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Richard F Hardin

Biographic Data

ID1058050
NAMERichard F Hardin
GIVEN NAMESRichard F
FAMILY NAMEHardin
SIGNATUREHARDIN R F
AFFILIATIONSUniversity of Kansas
VERIFIEDNo
TOTAL WORKS20
TOTAL CITATIONS3
WORKS AS AUTHOR20
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1969
LATEST PUBLICATION YEAR2021
H-INDEX1
  • Comic Spenser

    Open Access•Richard F Hardin•ARTICLE•Renaissance Quarterly•2021

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • English Authorship and the Early Modern Sublime

    Open Access•Richard F Hardin•ARTICLE•Renaissance Quarterly•2019

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Enigma and Revelation in Renaissance English Literature

    Open Access•Richard F Hardin•ARTICLE•Renaissance Quarterly•2013

    Helen Cooney and Mark S. Sweetnam, eds. Enigma and Revelation in Renaissance English Literature: Essays Presented to Eiléan Ní Chuilleanáin. Dublin: Four Courts Press, 2012. $74.50. ISBN: 978–1–84682–281–0. - Volume 66 Issue 1

  • Spenser's Irish Work

    Open Access•Richard F Hardin•ARTICLE•Renaissance Quarterly•2008

    Thomas Herron. Spenser's Irish Work: Poetry, Plantation and Colonial Reformation. Aldershot: Ashgate Publishing Company, 2007. x + 268 pp. index. illus. map. bibl. $99.95. ISBN: 978–0–7546–5602–9. - Volume 61 Issue 4

  • The Renaissance of Plautine Comedy and the Varieties of Luck in Shakespeare and Other Plotters

    Richard F Hardin•ARTICLE•Mediterranean Studies•2007

    Research Article| January 01 2007 The Renaissance of Plautine Comedy and the Varieties of Luck in Shakespeare and Other Plotters Richard F. Hardin Richard F. Hardin Search for other works by this author on: This Site Google Mediterranean Studies (2007) 16 (1): 143–156. https://doi.org/10.2307/41167008 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Richard F. Hardin; The Renaissance of Plautine Comedy and the Varieties of…

  • Encountering Plautus in the Renaissance

    Open Access•Richard F Hardin•ARTICLE•Renaissance Quarterly•2007•Cited by: 3•References: 5

    Historians of comedy can profit from a study of the sixteenth-century debates regarding the merits of Plautus (ca. 254–184 BCE), most of whose works were unknown before the late fifteenth century. Early performances and editions led to contemporary theories regarding laughter, language, and morality, often in the context of a comparison with the plays of Terence (d. 159 BCE), who was sometimes viewed as superior by upper-class audiences. From the…

  • Edmund Spenser

    Open Access•Richard F Hardin•ARTICLE•Renaissance Quarterly•2007

  • Nation, State and Empire in English Renaissance Literature

    Open Access•Richard F Hardin•ARTICLE•Renaissance Quarterly•2004

    Willy Maley. Nation, State and Empire in English Renaissance Literature: Shakespeare to Milton. New York and Basingstoke: Palgrave/St. Martin's Press, 2003. xvii + 185 pp. index. $62. ISBN: 0-333-64077-2. - Volume 57 Issue 2

  • Marlowe's Soldiers

    Richard F Hardin•ARTICLE•Sixteenth Century Journal•2003

  • Not Affirming Things Intended

    Open Access•Richard F Hardin•ARTICLE•Moreana•2002

    More responds strongly to Tyndale’s insistence that ritual, like Scripture, must be interpreted plainly by the worshiper: the chief purpose of ritual is to bring us closer to God, not to enlighten the intellect. In The Apology he declares that we should meditate on the Bible and the forms of worship (which must be observed as forms) in order to stir the imagination, not to seek out the “things intended” by God, which are beyond our capacity to kn…

