Stefano Mengozzi
Biographic Data
| ID | 1058631 |
|---|---|
| NAME | Stefano Mengozzi |
| GIVEN NAMES | Stefano |
| FAMILY NAME | Mengozzi |
| SIGNATURE | MENGOZZI S |
| AFFILIATIONS | University of Michigan |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1997 |
| LATEST PUBLICATION YEAR | 2010 |
| H-INDEX | 0 |
The Renaissance Reform of Medieval Music Theory: Guido of Arezzo between Myth and History
Introduction: Guido's hexachord: old facts and new questions Part I. Guidonian Solmization in Music Theory and Practice: 1. Guido's musical syllables: conflicting views from modern historiography 2. Inside the gamut: Guido of Arezzo and Hermannus Contractus on the major sixth 3. Hands off! Singing without syllables in the Middle Ages 4. The making of a system: medieval music semiotics in transition Interlude: All hexachords are 'soft' Part II. Re…
Virtual Segments: The Hexachordal System in the Late Middle Ages
Music-theoretical writings from the 13th to the 15th centuries maintained a basic distinction between two types of major sixth, customarily labeled hexachordum and deductio (or proprietas). The term hexachordum, more frequently called tonus (or semitonus) cum diapente, designated the interval of a major of minor sixth, frequently expressed by pitch letters only (such as G-e and A-F) and discussed independently of Guidonian solmization. On the oth…
Ancient Music Adapted to Modern Practice
No prominent works on this page.
Ancient Music Adapted to Modern Practice
Virtual Segments: The Hexachordal System in the Late Middle Ages
Music-theoretical writings from the 13th to the 15th centuries maintained a basic distinction between two types of major sixth, customarily labeled hexachordum and deductio (or proprietas). The term hexachordum, more frequently called tonus (or semitonus) cum diapente, designated the interval of a major of minor sixth, frequently expressed by pitch letters only (such as G-e and A-F) and discussed independently of Guidonian solmization. On the oth…
The Renaissance Reform of Medieval Music Theory: Guido of Arezzo between Myth and History
Introduction: Guido's hexachord: old facts and new questions Part I. Guidonian Solmization in Music Theory and Practice: 1. Guido's musical syllables: conflicting views from modern historiography 2. Inside the gamut: Guido of Arezzo and Hermannus Contractus on the major sixth 3. Hands off! Singing without syllables in the Middle Ages 4. The making of a system: medieval music semiotics in transition Interlude: All hexachords are 'soft' Part II. Re…
Art (3 works) · Diverse Musicological Studies (3 works) · History (3 works) · Literature (3 works) · Musicology and Musical Analysis (3 works) · Ancient history (2 works) · Middle Ages (2 works) · Musical (2 works) · Philosophy (2 works) · Singing (2 works)