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Cody Marrs

Biographic Data

ID1052329
NAMECody Marrs
GIVEN NAMESCody
FAMILY NAMEMarrs
SIGNATUREMARRS C
AFFILIATIONSUniversity of Georgia
VERIFIEDNo
TOTAL WORKS10
TOTAL CITATIONS5
WORKS AS AUTHOR8
WORKS AS EDITOR2
FIRST PUBLICATION YEAR2010
LATEST PUBLICATION YEAR2024
H-INDEX1
  • The Front Line in American War Literature

    Cody Marrs•ARTICLE•Revue française d’études…•2024•References: 1

  • The Front Line in American War Literature

    Cody Marrs•ARTICLE•Revue française d’études…•2024•References: 1

    La littérature de guerre américaine a tendance à se concentrer sur l’expérience et le point de vue de soldats placés sur la ligne de front. Le présent article s’intéresse aux causes et conséquences de cette caractéristique centrale du genre. Il avance deux arguments liés : (1) La littérature de guerre américaine est centrée à la fois sur l’expérience du front et sur le défi que constitue la représentation de cette expérience ; et (2) cette caract…

  • American Literature in Transition, 1851–1877

    Open Access•Cody Marrs•EDITOR•BOOK•American Literature in…•2022

    Between 1851 and 1877, the U.S. underwent a whirlwind of change. This volume offers a fresh account of this important era, assessing the many developments - both major and minor - that transformed American literature. In a wide range of chapters, scholars re-examine literary history before, during, and after the Civil War, revealing significant changes not only in how literature is written but also in how it is conceived, distributed, and consume…

  • Crossings in Nineteenth-Century American Culture

    Bridget Bennett, Gordon Fraser et al.•BOOK•Crossings in Nineteenth-Century…•2022

  • The New Melville Studies

    Open Access•Cody Marrs•EDITOR•BOOK•New Melville Studies•2019

    What does Melville studies look like after a phase of intense critical activity? This book addresses that question by analyzing Melville as a writer who was keenly interested in the pleasures, limits, and possibilities of various reading practices. It collects and assesses all of the major new trends in Melville studies. Essays, written by some of the leading scholars in the field, test out emerging critical methods. They explore Melville's centr…

  • New Melville Studies

    Cody Marrs•BOOK•New Melville Studies•2019

  • Dickinson in the Anthropocene

    Cody Marrs•ARTICLE•ESQ•2017•Cited by: 1•References: 4

    Dickinson in the Anthropocene Cody Marrs (bio) To what extent can we read Emily Dickinson as a poet of the Anthropocene? Or to rephrase using the language of this special issue, is the Anthropocene—our contemporary geological era, marked by humanity's fateful emergence as a climatological force—among Dickinson's environments? The answer partly depends on how one periodizes the Anthropocene. The scientific body responsible for determining such mat…

  • Frederick Douglass in 1848

    Cody Marrs•ARTICLE•American Literature•2013•Cited by: 3•References: 12

    When revolutions rocked Europe in 1848, Frederick Douglass responded almost immediately by framing these movements across the Atlantic in global terms, connecting class strife in the Old World to the struggle over slavery in the New. Yet he also used the revolts of 1848 long after they had ended to discern other, related patterns of protest and repression in the slavery crisis of the 1850s, in the Civil War, and in the rise and fall of Radical Re…

  • Clarel and the American Centennial

    Open Access•Cody Marrs•ARTICLE•Leviathan•2011

  • A Wayward Art

    Cody Marrs•ARTICLE•American Literature•2010•Cited by: 1

    Marrs's essay considers how Melville's Battle-Pieces and Aspects of the War (1866) provides an immanent account, or inside narrative, of the author's transition from novelist to poet. Focusing on the relation between his figurations of time and the structures of his verse, Marrs argues that Melville's turn to poetry originates not in a politico-aesthetic reversal or withdrawal-as some critics have argued-but rather in a revised understanding of h…

  • Frederick Douglass in 1848

    Cody Marrs•ARTICLE•American Literature•2013•Cited by: 3•References: 12

    When revolutions rocked Europe in 1848, Frederick Douglass responded almost immediately by framing these movements across the Atlantic in global terms, connecting class strife in the Old World to the struggle over slavery in the New. Yet he also used the revolts of 1848 long after they had ended to discern other, related patterns of protest and repression in the slavery crisis of the 1850s, in the Civil War, and in the rise and fall of Radical Re…

