Robert W Uphaus

Biographic Data

ID1055255
NAMERobert W Uphaus
GIVEN NAMESRobert W
FAMILY NAMEUphaus
SIGNATUREUPHAUS R W
VERIFIEDNo
TOTAL WORKS11
TOTAL CITATIONS0
AUTHOR COUNT11
EDITOR COUNT0
FIRST PUBLICATION YEAR1972
LATEST PUBLICATION YEAR1994
H-INDEX0

  • Anthologizing Early Women Writers

    Isobel Grundy, G Greer et al.ARTICLETulsa Studies in Women s Literature1994

  • Desire and Truth

    Mary Anne Schofield, Patricia Meyer Spacks et al.ARTICLETulsa Studies in Women s Literature1993

  • The Idea of the Novel in the Eighteenth Century

    Open AccessCatherine N Parke, Robert W UphausARTICLESouth Central Review1990

  • Grandison's Heirs

    Robert W Uphaus, Gerard A BarkerARTICLEEighteenth-Century Studies1986

  • Beyond Tragedy

    Jeanne Addison Roberts, Robert W UphausARTICLESouth Atlantic Review1985

  • The Impossible Observer

    Eric Rothstein, Robert W UphausARTICLEEighteenth-Century Studies1980

  • The Ideology of Reynolds' Discourses on Art

    Robert W UphausARTICLEEighteenth-Century Studies1978

    THIS ESSAY will deal with the ideological basis, both implied and explicit, of Reynolds' Discourses on Art.' What I shall do is provide a reading of the Discourses in the light of three different but related contexts. The first context, which has been mentioned before by other commentators but which has not been examined very thoroughly, refers to the strong similarities between, if not the direct influence-of, Burke's ideological assumptions in …

  • English Translation Theory

    Robert W Uphaus, Tina Steiner et al.ARTICLEEighteenth-Century Studies1977

  • Bernard Mandeville

    Robert W Uphaus, Richard I Cook et al.ARTICLEEighteenth-Century Studies1976

  • Number and Pattern in the Eighteenth-Century Novel

    Robert W Uphaus, Douglas Brooks et al.ARTICLEEighteenth-Century Studies1974

  • Swift's Poetry

    Robert W UphausARTICLEEighteenth-Century Studies1972

    A NUMBER OF SWIFT'S POEMS have often been used as evidence of his opposition to poetry-his anti-poetic it is most often called. Such assertions, regrettably, have tended to assume that Swift's poems demonstrate all the limits, and none of the uses, of conventional literary categories.' By measuring a selection of Swift's poems against this assumption, I intend to show how Swift makes poetry by projecting his own vision of reality-a simultaneous o…