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Kenneth Millard

Biographic Data

ID1052624
NAMEKenneth Millard
GIVEN NAMESKenneth
FAMILY NAMEMillard
SIGNATUREMILLARD K
AFFILIATIONSUniversity of Edinburgh
VERIFIEDNo
TOTAL WORKS3
TOTAL CITATIONS0
WORKS AS AUTHOR3
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2002
LATEST PUBLICATION YEAR2015
H-INDEX0
  • Vanishing Point

    Open Access•Kenneth Millard•ARTICLE•European Journal of American…•2015•References: 17

    This critical study situates Joan Didion’s memoir Where I Was From in the context of debates about the textuality of history in contemporary culture. In particular the essay is a critical examination of Didion’s interest in the concept of origins. What are the politics of historical origins, how might “true origins” be known, and how might a different understanding of such origins facilitate a feminist appraisal of Western American history? The e…

  • Textual Authenticity and the Contemporary West

    Kenneth Millard•ARTICLE•Mosaic•2014

    A critical study of John McPhee's Rising from the Plains in the context of recent debates about the status of regional studies in a postmodern culture, this essay asks what it means to be authentically Western in a late-twentieth-century culture comprising simulacra

  • Contemporary American Fiction

    Adam Wood, Adam H Wood et al.•ARTICLE•South Atlantic Review•2002

No prominent works on this page.

  • Contemporary American Fiction

    Adam Wood, Adam H Wood et al.•ARTICLE•South Atlantic Review•2002

  • Textual Authenticity and the Contemporary West

    Kenneth Millard•ARTICLE•Mosaic•2014

    A critical study of John McPhee's Rising from the Plains in the context of recent debates about the status of regional studies in a postmodern culture, this essay asks what it means to be authentically Western in a late-twentieth-century culture comprising simulacra

  • Vanishing Point

    Open Access•Kenneth Millard•ARTICLE•European Journal of American…•2015•References: 17

    This critical study situates Joan Didion’s memoir Where I Was From in the context of debates about the textuality of history in contemporary culture. In particular the essay is a critical examination of Didion’s interest in the concept of origins. What are the politics of historical origins, how might “true origins” be known, and how might a different understanding of such origins facilitate a feminist appraisal of Western American history? The e…

Art (3 works) · History (3 works) · Literature (3 works) · Archaeology (2 works) · Aesthetics (1 work) · Art history (1 work) · Autobiographical and Biographical Writing (1 work) · Contemporary Literature and Criticism (1 work) · Context (archaeology (1 work) · Context (archaeology) (1 work)

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