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W H Riddell

Biographic Data

ID1051770
NAMEW H Riddell
GIVEN NAMESW H
FAMILY NAMERiddell
SIGNATURERIDDELL W H
VERIFIEDNo
TOTAL WORKS8
TOTAL CITATIONS5
WORKS AS AUTHOR8
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1940
LATEST PUBLICATION YEAR1946
H-INDEX1
  • Further Note on The Unicorn

    Open Access•W H Riddell•ARTICLE•Antiquity•1946

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Masterpieces of Persian Art

    Open Access•W H Riddell•ARTICLE•Antiquity•1946•Cited by: 5

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Hoshi-No-Tama

    Open Access•W H Riddell•ARTICLE•Antiquity•1946

    Mani, the Sacred Jewel (Shansi in Chinese; Shinshi in Japanese) is that one of the Sapta Rapta (Seven Treasures) which is the emblematic symbol of the Buddha and his doctrine. Defined as a supernatural pearl, spherical, self-luminous, and of unfading lustre, it sheds a brilliant light on all its surroundings and is therefore an appropriate simile for the Enlightenment which Buddhists seek. In the Iconography of the Far East this fabulous gem is a…

  • Tiger and Dragon

    Open Access•W H Riddell•ARTICLE•Antiquity•1945

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Concerning Unicorns

    Open Access•W H Riddell•ARTICLE•Antiquity•1945

    To travel hopefully' says Robert Louis Stevenson 'is a better thing than to arrive': and whoever would track a legend to its source must needs be an optimistic traveller, for his prospects of reaching his destination are remote. The man who indulges in this form of sport-and it has its fascinations-soon becomes aware that amid the records of the Ancients, which form his Happy Hunting-ground, inaccuracy and credulity abound; whereas dependable fac…

  • The Domestic Goose

    Open Access•W H Riddell•ARTICLE•Antiquity•1943

    When, Where and How the Wild Goose was first domesticated are questions which offer a wide field for speculation, and an interesting subject, should the opportunity occur, for archaeological research, Our present tame geese differ, generally speaking, in so small a degree from their wild congeners that we hardly need Darwin's authority to assure us that they are all descended from the Grey-Lag goose Answ anser (Linnaeus). The very small change th…

  • Cave-Paintings, Lescaux

    Open Access•W H Riddell•ARTICLE•Antiquity•1942

    Owing to the fog of War, and because I live abroad, I did not hear about the discovery in the Dordogne (September 1940) of Lescaux-a hitherto unknown painted cave of the utmost interest-until after my article 'Palaeolithic Paintings-Magdalenian Period' was in type (see ANTIQUITY, June 1942). Had I known of it, some modification in the treatment of my thesis would have been necessary. This new material, however, does not stultify the general trend…

  • Dead or Alive

    Open Access•W H Riddell•ARTICLE•Antiquity•1940

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Masterpieces of Persian Art

    Open Access•W H Riddell•ARTICLE•Antiquity•1946•Cited by: 5

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Dead or Alive

    Open Access•W H Riddell•ARTICLE•Antiquity•1940

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Cave-Paintings, Lescaux

    Open Access•W H Riddell•ARTICLE•Antiquity•1942

    Owing to the fog of War, and because I live abroad, I did not hear about the discovery in the Dordogne (September 1940) of Lescaux-a hitherto unknown painted cave of the utmost interest-until after my article 'Palaeolithic Paintings-Magdalenian Period' was in type (see ANTIQUITY, June 1942). Had I known of it, some modification in the treatment of my thesis would have been necessary. This new material, however, does not stultify the general trend…

  • The Domestic Goose

    Open Access•W H Riddell•ARTICLE•Antiquity•1943

    When, Where and How the Wild Goose was first domesticated are questions which offer a wide field for speculation, and an interesting subject, should the opportunity occur, for archaeological research, Our present tame geese differ, generally speaking, in so small a degree from their wild congeners that we hardly need Darwin's authority to assure us that they are all descended from the Grey-Lag goose Answ anser (Linnaeus). The very small change th…

  • Tiger and Dragon

    Open Access•W H Riddell•ARTICLE•Antiquity•1945

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Concerning Unicorns

    Open Access•W H Riddell•ARTICLE•Antiquity•1945

    To travel hopefully' says Robert Louis Stevenson 'is a better thing than to arrive': and whoever would track a legend to its source must needs be an optimistic traveller, for his prospects of reaching his destination are remote. The man who indulges in this form of sport-and it has its fascinations-soon becomes aware that amid the records of the Ancients, which form his Happy Hunting-ground, inaccuracy and credulity abound; whereas dependable fac…

  • Further Note on The Unicorn

    Open Access•W H Riddell•ARTICLE•Antiquity•1946

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Masterpieces of Persian Art

    Open Access•W H Riddell•ARTICLE•Antiquity•1946•Cited by: 5

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Hoshi-No-Tama

    Open Access•W H Riddell•ARTICLE•Antiquity•1946

    Mani, the Sacred Jewel (Shansi in Chinese; Shinshi in Japanese) is that one of the Sapta Rapta (Seven Treasures) which is the emblematic symbol of the Buddha and his doctrine. Defined as a supernatural pearl, spherical, self-luminous, and of unfading lustre, it sheds a brilliant light on all its surroundings and is therefore an appropriate simile for the Enlightenment which Buddhists seek. In the Iconography of the Far East this fabulous gem is a…

History (8 works) · Art (4 works) · Art history (4 works) · Computer Science (4 works) · Mathematics (4 works) · Content (measure theory) (3 works) · Geography (3 works) · Philosophy (3 works) · Eurasian Exchange Networks (2 works) · Law (2 works)

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