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Ivy G Wilson

Biographic Data

ID1056896
NAMEIvy G Wilson
GIVEN NAMESIvy G
FAMILY NAMEWilson
SIGNATUREWILSON I G
AFFILIATIONSNorthwestern University
VERIFIEDNo
TOTAL WORKS8
TOTAL CITATIONS1
AUTHOR COUNT8
EDITOR COUNT0
FIRST PUBLICATION YEAR2007
LATEST PUBLICATION YEAR2018
H-INDEX1
  • Slavery and Abolition

    Ivy G Wilson•CHAPTER•Walt Whitman in Context•2018

    A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.

  • The Changing Same: Recursivity, Reification, and Reaping

    Ivy G Wilson, Ivy G Wilson Ivy G Wilson•ARTICLE•Victorian Studies•2017

    The Changing Same:Recursivity, Reification, and Reaping Ivy G. Wilson (bio) For one of its 1882 spring issues, the Southern Workman published a notice on the "Death of the Poet Longfellow." The encomium praises the aesthetics of Longfellow's "simple words," the "commonness of some of his verses," and the politics of his practice as a "poet of the people" (52). In this monthly periodical that was published out of Hampton University (then still Ham…

  • Chapter 4. “Entirely Different from Any Likeness I Ever Saw”: Aesthetics as Counter- Memory Historiography and the Iconography of Toussaint Louverture

    Ivy G Wilson•CHAPTER•Haitian Revolution and the Early…•2016

  • Specters of Democracy: Blackness and the Aesthetics of Politics in the Antebellum U.S.

    Ivy G Wilson•BOOK•Specters of democracy•2011

    This book interrogates the representational strategies that 19th-century Americans used in art and literature to delineate blackness as an index to the forms of U.S. citizenship. The book reveals how the difficult task of representing African Americans—both enslaved and free—in imaginative expression was part of a larger dilemma concerning representative democracy. More specifically, the book analyzes how African Americans manipulated aurality an…

  • Melville and the Syntax of Class: Abstracts

    Open Access•Ivy G Wilson•ARTICLE•Leviathan•2011

  • Are You Man Enough: Imagining Ethiopia and Transnational Black Masculinity

    Ivy G Wilson, Ivy Wilson•ARTICLE•Callaloo•2010•Cited by: 1

    "Are You Man Enough?":Imagining Ethiopia and Transnational Black Masculinity Ivy Wilson (bio) On the day of the fight between Joe Louis and Primo Carnera in 1935, the June 25th issue of the Washington Post ran a cartoon that featured the Brown Bomber and his Italian rival. The image entitled "Shadows Before?" illustrates an imposing Carnera lurching to extend a jab and Louis angling forward to challenge his opponent. The most compelling feature o…

  • Frederick Douglass and Herman Melville on Deck: An Introduction

    Open Access•Robert K Wallace, Ivy G Wilson•ARTICLE•Leviathan•2008

  • Black Is the Color of the Cosmos; or, Callaloo and the Cultures of the Diaspora Now

    Ivy G Wilson, Ayo A Coly•ARTICLE•Callaloo•2007

    Black is the Color of the Cosmos or Callaloo and the Cultures of the Diaspora Now Ivy G. Wilson (bio) and Ayo A. Coly (bio) To employ the term diaspora in black cultural studies now is equal parts imperative and elusive. In the wake of recent forceful critiques of nationalism, the diaspora has increasingly come to be understood as a concept—indeed, almost a discourse formation unto itself—that allows for, if not mandates, modes of analysis that a…

  • Are You Man Enough: Imagining Ethiopia and Transnational Black Masculinity

    Ivy G Wilson, Ivy Wilson•ARTICLE•Callaloo•2010•Cited by: 1

    "Are You Man Enough?":Imagining Ethiopia and Transnational Black Masculinity Ivy Wilson (bio) On the day of the fight between Joe Louis and Primo Carnera in 1935, the June 25th issue of the Washington Post ran a cartoon that featured the Brown Bomber and his Italian rival. The image entitled "Shadows Before?" illustrates an imposing Carnera lurching to extend a jab and Louis angling forward to challenge his opponent. The most compelling feature o…

  • Black Is the Color of the Cosmos; or, Callaloo and the Cultures of the Diaspora Now

    Ivy G Wilson, Ayo A Coly•ARTICLE•Callaloo•2007

    Black is the Color of the Cosmos or Callaloo and the Cultures of the Diaspora Now Ivy G. Wilson (bio) and Ayo A. Coly (bio) To employ the term diaspora in black cultural studies now is equal parts imperative and elusive. In the wake of recent forceful critiques of nationalism, the diaspora has increasingly come to be understood as a concept—indeed, almost a discourse formation unto itself—that allows for, if not mandates, modes of analysis that a…

  • Frederick Douglass and Herman Melville on Deck: An Introduction

    Open Access•Robert K Wallace, Ivy G Wilson•ARTICLE•Leviathan•2008

  • Are You Man Enough: Imagining Ethiopia and Transnational Black Masculinity

    Ivy G Wilson, Ivy Wilson•ARTICLE•Callaloo•2010•Cited by: 1

    "Are You Man Enough?":Imagining Ethiopia and Transnational Black Masculinity Ivy Wilson (bio) On the day of the fight between Joe Louis and Primo Carnera in 1935, the June 25th issue of the Washington Post ran a cartoon that featured the Brown Bomber and his Italian rival. The image entitled "Shadows Before?" illustrates an imposing Carnera lurching to extend a jab and Louis angling forward to challenge his opponent. The most compelling feature o…

  • Specters of Democracy: Blackness and the Aesthetics of Politics in the Antebellum U.S.

    Ivy G Wilson•BOOK•Specters of democracy•2011

    This book interrogates the representational strategies that 19th-century Americans used in art and literature to delineate blackness as an index to the forms of U.S. citizenship. The book reveals how the difficult task of representing African Americans—both enslaved and free—in imaginative expression was part of a larger dilemma concerning representative democracy. More specifically, the book analyzes how African Americans manipulated aurality an…

  • Melville and the Syntax of Class: Abstracts

    Open Access•Ivy G Wilson•ARTICLE•Leviathan•2011

  • Chapter 4. “Entirely Different from Any Likeness I Ever Saw”: Aesthetics as Counter- Memory Historiography and the Iconography of Toussaint Louverture

    Ivy G Wilson•CHAPTER•Haitian Revolution and the Early…•2016

  • The Changing Same: Recursivity, Reification, and Reaping

    Ivy G Wilson, Ivy G Wilson Ivy G Wilson•ARTICLE•Victorian Studies•2017

    The Changing Same:Recursivity, Reification, and Reaping Ivy G. Wilson (bio) For one of its 1882 spring issues, the Southern Workman published a notice on the "Death of the Poet Longfellow." The encomium praises the aesthetics of Longfellow's "simple words," the "commonness of some of his verses," and the politics of his practice as a "poet of the people" (52). In this monthly periodical that was published out of Hampton University (then still Ham…

  • Slavery and Abolition

    Ivy G Wilson•CHAPTER•Walt Whitman in Context•2018

    A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.

Art (5 works) · Computer Science (4 works) · History (4 works) · Political science (4 works) · Sociology (4 works) · Art history (3 works) · Gender Studies (3 works) · Law (3 works) · Philosophy (3 works) · Politics (3 works)

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