  • The Merry Devil of Edmonton

    Richard F Hardin•ARTICLE•Sixteenth Century Journal•2002

  • The Performance of Nobility in Early Modern European Literature

    Richard F Hardin•ARTICLE•Sixteenth Century Journal•2001

  • The Three Estates

    Richard F Hardin•ARTICLE•Sixteenth Century Journal•2000

  • Melancholy, Genius, and Utopia in the Renaissance

    Richard F Hardin•ARTICLE•Sixteenth Century Journal•1993

  • Geoffrey among the Lawyers

    Richard F Hardin•ARTICLE•Sixteenth Century Journal•1992

  • Michael Drayton Revisited

    Richard F Hardin•ARTICLE•Sixteenth Century Journal•1991

  • Caricature in More’s Confutation

    Open Access•Richard F Hardin•ARTICLE•Moreana•1987

  • The Literary Conventions of Erasmus' Education of a Christian Prince

    Open Access•Richard F Hardin•ARTICLE•Renaissance Quarterly•1982

    The advent of the great autocrats of the sixteenth century—Francis I, Charles V, and Henry VIII—was a source of concern and perplexity to many sensitive observers of that age, a reaction that was more than the mere aversion to magnificence that Hans Baron saw motivating an earlier civic humanism. The sixteenth century brought with it a series of disastrous wars and an expansion of monarchies the likes of which the preceding century had not known.…

  • Chapman and Webster on Matrimony

    Richard F Hardin•ARTICLE•Renaissance and Reformation•1969

    The age of the Tudors and Stuarts is one of continuous rebellion in religious worship, as successive generations of Protestants broke with the vestments, ceremonies, and even sacraments of medieval Christianity. Especially important in these developments is the argument frequently voiced in Puritan attacks on orthodox worship, and just as frequently assumed, that the physical worid is at best a feeble reminder, and more likely a pollutant, of the…

  • The Elizabethan Miscellanies; Michael Drayton and the Passing of Elizabethan England

    Elizabeth W Pomeroy, first book Elizabeth W Pomeroy et al.•ARTICLE•Renaissance and Reformation•1969

    war were largely bluff and that there was much enthusiasm in England for the campaign.Louis A. Knafla, on the other hand, looks at Elizabeth's reign in a stimulating and \aluable article on the admissions to the Inns of Court, which clarifies, indeed modifies, Lawrence Stone's educational "revolution."It is a pity that a work of such quality should l)e marred by the use, if not the invention, of such a clumsy term as "antihumanism."In his conclud…

  • Encountering Plautus in the Renaissance

    Open Access•Richard F Hardin•ARTICLE•Renaissance Quarterly•2007•Cited by: 3•References: 5

    Historians of comedy can profit from a study of the sixteenth-century debates regarding the merits of Plautus (ca. 254–184 BCE), most of whose works were unknown before the late fifteenth century. Early performances and editions led to contemporary theories regarding laughter, language, and morality, often in the context of a comparison with the plays of Terence (d. 159 BCE), who was sometimes viewed as superior by upper-class audiences. From the…

  • Chapman and Webster on Matrimony

    Richard F Hardin•ARTICLE•Renaissance and Reformation•1969

    The age of the Tudors and Stuarts is one of continuous rebellion in religious worship, as successive generations of Protestants broke with the vestments, ceremonies, and even sacraments of medieval Christianity. Especially important in these developments is the argument frequently voiced in Puritan attacks on orthodox worship, and just as frequently assumed, that the physical worid is at best a feeble reminder, and more likely a pollutant, of the…

  • The Elizabethan Miscellanies; Michael Drayton and the Passing of Elizabethan England

    Elizabeth W Pomeroy, first book Elizabeth W Pomeroy et al.•ARTICLE•Renaissance and Reformation•1969

    war were largely bluff and that there was much enthusiasm in England for the campaign.Louis A. Knafla, on the other hand, looks at Elizabeth's reign in a stimulating and \aluable article on the admissions to the Inns of Court, which clarifies, indeed modifies, Lawrence Stone's educational "revolution."It is a pity that a work of such quality should l)e marred by the use, if not the invention, of such a clumsy term as "antihumanism."In his conclud…

  • The Literary Conventions of Erasmus' Education of a Christian Prince

    Open Access•Richard F Hardin•ARTICLE•Renaissance Quarterly•1982

    The advent of the great autocrats of the sixteenth century—Francis I, Charles V, and Henry VIII—was a source of concern and perplexity to many sensitive observers of that age, a reaction that was more than the mere aversion to magnificence that Hans Baron saw motivating an earlier civic humanism. The sixteenth century brought with it a series of disastrous wars and an expansion of monarchies the likes of which the preceding century had not known.…

