Steven Spiegel
Biographic Data
| ID | 1053251 |
|---|---|
| NAME | Steven Spiegel |
| GIVEN NAMES | Steven |
| FAMILY NAME | Spiegel |
| SIGNATURE | SPIEGEL S |
| AFFILIATIONS | University of Zurich |
| ORCID | 0000-0003-2141-5566 |
| VERIFIED | Yes |
| TOTAL WORKS | 20 |
| TOTAL CITATIONS | 5 |
| AUTHOR COUNT | 20 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1982 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 1 |
The Liverpool Companion to World Science Fiction Film
Scholarship on science fiction cinema tends to be US-centric. Although science fiction (SF) is by no means an American invention, it is often perceived as such. The same holds true for cinema. At least in the Western world, screens are dominated by the U.S. film industry. While there are other film industries whose output surpasses that of Hollywood, they rarely receive the same attention, as they produce primarily for their respective home marke…
Fantastikforschung als Beruf
Forum on research into the fantastic as a profession
Die Wirklichkeit allein reicht nicht aus«. Interview mit Sandra Wollner
Austrian filmmaker Sandra Wollner talks about her movie The Trouble with Being Born
Le monde en plus étrange
Le concept d’« estrangement » est central dans la critique sur la science-fiction depuis que Darko Suvin a défini ce genre par sa capacité à créer l’effet d’« estrangement cognitif ». En revenant aux théories de Viktor Shklovsky et de Bertolt Brecht, je montrerai en quoi Suvin, dans sa démarche, entrelace les aspects formel, fictionnel, générique et réceptif de l’estrangement. Contrairement à ce que Suvin affirme, l’outil formel privilégié de la …
Peiler, Nils Daniel. To Infinity and Beyond. Die künstlerische Rezeption von Stanley Kubricks 2001
Review of To Infinity and Beyond. Die künstlerische Rezeption von Stanley Kubricks 2001: Odyssee im Weltraum by Nils Daniel Peiler
Niegeschichte. Science Fiction als Kunst-und Denkmaschine. Von Dietmar Dath. Berlin
Gonnermann, Annika. Absent Rebels. Criticism and Network Power in 21st Century Dytopian Fiction. Narr Francke Attempto, 2021
Review of Absent Rebels. Criticism and Network Power in 21st Century Dystopian Fiction by Annika Gonnermann
Dumm-Artikel
Dummy-Abstract
Der Kapitalismus ist 2008 zu seinem Ende gekommen«. Interview mit Yanis Varoufakis
Former Greek Minister of Finance Yanis Varoufakis talks about his utopian novel Another Now, the blockchain, and the end of capitalism
Genres sind austauschbare Gefäße«. Interview mit Ivan Engler
Interview with Swiss filmmaker Ivan Engler
Science-Fiction
Forum »Game of Thrones«
Forum on Game of Thrones Publisher's note: This article was originally published as part of issue 8.1. This has been updated to note that this article is part of issue 7.2
Verschwörungstheorien als narratives Phänomen
Filmanalyse
Science Fiction
Things Made Strange
The concept of “estrangement” has been central to sf criticism ever since Darko Suvin defined the genre as creating the effect of “cognitive estrangement.” By going back to the theories of Viktor Shklovsky and Bertolt Brecht, I will show how Suvin, in his approach, intermingles formal, fictional, generic, and receptive aspects of estrangement. Contrary to Suvin’s assessment, it is not sf’s primary formal operation to render familiar things strang…
Regional security and the levels of analysis problem
This study explores the issues involved in creating a regional security regime in the Middle East using insights from the levels of analysis framework of international relations theory. In doing so, Spiegel focuses on the means which can be implemented in the region in order to improve the prospects for establishing such a regime
The New Spain
The New Spain
The Middle East and the Western Alliance
The Middle East and the Western Alliance
The New Spain
The New Spain
Regional security and the levels of analysis problem
This study explores the issues involved in creating a regional security regime in the Middle East using insights from the levels of analysis framework of international relations theory. In doing so, Spiegel focuses on the means which can be implemented in the region in order to improve the prospects for establishing such a regime
Things Made Strange
The concept of “estrangement” has been central to sf criticism ever since Darko Suvin defined the genre as creating the effect of “cognitive estrangement.” By going back to the theories of Viktor Shklovsky and Bertolt Brecht, I will show how Suvin, in his approach, intermingles formal, fictional, generic, and receptive aspects of estrangement. Contrary to Suvin’s assessment, it is not sf’s primary formal operation to render familiar things strang…
Filmanalyse
Science Fiction
Science-Fiction
Forum »Game of Thrones«
Forum on Game of Thrones Publisher's note: This article was originally published as part of issue 8.1. This has been updated to note that this article is part of issue 7.2
Verschwörungstheorien als narratives Phänomen
Gonnermann, Annika. Absent Rebels. Criticism and Network Power in 21st Century Dytopian Fiction. Narr Francke Attempto, 2021
Review of Absent Rebels. Criticism and Network Power in 21st Century Dystopian Fiction by Annika Gonnermann
Dumm-Artikel
Dummy-Abstract
Der Kapitalismus ist 2008 zu seinem Ende gekommen«. Interview mit Yanis Varoufakis
Former Greek Minister of Finance Yanis Varoufakis talks about his utopian novel Another Now, the blockchain, and the end of capitalism
Genres sind austauschbare Gefäße«. Interview mit Ivan Engler
Interview with Swiss filmmaker Ivan Engler
Le monde en plus étrange
Le concept d’« estrangement » est central dans la critique sur la science-fiction depuis que Darko Suvin a défini ce genre par sa capacité à créer l’effet d’« estrangement cognitif ». En revenant aux théories de Viktor Shklovsky et de Bertolt Brecht, je montrerai en quoi Suvin, dans sa démarche, entrelace les aspects formel, fictionnel, générique et réceptif de l’estrangement. Contrairement à ce que Suvin affirme, l’outil formel privilégié de la …
Peiler, Nils Daniel. To Infinity and Beyond. Die künstlerische Rezeption von Stanley Kubricks 2001
Review of To Infinity and Beyond. Die künstlerische Rezeption von Stanley Kubricks 2001: Odyssee im Weltraum by Nils Daniel Peiler
Niegeschichte. Science Fiction als Kunst-und Denkmaschine. Von Dietmar Dath. Berlin
Fantastikforschung als Beruf
Forum on research into the fantastic as a profession
Die Wirklichkeit allein reicht nicht aus«. Interview mit Sandra Wollner
Austrian filmmaker Sandra Wollner talks about her movie The Trouble with Being Born
The Liverpool Companion to World Science Fiction Film
Scholarship on science fiction cinema tends to be US-centric. Although science fiction (SF) is by no means an American invention, it is often perceived as such. The same holds true for cinema. At least in the Western world, screens are dominated by the U.S. film industry. While there are other film industries whose output surpasses that of Hollywood, they rarely receive the same attention, as they produce primarily for their respective home marke…
Political science (8 works) · Art (7 works) · Utopian, Dystopian, and Speculative Fiction (7 works) · Philosophy (6 works) · Digital Games and Media (5 works) · Sociology (5 works) · Engineering (4 works) · Literature (4 works) · German Literature and Culture Studies (3 works) · History (3 works)