Arturo Tello Ruiz-Pérez
Biographic Data
| ID | 1051677 |
|---|---|
| NAME | Arturo Tello Ruiz-Pérez |
| GIVEN NAMES | Arturo Tello |
| FAMILY NAME | Ruiz-Pérez |
| SIGNATURE | RUIZ-PÉREZ A T |
| AFFILIATIONS | Universidad Complutense de Madrid |
| ORCID | 0000-0002-9624-3685 |
| VERIFIED | Yes |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 4 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2014 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
The Merchant Scene in Medieval Conceptions of the Visitatio Sepulchri
This article aims to elucidate the origin of the merchant scene within the Easter drama, which can, by extension, be interpreted as representative of the entire Visitatio Sepulchri. Given that the troper-proser Vic 105 is the oldest attestation of the scene, we have used this manuscript as our starting point. Through a critical edition of the first nine stanzas of the drama, we propose a multidisciplinary working hypothesis that combines tools fr…
The Medieval Apparition of the Virgin of the Girdle and the Marian Appendix of Liturgical Sequences in E-TO 135
Based on the fervor and devotion of the Virgin of the Girdle of Tortosa—which gained a strong establishment from the 17th century onwards—this article explores the possibility of a cause-effect relationship between the apparition of the Virgin in the cathedral in 1178 and the Marian appendix contained in the troper-proser E-TO 135 (c. 1228–1264). By comparing the narration of the miracle and the sequences in this appendix, we can verify the exist…
The troper-proser Huesca, Chapter Library, MS 4
Comparing a species of codex such as the troper-proser with Cluniac charisma might at first seem somewhat contradictory. Cluny has been understood in criticism to have systematically opposed the addition of any extra-official compositions (tropes and sequences) to the liturgy and as a model of splendor and solemnity in medieval chants.Through the case of MS 4 from the Huesca Cathedral, a troper-proser from the end of the eleventh century or begin…
Sobre el amor y el fervor. Música, piedad y corte en los reinos hispanos medievales
With the aim of investigate the causes to understand the effects, at least as a premise, this paper presents some short reflections on what parameters are more or less constant in the musical repertoire of medieval Hispanic kingdoms. Thus, love (also the fervour) is taken as authentic driving force and guide of creativity, with special emphasis since the twelfth century. Some significant and paradigmatic examples are taken to show some ways and c…
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Sobre el amor y el fervor. Música, piedad y corte en los reinos hispanos medievales
With the aim of investigate the causes to understand the effects, at least as a premise, this paper presents some short reflections on what parameters are more or less constant in the musical repertoire of medieval Hispanic kingdoms. Thus, love (also the fervour) is taken as authentic driving force and guide of creativity, with special emphasis since the twelfth century. Some significant and paradigmatic examples are taken to show some ways and c…
The troper-proser Huesca, Chapter Library, MS 4
Comparing a species of codex such as the troper-proser with Cluniac charisma might at first seem somewhat contradictory. Cluny has been understood in criticism to have systematically opposed the addition of any extra-official compositions (tropes and sequences) to the liturgy and as a model of splendor and solemnity in medieval chants.Through the case of MS 4 from the Huesca Cathedral, a troper-proser from the end of the eleventh century or begin…
The Medieval Apparition of the Virgin of the Girdle and the Marian Appendix of Liturgical Sequences in E-TO 135
Based on the fervor and devotion of the Virgin of the Girdle of Tortosa—which gained a strong establishment from the 17th century onwards—this article explores the possibility of a cause-effect relationship between the apparition of the Virgin in the cathedral in 1178 and the Marian appendix contained in the troper-proser E-TO 135 (c. 1228–1264). By comparing the narration of the miracle and the sequences in this appendix, we can verify the exist…
The Merchant Scene in Medieval Conceptions of the Visitatio Sepulchri
This article aims to elucidate the origin of the merchant scene within the Easter drama, which can, by extension, be interpreted as representative of the entire Visitatio Sepulchri. Given that the troper-proser Vic 105 is the oldest attestation of the scene, we have used this manuscript as our starting point. Through a critical edition of the first nine stanzas of the drama, we propose a multidisciplinary working hypothesis that combines tools fr…
Art (4 works) · Literature (3 works) · Philosophy (3 works) · Historical and Religious Studies of Rome (2 works) · History (2 works) · Linguistics (2 works) · Medieval European Literature and History (2 works) · Theology (2 works) · Ancient history (1 works) · Appendix (1 works)