  • Caricature in More’s Confutation

    Open Access•Richard F Hardin•ARTICLE•Moreana•1987

  • Michael Drayton Revisited

    Richard F Hardin•ARTICLE•Sixteenth Century Journal•1991

  • Geoffrey among the Lawyers

    Richard F Hardin•ARTICLE•Sixteenth Century Journal•1992

  • Melancholy, Genius, and Utopia in the Renaissance

    Richard F Hardin•ARTICLE•Sixteenth Century Journal•1993

  • The Three Estates

    Richard F Hardin•ARTICLE•Sixteenth Century Journal•2000

  • The Performance of Nobility in Early Modern European Literature

    Richard F Hardin•ARTICLE•Sixteenth Century Journal•2001

  • Not Affirming Things Intended

    Open Access•Richard F Hardin•ARTICLE•Moreana•2002

    More responds strongly to Tyndale’s insistence that ritual, like Scripture, must be interpreted plainly by the worshiper: the chief purpose of ritual is to bring us closer to God, not to enlighten the intellect. In The Apology he declares that we should meditate on the Bible and the forms of worship (which must be observed as forms) in order to stir the imagination, not to seek out the “things intended” by God, which are beyond our capacity to kn…

  • The Merry Devil of Edmonton

    Richard F Hardin•ARTICLE•Sixteenth Century Journal•2002

  • Marlowe's Soldiers

    Richard F Hardin•ARTICLE•Sixteenth Century Journal•2003

  • Nation, State and Empire in English Renaissance Literature

    Open Access•Richard F Hardin•ARTICLE•Renaissance Quarterly•2004

    Willy Maley. Nation, State and Empire in English Renaissance Literature: Shakespeare to Milton. New York and Basingstoke: Palgrave/St. Martin's Press, 2003. xvii + 185 pp. index. $62. ISBN: 0-333-64077-2. - Volume 57 Issue 2

  • The Renaissance of Plautine Comedy and the Varieties of Luck in Shakespeare and Other Plotters

    Richard F Hardin•ARTICLE•Mediterranean Studies•2007

    Research Article| January 01 2007 The Renaissance of Plautine Comedy and the Varieties of Luck in Shakespeare and Other Plotters Richard F. Hardin Richard F. Hardin Search for other works by this author on: This Site Google Mediterranean Studies (2007) 16 (1): 143–156. https://doi.org/10.2307/41167008 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Richard F. Hardin; The Renaissance of Plautine Comedy and the Varieties of…

  • Encountering Plautus in the Renaissance

    Open Access•Richard F Hardin•ARTICLE•Renaissance Quarterly•2007•Cited by: 3•References: 5

    Historians of comedy can profit from a study of the sixteenth-century debates regarding the merits of Plautus (ca. 254–184 BCE), most of whose works were unknown before the late fifteenth century. Early performances and editions led to contemporary theories regarding laughter, language, and morality, often in the context of a comparison with the plays of Terence (d. 159 BCE), who was sometimes viewed as superior by upper-class audiences. From the…

  • Edmund Spenser

    Open Access•Richard F Hardin•ARTICLE•Renaissance Quarterly•2007

  • Spenser's Irish Work

    Open Access•Richard F Hardin•ARTICLE•Renaissance Quarterly•2008

    Thomas Herron. Spenser's Irish Work: Poetry, Plantation and Colonial Reformation. Aldershot: Ashgate Publishing Company, 2007. x + 268 pp. index. illus. map. bibl. $99.95. ISBN: 978–0–7546–5602–9. - Volume 61 Issue 4

  • Enigma and Revelation in Renaissance English Literature

    Open Access•Richard F Hardin•ARTICLE•Renaissance Quarterly•2013

    Helen Cooney and Mark S. Sweetnam, eds. Enigma and Revelation in Renaissance English Literature: Essays Presented to Eiléan Ní Chuilleanáin. Dublin: Four Courts Press, 2012. $74.50. ISBN: 978–1–84682–281–0. - Volume 66 Issue 1

  • English Authorship and the Early Modern Sublime

    Open Access•Richard F Hardin•ARTICLE•Renaissance Quarterly•2019

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Comic Spenser

    Open Access•Richard F Hardin•ARTICLE•Renaissance Quarterly•2021

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

Art (15 works) · Literature (10 works) · Art history (9 works) · History (9 works) · History (9 works) · Philosophy (7 works) · Philosophy (6 works) · Reformation and Early Modern Christianity (6 works) · The Renaissance (6 works) · Classics (4 works)

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