Nóra Veszprémi
Biographic Data
| ID | 1053803 |
|---|---|
| NAME | Nóra Veszprémi |
| GIVEN NAMES | Nóra |
| FAMILY NAME | Veszprémi |
| SIGNATURE | VESZPRÉMI N |
| AFFILIATIONS | School of Visual Arts |
| ORCID | 0000-0003-2449-0318 |
| VERIFIED | Yes |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2018 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
Sites of Memory and Forgetting
Ideals for Sale
In the multinational Austrian Empire, artists and their works travelled between different regions, from one national context to the next. This essay examines this complex network through the lens of the female ‘ideal portrait’, a genre ubiquitous at mid‐nineteenth‐century exhibitions. Tracing the trajectories of two Venetian painters – Natale Schiavoni and his pupil, Giacomo Marastoni – and investigating their career strategies, it argues that th…
Encyclopedia of Romantic Nationalism in Europe
This encyclopedia documents the presence and impact of nationalized cultural consciousness in European nationalism. It tracks how intellectuals, historians, philologists, novelists, poets, painters, folklorists, and composers, in an intensely collaborative transnational network, articulated the national identities and aspirations that would go on to determine European history and politics, with effects that are still felt today. Edited by Joep Le…
An introspective pantheon
The Hungarian National Museum was founded in 1808 with an encyclopaedic scope, and its art collection – the Picture Gallery – was originally formed within this cross-disciplinary framework. The acquisition of objects classified as art was often motivated by historical interest or political significance, rather than aesthetic value. Nineteenth-century efforts to reshape this assemblage of objects as a fine art collection were hampered by the persi…
No prominent works on this page.
Encyclopedia of Romantic Nationalism in Europe
This encyclopedia documents the presence and impact of nationalized cultural consciousness in European nationalism. It tracks how intellectuals, historians, philologists, novelists, poets, painters, folklorists, and composers, in an intensely collaborative transnational network, articulated the national identities and aspirations that would go on to determine European history and politics, with effects that are still felt today. Edited by Joep Le…
An introspective pantheon
The Hungarian National Museum was founded in 1808 with an encyclopaedic scope, and its art collection – the Picture Gallery – was originally formed within this cross-disciplinary framework. The acquisition of objects classified as art was often motivated by historical interest or political significance, rather than aesthetic value. Nineteenth-century efforts to reshape this assemblage of objects as a fine art collection were hampered by the persi…
Ideals for Sale
In the multinational Austrian Empire, artists and their works travelled between different regions, from one national context to the next. This essay examines this complex network through the lens of the female ‘ideal portrait’, a genre ubiquitous at mid‐nineteenth‐century exhibitions. Tracing the trajectories of two Venetian painters – Natale Schiavoni and his pupil, Giacomo Marastoni – and investigating their career strategies, it argues that th…
Sites of Memory and Forgetting
Art (4 works) · History (4 works) · Archaeology (3 works) · Art history (3 works) · Law (3 works) · Philosophy (3 works) · Political science (3 works) · Politics (3 works) · Sociology (3 works) · Context (archaeology) (2 works)