Laura E Tanner
Biographic Data
| ID | 1051175 |
|---|---|
| NAME | Laura E Tanner |
| GIVEN NAMES | Laura E |
| FAMILY NAME | Tanner |
| SIGNATURE | TANNER L E |
| VERIFIED | No |
| TOTAL WORKS | 8 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 8 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1990 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
Aesthetic Affairs
Aesthetic Affairs" turns to three contemporary works of art-a short story, a graphic memoir, and a film-to consider how they invoke the conventions of human relationship and the paradigm of desire to highlight the inarticulable and seemingly inappropriate feelings solicited by art objects, architectural space, and design. Bringing together theories of architectural space, materiality, and desire with imaginative texts that both utilize and disrup…
Lost Bodies
Intimate Violence
Intimate Violence
A disturbing exploration of the reader's complicity with fictional depictions of intimate violence
Sweet Pain and Charred Bodies
In The Rhetoric of Temporality, Paul de Man defines and challenges a tradition of literary criticism has valued symbolism over allegory. The supremacy of symbol, conceived as an expression of unity between representative and semantic function of language, becomes a commonplace, de Man observes, that underlies literary taste, literary criticism, and literary history.' Coleridge praises symbol for its translucent quality, its potential to body fort…
Faulkner's Fables of Creativity
Faulkner's Marginal Couple
Drawing on semiotics, feminism, and Marxism, John Duvall challenges traditional views that Faulkner's fiction is essentially misogynist. Charting the many pairings of nurturing, passive males and strong, sexually active females in Faulkner's work, he undermines the view of Faulkner as an upholder of Southern patriarchal values and reveals instead how Faulkner's fiction traces the full androgynous spectrum of the human condition
Reading Rape
UTHILE the relationship between the violence of a culture and its representational counterpart in art is probed in many literary and artistic works, few deal with the issue with the immediacy of Marcel Duchamp's room-size art work, Etant Donnes: I la chute d'eau, 2 le gaz d'eclairage. Etant Donnes occupies one small room of the Philadelphia Museum of Art; the viewer's entrance into the room is marked by the absence of light, and the looming prese…
No prominent works on this page.
Reading Rape
UTHILE the relationship between the violence of a culture and its representational counterpart in art is probed in many literary and artistic works, few deal with the issue with the immediacy of Marcel Duchamp's room-size art work, Etant Donnes: I la chute d'eau, 2 le gaz d'eclairage. Etant Donnes occupies one small room of the Philadelphia Museum of Art; the viewer's entrance into the room is marked by the absence of light, and the looming prese…
Sweet Pain and Charred Bodies
In The Rhetoric of Temporality, Paul de Man defines and challenges a tradition of literary criticism has valued symbolism over allegory. The supremacy of symbol, conceived as an expression of unity between representative and semantic function of language, becomes a commonplace, de Man observes, that underlies literary taste, literary criticism, and literary history.' Coleridge praises symbol for its translucent quality, its potential to body fort…
Faulkner's Fables of Creativity
Faulkner's Marginal Couple
Drawing on semiotics, feminism, and Marxism, John Duvall challenges traditional views that Faulkner's fiction is essentially misogynist. Charting the many pairings of nurturing, passive males and strong, sexually active females in Faulkner's work, he undermines the view of Faulkner as an upholder of Southern patriarchal values and reveals instead how Faulkner's fiction traces the full androgynous spectrum of the human condition
Intimate Violence
A disturbing exploration of the reader's complicity with fictional depictions of intimate violence
Intimate Violence
Lost Bodies
Aesthetic Affairs
Aesthetic Affairs" turns to three contemporary works of art-a short story, a graphic memoir, and a film-to consider how they invoke the conventions of human relationship and the paradigm of desire to highlight the inarticulable and seemingly inappropriate feelings solicited by art objects, architectural space, and design. Bringing together theories of architectural space, materiality, and desire with imaginative texts that both utilize and disrup…
Art (6 works) · History (5 works) · Psychology (4 works) · Literature (3 works) · 20th century (2 works) · Aesthetics (2 works) · Art history (2 works) · History and criticism (2 works) · History and criticism (2 works) · Human body in literature (2 works)