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Maria-Regina Kecht

Biographic Data

ID1052142
NAMEMaria-Regina Kecht
GIVEN NAMESMaria-Regina
FAMILY NAMEKecht
SIGNATUREKECHT M
AFFILIATIONSRice University
VERIFIEDNo
TOTAL WORKS8
TOTAL CITATIONS0
AUTHOR COUNT8
EDITOR COUNT0
FIRST PUBLICATION YEAR1989
LATEST PUBLICATION YEAR2017
H-INDEX0
  • Identitäten—Imaginationen—Erzählungen

    Maria-Regina Kecht•ARTICLE•Journal of Austrian Studies•2017

    Reviewed by: Identitäten—Imaginationen—Erzählungen: Literaturraum Südtirol seit 1965 by Barbara Siller Maria-Regina Kecht Barbara Siller, Identitäten—Imaginationen—Erzählungen: Literaturraum Südtirol seit 1965. Innsbrucker Beiträge zur Kulturwissenschaft—Germanistische Reihe 82. Innsbruck: Innsbruck UP, 2015. 268 S. Wenige GermanistInnen haben sich je mit der Literatur aus Südtirol beschäftigt, selbst wenn sie die Gebirgsgegend kennen und auch mi…

  • Elfriede Jelinek in absentia oder die Sprache zur Sprache bringen

    Maria-Regina Kecht•ARTICLE•Seminar A Journal of Germanic…•2007

  • Weiblichkeit als Kunst

    Maria-Regina Kecht, Gabriele Althoff•ARTICLE•German Studies Review•1994

  • Thomas Bernhard

    Maria-Regina Kecht, Bernhard Sorg•ARTICLE•German Studies Review•1994

  • Kontinuitat und Vergangenheitsbewaltigung in der osterreichischen Literatur nach 1945

    Maria-Regina Kecht, Joseph G Mcveigh et al.•ARTICLE•The German Quarterly•1989

  • "In the Name of Obedience, Reason, and Fear"

    Maria-Regina Kecht•ARTICLE•The German Quarterly•1989

    Maria-Regina Kecht, "In the Name of Obedience, Reason, and Fear": Mother-Daughter Relations in W. A. Mitgutsch and E. Jelinek, The German Quarterly, Vol. 62, No. 3, Focus: Literature since 1945 (Summer, 1989), pp. 357-372

  • "Protocols of the Exhibition "Points of Reference 38/88

    Werner Fenz, Maria-Regina Kecht•ARTICLE•October•1989

    Points of Reference considers as a catalyst for the present, not as a systematic coming-to-terms with the past, but as a look back from the perspective of modern consciousness, because history does not repeat itself. Therefore, interest in the subject matter determines the work's form. Aesthetic qualities are not set beforehand, but result from intellectual abilities which emerge in a very specific context. Points of Reference would like to avoid…

  • The Monument Is Invisible, the Sign Visible

    Werner Fenz, Maria-Regina Kecht•ARTICLE•October•1989

    Robert Musil's remark that a monument is immune to attention, thus invisible, is an old and hackneyed phrase.' But as it bears on the issue of in space, the remark gets to the core of the matter, even when taken out of its historical context. His remark is even more apt when the issue is considered within the broader framework of visual cultural production in general of the past two decades. Recent open air exhibitions, such as portions of Docume…

No prominent works on this page.

  • Kontinuitat und Vergangenheitsbewaltigung in der osterreichischen Literatur nach 1945

    Maria-Regina Kecht, Joseph G Mcveigh et al.•ARTICLE•The German Quarterly•1989

  • "In the Name of Obedience, Reason, and Fear"

    Maria-Regina Kecht•ARTICLE•The German Quarterly•1989

    Maria-Regina Kecht, "In the Name of Obedience, Reason, and Fear": Mother-Daughter Relations in W. A. Mitgutsch and E. Jelinek, The German Quarterly, Vol. 62, No. 3, Focus: Literature since 1945 (Summer, 1989), pp. 357-372

  • "Protocols of the Exhibition "Points of Reference 38/88

    Werner Fenz, Maria-Regina Kecht•ARTICLE•October•1989

    Points of Reference considers as a catalyst for the present, not as a systematic coming-to-terms with the past, but as a look back from the perspective of modern consciousness, because history does not repeat itself. Therefore, interest in the subject matter determines the work's form. Aesthetic qualities are not set beforehand, but result from intellectual abilities which emerge in a very specific context. Points of Reference would like to avoid…

  • The Monument Is Invisible, the Sign Visible

    Werner Fenz, Maria-Regina Kecht•ARTICLE•October•1989

    Robert Musil's remark that a monument is immune to attention, thus invisible, is an old and hackneyed phrase.' But as it bears on the issue of in space, the remark gets to the core of the matter, even when taken out of its historical context. His remark is even more apt when the issue is considered within the broader framework of visual cultural production in general of the past two decades. Recent open air exhibitions, such as portions of Docume…

  • Weiblichkeit als Kunst

    Maria-Regina Kecht, Gabriele Althoff•ARTICLE•German Studies Review•1994

  • Thomas Bernhard

    Maria-Regina Kecht, Bernhard Sorg•ARTICLE•German Studies Review•1994

  • Elfriede Jelinek in absentia oder die Sprache zur Sprache bringen

    Maria-Regina Kecht•ARTICLE•Seminar A Journal of Germanic…•2007

  • Identitäten—Imaginationen—Erzählungen

    Maria-Regina Kecht•ARTICLE•Journal of Austrian Studies•2017

    Reviewed by: Identitäten—Imaginationen—Erzählungen: Literaturraum Südtirol seit 1965 by Barbara Siller Maria-Regina Kecht Barbara Siller, Identitäten—Imaginationen—Erzählungen: Literaturraum Südtirol seit 1965. Innsbrucker Beiträge zur Kulturwissenschaft—Germanistische Reihe 82. Innsbruck: Innsbruck UP, 2015. 268 S. Wenige GermanistInnen haben sich je mit der Literatur aus Südtirol beschäftigt, selbst wenn sie die Gebirgsgegend kennen und auch mi…

Art (6 works) · Philosophy (5 works) · German Literature and Culture Studies (3 works) · Humanities (3 works) · Literature and Cultural Memory (3 works) · Philosophy (3 works) · German History and Society (2 works) · Political science (2 works) · Art, Aesthetics, and Perception (1 works) · Art, Politics, and Modernism (1 works)

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