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Nancy J Troy

Biographic Data

ID1052249
NAMENancy J Troy
GIVEN NAMESNancy J
FAMILY NAMETroy
SIGNATURETROY N J
AFFILIATIONSNancy J. Troy is Professor and Chair of the Department of Art History at the University of Southern California. She is the author of The De Stijl Environment (MIT Press, 1983) and Modernism and the Decorative Arts in France: Art Nouveau to Le Corbusier (Yale University Press, 1991), and of Couture Culture: A Study in Modern Art and Fashion (forthcoming from MIT Press, 2002), from which the present paper is drawn.
VERIFIEDNo
TOTAL WORKS7
TOTAL CITATIONS1
AUTHOR COUNT7
EDITOR COUNT0
FIRST PUBLICATION YEAR1983
LATEST PUBLICATION YEAR2023
H-INDEX1
  • Couture Culture: Avant et (vingt ans) après

    Open Access•Nancy J Troy, Étienne Gomez•ARTICLE•Perspective•2023

    Dans cet essai sollicité par Perspective pour célébrer le vingtième anniversaire de la publication de son livre, Couture Culture: A Study in Modern Art and Fashion (Cambridge, MA, The MIT Press, 2003), Nancy J. Troy revient sur sa trajectoire intellectuelle, depuis sa formation d’historienne de l’art dans les années 1970 jusqu’à son adhésion, des décennies plus tard, aux études de mode comme un domaine analytique et critique de premier plan, qui …

  • Yves Saint Laurent aux Musées

    Nancy J Troy•ARTICLE•Fashion Theory•2022

  • Bolotowsky, Ilya

    Nancy J Troy, Rina Arya•CHAPTER•2003

  • Paul Poiret's Minaret Style: Originality, Reproduction, and Art in Fashion

    Nancy J Troy•ARTICLE•Fashion Theory•2002

    (2002). Paul Poiret's Minaret Style: Originality, Reproduction, and Art in Fashion. Fashion Theory: Vol. 6, No. 2, pp. 117-143

  • The Theatre of Fashion: Staging Haute Couture in Early 20th Century France

    Nancy J Troy•ARTICLE•Theatre Journal•2001•Cited by: 1

    In the modern period the connections between fashion and theatre are multiple, encompassing not simply the design of costumes for the stage, or the dramatic potential of fashion shows, or even the performative aspect of wearing clothes, but also the exploitation of the "star" system for the commercial purpose of launching new clothing styles. The familiar commodity tie-ins that in the 1930s enlisted Hollywood movie stars in the promotion of consu…

  • The De Stijl Environment

    Hans Jaffe, H H Jaffé et al.•ARTICLE•Leonardo•1984

  • To Be Continued: A Note on Some Recent Mondrians

    Nancy J Troy, Nancy Troy•ARTICLE•October•1983

    Piet Mondrian's ascetic lifestyle was already legendary before his death on February 1, 1944. The sparseness and apparent simplicity of his paintings seemed to confirm his reputation as spectacular devotee of solitary life,' and those who knew the artist were not surprised that scarcely any personal effects were to be found in the New York studio he left behind. One would expect the disposition of his estatewhich passed into the hands of his frie…

  • The Theatre of Fashion: Staging Haute Couture in Early 20th Century France

    Nancy J Troy•ARTICLE•Theatre Journal•2001•Cited by: 1

    In the modern period the connections between fashion and theatre are multiple, encompassing not simply the design of costumes for the stage, or the dramatic potential of fashion shows, or even the performative aspect of wearing clothes, but also the exploitation of the "star" system for the commercial purpose of launching new clothing styles. The familiar commodity tie-ins that in the 1930s enlisted Hollywood movie stars in the promotion of consu…

  • To Be Continued: A Note on Some Recent Mondrians

    Nancy J Troy, Nancy Troy•ARTICLE•October•1983

    Piet Mondrian's ascetic lifestyle was already legendary before his death on February 1, 1944. The sparseness and apparent simplicity of his paintings seemed to confirm his reputation as spectacular devotee of solitary life,' and those who knew the artist were not surprised that scarcely any personal effects were to be found in the New York studio he left behind. One would expect the disposition of his estatewhich passed into the hands of his frie…

  • The De Stijl Environment

    Hans Jaffe, H H Jaffé et al.•ARTICLE•Leonardo•1984

  • The Theatre of Fashion: Staging Haute Couture in Early 20th Century France

    Nancy J Troy•ARTICLE•Theatre Journal•2001•Cited by: 1

    In the modern period the connections between fashion and theatre are multiple, encompassing not simply the design of costumes for the stage, or the dramatic potential of fashion shows, or even the performative aspect of wearing clothes, but also the exploitation of the "star" system for the commercial purpose of launching new clothing styles. The familiar commodity tie-ins that in the 1930s enlisted Hollywood movie stars in the promotion of consu…

  • Paul Poiret's Minaret Style: Originality, Reproduction, and Art in Fashion

    Nancy J Troy•ARTICLE•Fashion Theory•2002

    (2002). Paul Poiret's Minaret Style: Originality, Reproduction, and Art in Fashion. Fashion Theory: Vol. 6, No. 2, pp. 117-143

  • Bolotowsky, Ilya

    Nancy J Troy, Rina Arya•CHAPTER•2003

  • Yves Saint Laurent aux Musées

    Nancy J Troy•ARTICLE•Fashion Theory•2022

  • Couture Culture: Avant et (vingt ans) après

    Open Access•Nancy J Troy, Étienne Gomez•ARTICLE•Perspective•2023

    Dans cet essai sollicité par Perspective pour célébrer le vingtième anniversaire de la publication de son livre, Couture Culture: A Study in Modern Art and Fashion (Cambridge, MA, The MIT Press, 2003), Nancy J. Troy revient sur sa trajectoire intellectuelle, depuis sa formation d’historienne de l’art dans les années 1970 jusqu’à son adhésion, des décennies plus tard, aux études de mode comme un domaine analytique et critique de premier plan, qui …

Art (4 works) · Fashion and Cultural Textiles (4 works) · Art history (3 works) · Philosophy (3 works) · Aesthetics (2 works) · Art, Technology, and Culture (2 works) · Artistic and Creative Research (2 works) · Computer Science (2 works) · Humanities (2 works) · Philosophy (2 works)

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