  • Dickinson in the Anthropocene

    Cody Marrs•ARTICLE•ESQ•2017•Cited by: 1•References: 4

    Dickinson in the Anthropocene Cody Marrs (bio) To what extent can we read Emily Dickinson as a poet of the Anthropocene? Or to rephrase using the language of this special issue, is the Anthropocene—our contemporary geological era, marked by humanity's fateful emergence as a climatological force—among Dickinson's environments? The answer partly depends on how one periodizes the Anthropocene. The scientific body responsible for determining such mat…

  • A Wayward Art

    Cody Marrs•ARTICLE•American Literature•2010•Cited by: 1

    Marrs's essay considers how Melville's Battle-Pieces and Aspects of the War (1866) provides an immanent account, or inside narrative, of the author's transition from novelist to poet. Focusing on the relation between his figurations of time and the structures of his verse, Marrs argues that Melville's turn to poetry originates not in a politico-aesthetic reversal or withdrawal-as some critics have argued-but rather in a revised understanding of h…

  • A Wayward Art

    Cody Marrs•ARTICLE•American Literature•2010•Cited by: 1

    Marrs's essay considers how Melville's Battle-Pieces and Aspects of the War (1866) provides an immanent account, or inside narrative, of the author's transition from novelist to poet. Focusing on the relation between his figurations of time and the structures of his verse, Marrs argues that Melville's turn to poetry originates not in a politico-aesthetic reversal or withdrawal-as some critics have argued-but rather in a revised understanding of h…

  • Clarel and the American Centennial

    Open Access•Cody Marrs•ARTICLE•Leviathan•2011

  • Frederick Douglass in 1848

    Cody Marrs•ARTICLE•American Literature•2013•Cited by: 3•References: 12

    When revolutions rocked Europe in 1848, Frederick Douglass responded almost immediately by framing these movements across the Atlantic in global terms, connecting class strife in the Old World to the struggle over slavery in the New. Yet he also used the revolts of 1848 long after they had ended to discern other, related patterns of protest and repression in the slavery crisis of the 1850s, in the Civil War, and in the rise and fall of Radical Re…

  • Dickinson in the Anthropocene

    Cody Marrs•ARTICLE•ESQ•2017•Cited by: 1•References: 4

    Dickinson in the Anthropocene Cody Marrs (bio) To what extent can we read Emily Dickinson as a poet of the Anthropocene? Or to rephrase using the language of this special issue, is the Anthropocene—our contemporary geological era, marked by humanity's fateful emergence as a climatological force—among Dickinson's environments? The answer partly depends on how one periodizes the Anthropocene. The scientific body responsible for determining such mat…

  • The New Melville Studies

    Open Access•Cody Marrs•EDITOR•BOOK•New Melville Studies•2019

    What does Melville studies look like after a phase of intense critical activity? This book addresses that question by analyzing Melville as a writer who was keenly interested in the pleasures, limits, and possibilities of various reading practices. It collects and assesses all of the major new trends in Melville studies. Essays, written by some of the leading scholars in the field, test out emerging critical methods. They explore Melville's centr…

  • New Melville Studies

    Cody Marrs•BOOK•New Melville Studies•2019

  • American Literature in Transition, 1851–1877

    Open Access•Cody Marrs•EDITOR•BOOK•American Literature in…•2022

    Between 1851 and 1877, the U.S. underwent a whirlwind of change. This volume offers a fresh account of this important era, assessing the many developments - both major and minor - that transformed American literature. In a wide range of chapters, scholars re-examine literary history before, during, and after the Civil War, revealing significant changes not only in how literature is written but also in how it is conceived, distributed, and consume…

  • Crossings in Nineteenth-Century American Culture

    Bridget Bennett, Gordon Fraser et al.•BOOK•Crossings in Nineteenth-Century…•2022

  • The Front Line in American War Literature

    Cody Marrs•ARTICLE•Revue française d’études…•2024•References: 1

  • The Front Line in American War Literature

    Cody Marrs•ARTICLE•Revue française d’études…•2024•References: 1

    La littérature de guerre américaine a tendance à se concentrer sur l’expérience et le point de vue de soldats placés sur la ligne de front. Le présent article s’intéresse aux causes et conséquences de cette caractéristique centrale du genre. Il avance deux arguments liés : (1) La littérature de guerre américaine est centrée à la fois sur l’expérience du front et sur le défi que constitue la représentation de cette expérience ; et (2) cette caract…

History (6 works) · Literature: history, themes, analysis (5 works) · Archaeology (4 works) · Art (3 works) · History (3 works) · American and British Literature Analysis (2 works) · American Environmental and Regional History (2 works) · Literature (2 works) · 19th century (1 work) · Aesthetics (1 work)

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