montserrat Alás-Brun, Dru Dougherty et al.•ARTICLE•Hispanic Review•1994

  • "Guia de lectura de "Martes de carnaval

    Dru Dougherty, Manuel Aznar Soler•ARTICLE•Hispanic Review•1994

  • La escena madrilena entre 1926 y 1931

    Phyllis Zatlin, Vilches de Frutos et al.•ARTICLE•Hispania•1998

  • Anticolonialismo, "Arte de avanzada" y "Tirano Banderas" de Valle-Inclan

    Dru Dougherty•ARTICLE•Revista de Crítica Literaria…•1998

  • La escena madrilena entre 1926 y 1931. Un lustro de transicion

    Luis T Gonzalez-del-Valle, Maria Francisca Vilches et al.•ARTICLE•Hispanic Review•1999

  • Multicultural Iberia

    David Knutson, Dru Dougherty et al.•ARTICLE•Hispania•2001•References: 5

    romance Triste deleytaçión was a Castilian-writing Catalan.Cortijo focuses on the influence of bilingual author Pere Torroella, whose misogynistic Maldezir de mugeres, apparently "interpreted as an attack against the literary and social status quo," sparked not only adverse reaction, but also a parody, Repetición de amores, parts of which bear a resemblance to "the anonymous first act of Celestina."By comparing some twenty manuscripts, Cortijo ra…

  • Rewriting Melodrama. The Hidden Paradigm in Modern Spanish Theater

    Dru Dougherty, Wadda C Rios-Font•ARTICLE•Hispanic Review•2001

    Rewriting Melodrama. The Hidden Paradigm in Modern Spanish Theater. By Wadda C. Rios-Font. Lewisburg: Bucknell UP and Associated UP, 1997. 233 pages. In Rewriting Melodrama, Wadda Rios-Font reminds us that the prevailing esthetic form in late nineteenth-century Europe was melodrama, both in fiction and on the stage. The form's association with low culture explains, perhaps, its relative neglect by serious scholars until Peter Brooks published his…

  • Multicultural Iberia

    Paul O'Donnell, Paul E O'Donnell et al.•ARTICLE•Hispanic Review•2002•References: 5

    romance Triste deleytaçión was a Castilian-writing Catalan.Cortijo focuses on the influence of bilingual author Pere Torroella, whose misogynistic Maldezir de mugeres, apparently "interpreted as an attack against the literary and social status quo," sparked not only adverse reaction, but also a parody, Repetición de amores, parts of which bear a resemblance to "the anonymous first act of Celestina."By comparing some twenty manuscripts, Cortijo ra…

  • Guia para caminantes en Santa Fe de Tierra Firme. Estudio sistemico de Tirano Banderas

    Robert Lima, Dru Dougherty•ARTICLE•Hispanic Review•2002

  • Dos discursos y un mensaje

    Dru Dougherty, Marina Catzaras et al.•ARTICLE•Revista de Crítica Literaria…•2005

  • Annual Index Volume XC (2013)

    Alonso Veloso, Mara Jos et al.•ARTICLE•Bulletin of Spanish Studies•2013

Art (22 works) · Historical and Modern Theater Studies (18 works) · Humanities (11 works) · Spanish Literature and Culture Studies (11 works) · Spanish Culture and Identity (9 works) · Cinema History and Criticism (6 works) · Comparative Literary Analysis and Criticism (4 works) · Early Modern Spanish Literature (4 works) · Philosophy (4 works) · History (3 works)

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