Steven Lattimore
Biographic Data
| ID | 1055312 |
|---|---|
| NAME | Steven Lattimore |
| GIVEN NAMES | Steven |
| FAMILY NAME | Lattimore |
| SIGNATURE | LATTIMORE S |
| AFFILIATIONS | University of California, Los Angeles |
| VERIFIED | No |
| TOTAL WORKS | 15 |
| TOTAL CITATIONS | 25 |
| WORKS AS AUTHOR | 15 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1972 |
| LATEST PUBLICATION YEAR | 1999 |
| H-INDEX | 2 |
Thucydides
The Odyssey and Ancient Art
Power and Preparedness in Thucydides
Anagke in Thucydides
Two Men in a Boat
Antiphon, in his fifth oration, relates that c . 422–413 B.C. Euxitheos, a young Mytilenean, and Herodes, probably an Athenian cleruch in Mytilene, embarked together on a ship bound from Mytilene for Ainos in Thrace. Shortly after they left port, a storm forced them to put into an unnamed harbour in Methymnian territory. The two men left their uncovered ship to take shelter in a covered one; whether others from their own ship went with them is no…
Skopas and the Pothos
The so-called Pothos by Skopas is usually restored as leaning on a staff-like object, but any such restoration results in a pose far more unbalanced than can be paralleled in Greek art. The original must have leaned on a companion, thus forming part of a paratactic two-figure group; the other figure was certainly Aphrodite, whatever the precise identity of "Pothos." The Roman taste for statues of youthful nude males could explain the selective co…
Sculture greche e romane del Museo Civico di Treviso
Ares and the Heads of Heroes
For most scholars, the Ares Ludovisi type in Greek sculpture is represented by four types of evidence: a Roman copy of an early Hellenistic seated figure; at least one copy of the torso; several heads probably once belonging to copies of the same original; similar heads combined with bodies of different types. The varying styles of the copies have led to uncertainties in attributing and, sometimes, dating the original. Moreover, it has recently b…
Oedipus and Teiresias
Research Article| January 01 1975 Oedipus and Teiresias Steven Lattimore Steven Lattimore Search for other works by this author on: This Site PubMed Google Scholar California Studies in Classical Antiquity (1975) 8: 105–111. https://doi.org/10.2307/25010685 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Twitter LinkedIn Tools Icon Tools Get Permissions Cite Icon Cite Search Site Cita…
The Thread of Ariadne. A Study of Ancient Greek Dress
Observations about Greek dress and ancient fibers. It is maintained that the Archaic dress was pleated. Comments on illustrated examples of Greek sculpture from the woolen peplos of Nikandre from Naxos to the silk chitons on Hellenistic sculptures from Kos. P.A. (A.A.) -- AATA
A Greek Pediment on a Roman Temple
The Chlamys of Daochos I
A Greek Pediment on a Roman Temple
Roman Perspective Painting and the Ancient Stage
The Bronze Apoxyomenos from Ephesos
Thucydides
Power and Preparedness in Thucydides
The Chlamys of Daochos I
The Bronze Apoxyomenos from Ephesos
Two Men in a Boat
Antiphon, in his fifth oration, relates that c . 422–413 B.C. Euxitheos, a young Mytilenean, and Herodes, probably an Athenian cleruch in Mytilene, embarked together on a ship bound from Mytilene for Ainos in Thrace. Shortly after they left port, a storm forced them to put into an unnamed harbour in Methymnian territory. The two men left their uncovered ship to take shelter in a covered one; whether others from their own ship went with them is no…
Oedipus and Teiresias
Research Article| January 01 1975 Oedipus and Teiresias Steven Lattimore Steven Lattimore Search for other works by this author on: This Site PubMed Google Scholar California Studies in Classical Antiquity (1975) 8: 105–111. https://doi.org/10.2307/25010685 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Twitter LinkedIn Tools Icon Tools Get Permissions Cite Icon Cite Search Site Cita…
Roman Perspective Painting and the Ancient Stage
The Bronze Apoxyomenos from Ephesos
A Greek Pediment on a Roman Temple
Oedipus and Teiresias
Research Article| January 01 1975 Oedipus and Teiresias Steven Lattimore Steven Lattimore Search for other works by this author on: This Site PubMed Google Scholar California Studies in Classical Antiquity (1975) 8: 105–111. https://doi.org/10.2307/25010685 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Twitter LinkedIn Tools Icon Tools Get Permissions Cite Icon Cite Search Site Cita…
The Thread of Ariadne. A Study of Ancient Greek Dress
Observations about Greek dress and ancient fibers. It is maintained that the Archaic dress was pleated. Comments on illustrated examples of Greek sculpture from the woolen peplos of Nikandre from Naxos to the silk chitons on Hellenistic sculptures from Kos. P.A. (A.A.) -- AATA
A Greek Pediment on a Roman Temple
The Chlamys of Daochos I
Ares and the Heads of Heroes
For most scholars, the Ares Ludovisi type in Greek sculpture is represented by four types of evidence: a Roman copy of an early Hellenistic seated figure; at least one copy of the torso; several heads probably once belonging to copies of the same original; similar heads combined with bodies of different types. The varying styles of the copies have led to uncertainties in attributing and, sometimes, dating the original. Moreover, it has recently b…
Sculture greche e romane del Museo Civico di Treviso
Two Men in a Boat
Antiphon, in his fifth oration, relates that c . 422–413 B.C. Euxitheos, a young Mytilenean, and Herodes, probably an Athenian cleruch in Mytilene, embarked together on a ship bound from Mytilene for Ainos in Thrace. Shortly after they left port, a storm forced them to put into an unnamed harbour in Methymnian territory. The two men left their uncovered ship to take shelter in a covered one; whether others from their own ship went with them is no…
Skopas and the Pothos
The so-called Pothos by Skopas is usually restored as leaning on a staff-like object, but any such restoration results in a pose far more unbalanced than can be paralleled in Greek art. The original must have leaned on a companion, thus forming part of a paratactic two-figure group; the other figure was certainly Aphrodite, whatever the precise identity of "Pothos." The Roman taste for statues of youthful nude males could explain the selective co…
Anagke in Thucydides
Power and Preparedness in Thucydides
The Odyssey and Ancient Art
Thucydides
Classical Antiquity Studies (12 works) · History (11 works) · Art (9 works) · Ancient Mediterranean Archaeology and History (7 works) · History (6 works) · Computer Science (5 works) · Ancient history (4 works) · Archaeology (4 works) · Historical, Religious, and Philosophical Studies (4 works) · Archaeology and Historical Studies (3 works)