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Kathleen Feeley

Biographic Data

ID1056338
NAMEKathleen Feeley
GIVEN NAMESKathleen
FAMILY NAMEFeeley
SIGNATUREFEELEY K
AFFILIATIONSUniversity of Redlands
VERIFIEDNo
TOTAL WORKS6
TOTAL CITATIONS2
WORKS AS AUTHOR6
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1972
LATEST PUBLICATION YEAR2019
H-INDEX1
  • Jack Benny and the Golden Age of American Radio Comedy

    Open Access•Kathleen Feeley, Kathleen A Feeley•ARTICLE•Journal of American History•2019

    In Jack Benny and the Golden Age of American Radio Comedy, Kathryn H. Fuller-Seeley offers not a biography of Jack Benny (born Benjamin Kubelsky in 1894)—one of the leading mid-twentieth-century American intermedia performers, editors, and producers—but a deeply researched and powerfully argued analysis of Benny's persona, productions, distribution, advertising, and sponsorship from the early 1930s through the late 1950s. Fuller-Seeley not only a…

  • The antithesis of the film magnate’

    Kathleen Feeley, Kathleen A Feeley•ARTICLE•Jewish Culture and History•2016

    As a powerful, high-profile member of Los Angeles’ Jewish and German-American communities and a founder of MGM, the native-born, middle-class Irving Thalberg was framed as a ‘better, finer’ Jew as compared to his older, immigrant, US film industry mentors. This essay sheds new light on Thalberg’s hybrid identity as German-Jewish-American, asking how it shaped his life, work, popular persona, and memory. As MGM production chief, Thalberg’s work in…

  • Gossip as News

    Open Access•Kathleen Feeley•ARTICLE•History Compass•2012•Cited by: 2•References: 16

    Scholars over the last half‐century have begun to explore how gossip – spoken, printed, broadcast, or blogged – can serve to challenge, support, and/or reflect social, cultural, and political norms and ideals. Of particular interest here is how gossip, as amplified by the 20th‐ and 21st‐century mass media, has transformed journalistic practice and the nature of public life in the United States. In the last decade, scholarship on the history of U.…

  • Universal Women

    Kathleen Feeley•ARTICLE•Journal of American History•2011

    Using Universal Film Manufacturing Company as a case study in institutional history and practice, Mark Garrett Cooper asks how and why did at least a dozen women gain access to the director's chair at Universal over the 1910s only to be excluded by the end of the decade, leaving Lois Weber the only working female director at Universal from 1920 until 1982. In Universal Women, Cooper, by exploring how gender and genre formation operated at Univers…

  • Mary Pickford

    Kathleen Feeley•ARTICLE•Journal of American History•2006

    pbs's American Experience producers have done a great service for teachers, scholars, and the viewing public by bringing Mary Pickford—a biography of one of the most significant actresses, producers, and icons in the U.S. silent film era—to the small screen. This documentary ably covers the story of Pickford's life from her humble origins as Gladys Smith, a young actress (and family breadwinner) in regional theater to Mary Pickford, Broadway ingé…

  • Flannery O'Connor

    Louise Y Gossett, Kathleen Feeley et al.•ARTICLE•American Literature•1972

  • Gossip as News

    Open Access•Kathleen Feeley•ARTICLE•History Compass•2012•Cited by: 2•References: 16

    Scholars over the last half‐century have begun to explore how gossip – spoken, printed, broadcast, or blogged – can serve to challenge, support, and/or reflect social, cultural, and political norms and ideals. Of particular interest here is how gossip, as amplified by the 20th‐ and 21st‐century mass media, has transformed journalistic practice and the nature of public life in the United States. In the last decade, scholarship on the history of U.…

  • Flannery O'Connor

    Louise Y Gossett, Kathleen Feeley et al.•ARTICLE•American Literature•1972

  • Mary Pickford

    Kathleen Feeley•ARTICLE•Journal of American History•2006

    pbs's American Experience producers have done a great service for teachers, scholars, and the viewing public by bringing Mary Pickford—a biography of one of the most significant actresses, producers, and icons in the U.S. silent film era—to the small screen. This documentary ably covers the story of Pickford's life from her humble origins as Gladys Smith, a young actress (and family breadwinner) in regional theater to Mary Pickford, Broadway ingé…

  • Universal Women

    Kathleen Feeley•ARTICLE•Journal of American History•2011

    Using Universal Film Manufacturing Company as a case study in institutional history and practice, Mark Garrett Cooper asks how and why did at least a dozen women gain access to the director's chair at Universal over the 1910s only to be excluded by the end of the decade, leaving Lois Weber the only working female director at Universal from 1920 until 1982. In Universal Women, Cooper, by exploring how gender and genre formation operated at Univers…

  • Gossip as News

    Open Access•Kathleen Feeley•ARTICLE•History Compass•2012•Cited by: 2•References: 16

    Scholars over the last half‐century have begun to explore how gossip – spoken, printed, broadcast, or blogged – can serve to challenge, support, and/or reflect social, cultural, and political norms and ideals. Of particular interest here is how gossip, as amplified by the 20th‐ and 21st‐century mass media, has transformed journalistic practice and the nature of public life in the United States. In the last decade, scholarship on the history of U.…

  • The antithesis of the film magnate’

    Kathleen Feeley, Kathleen A Feeley•ARTICLE•Jewish Culture and History•2016

    As a powerful, high-profile member of Los Angeles’ Jewish and German-American communities and a founder of MGM, the native-born, middle-class Irving Thalberg was framed as a ‘better, finer’ Jew as compared to his older, immigrant, US film industry mentors. This essay sheds new light on Thalberg’s hybrid identity as German-Jewish-American, asking how it shaped his life, work, popular persona, and memory. As MGM production chief, Thalberg’s work in…

  • Jack Benny and the Golden Age of American Radio Comedy

    Open Access•Kathleen Feeley, Kathleen A Feeley•ARTICLE•Journal of American History•2019

    In Jack Benny and the Golden Age of American Radio Comedy, Kathryn H. Fuller-Seeley offers not a biography of Jack Benny (born Benjamin Kubelsky in 1894)—one of the leading mid-twentieth-century American intermedia performers, editors, and producers—but a deeply researched and powerfully argued analysis of Benny's persona, productions, distribution, advertising, and sponsorship from the early 1930s through the late 1950s. Fuller-Seeley not only a…

Art (5 works) · Cinema and Media Studies (5 works) · History (5 works) · Sociology (5 works) · Art history (4 works) · History (4 works) · Hollywood (4 works) · Political science (4 works) · Law (3 works) · Law (3 works)

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