David Pariser
Biographic Data
| ID | 1055970 |
|---|---|
| NAME | David Pariser |
| GIVEN NAMES | David |
| FAMILY NAME | Pariser |
| SIGNATURE | PARISER D |
| AFFILIATIONS | Concordia University |
| ORCID | 0000-0001-8318-7197 |
| VERIFIED | Yes |
| TOTAL WORKS | 13 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 13 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1988 |
| LATEST PUBLICATION YEAR | 2008 |
| H-INDEX | 0 |
Rudolf Julius Arnheim (1904-2007)
Aesthetic Modernism, the first among equals? A look at aesthetic value systems in cross-cultural, age and visual arts educated and non-visual arts educated judging cohorts
In this paper, we seek to understand the formation of cultural values and the hierarchies of aesthetic judgment among adults and children from Brazil and Canada. Are aesthetic judgments consistent within cultures? Across age groups? Across cultures? This paper looks at some initial work on these questions. In 1982 Gardner and Winner proposed that the artwork of young children and artist-adults shared important aesthetic properties. Davis's resear…
Teaching art versus teaching taste
Looking for the Muse in Some of the Right Places Patterns of Artistic Development
In Defence of Science
Science in Cinema
The Real Thing
The End of Modernity
Gianni Vattimo reexamines the roots of modernism and postmodernism in Nietzsche, Benjamin, and Heidegger. Exploring the links between concepts of nihilism and destiny in nineteenth-century humanism, Vattimo follows these trends in aesthetic and scientific theory from Benjamin to Bloch, Ricoeur, and Kuhn
The Psychology of Perspective and Renaissance Art
Michael Kubovy, an experimental psychologist, recounts the lively history of the invention of perspective in the fifteenth century, and shows how, as soon as the invention spread, it was used to achieve subtle and fascinating aesthetic effects. A clear presentation of the fundamental concepts of perspective and the reasons for its effectiveness, drawing on the latest laboratory research on how people perceive, leads into the development of a new …
The Power of the Center
The End of the History of Art
The Binary Bible
Peter Fischli, David Weiss
No prominent works on this page.
Peter Fischli, David Weiss
The Power of the Center
The End of the History of Art
The Binary Bible
The Psychology of Perspective and Renaissance Art
Michael Kubovy, an experimental psychologist, recounts the lively history of the invention of perspective in the fifteenth century, and shows how, as soon as the invention spread, it was used to achieve subtle and fascinating aesthetic effects. A clear presentation of the fundamental concepts of perspective and the reasons for its effectiveness, drawing on the latest laboratory research on how people perceive, leads into the development of a new …
The Real Thing
The End of Modernity
Gianni Vattimo reexamines the roots of modernism and postmodernism in Nietzsche, Benjamin, and Heidegger. Exploring the links between concepts of nihilism and destiny in nineteenth-century humanism, Vattimo follows these trends in aesthetic and scientific theory from Benjamin to Bloch, Ricoeur, and Kuhn
In Defence of Science
Science in Cinema
Looking for the Muse in Some of the Right Places Patterns of Artistic Development
Teaching art versus teaching taste
Aesthetic Modernism, the first among equals? A look at aesthetic value systems in cross-cultural, age and visual arts educated and non-visual arts educated judging cohorts
In this paper, we seek to understand the formation of cultural values and the hierarchies of aesthetic judgment among adults and children from Brazil and Canada. Are aesthetic judgments consistent within cultures? Across age groups? Across cultures? This paper looks at some initial work on these questions. In 1982 Gardner and Winner proposed that the artwork of young children and artist-adults shared important aesthetic properties. Davis's resear…
Rudolf Julius Arnheim (1904-2007)
Art (10 works) · Visual arts (6 works) · Psychology (5 works) · Art history (4 works) · Computer Science (4 works) · Sociology (4 works) · Aesthetics (3 works) · Art Education and Development (3 works) · Creativity in Education and Neuroscience (3 works) · Philosophy (3 works)