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Michael Perraudin

Biographic Data

ID1058649
NAMEMichael Perraudin
GIVEN NAMESMichael
FAMILY NAMEPerraudin
SIGNATUREPERRAUDIN M
AFFILIATIONSUniversity of Sheffield
VERIFIEDNo
TOTAL WORKS7
TOTAL CITATIONS1
WORKS AS AUTHOR6
WORKS AS EDITOR1
FIRST PUBLICATION YEAR1986
LATEST PUBLICATION YEAR2010
H-INDEX1
  • German colonialism and national identity

    Michael Perraudin, Juergen Zimmerer•EDITOR•BOOK•German colonialism and national…•2010

  • Zur Gestik und ihren Bedeutungen in Kleists Erzählungen

    Open Access•Michael Perraudin•ARTICLE•German Life and Letters•2008•Cited by: 1

    Alle Schriften Kleists – Erzählungen, Dramen, Essays, auch persönliche Briefe – enthalten eine Vielfalt von Details unwillkürlichen gestischen Verhaltens von Seiten der Figuren –äußerliche Symptome von Reaktionen, Stimmungen und Einstellungen. Sogar die Sprache fungiert weitgehend als Teil desselben Systems, indem sie unbewusste Unterwerfung, Widerstand, Herausforderung, Begierde und Willen zur Macht widerspiegelt und zum Ausdruck bringt, während…

  • Comings of age. Aspects of writing of adolescence in post-war Dutch literature

    Michael Perraudin•ARTICLE•Dutch Crossing•2005

    The article examines the extreme prevalence of themes of adolescence in Dutch fiction since 1945. It discusses how and why coming-of-age narratives might have been particularly germane to fictional renderings of the war experience in the Netherlands, but then also observes how the habit of such narratives has been carried over by recent generations of writers into a range of further preoccupations—neo-romantic, feminist, post-colonial and others

  • ‘Das Bäumebesteigen Nimmt… Kein Ende’. Tree‐climbing in Eichendorff

    Open Access•Michael Perraudin•ARTICLE•German Life and Letters•1991

  • Heinrich Heine

    Jean McGregor Snook, Michael Perraudin•ARTICLE•German Studies Review•1990

    This volume offers a new approach to the relationship between Heine's verse of the Buch der Lieder period and its poetic models. The author argues that German poets of the 1820s in general and Heine in particular, revealed in their verse an intense awareness of prior work by contemporaries and recent predecessors. He shows clearly how deeply rooted Heine's first phase of poetry was in the late-Romantic or early Biedermeier movements

  • ‘Es Lauert Ja So Manches…’. Theodor Storm's Eichendorff

    Open Access•Michael Perraudin•ARTICLE•German Life and Letters•1989

  • Anfang und Ende meines lyrischen Jugendlebens

    Michael Perraudin•ARTICLE•Seminar A Journal of Germanic…•1986

    Two of the most complex, important and, given their importance, also most neglected poems of Heine's Buch der Lieder period are the principal objects of attention of this essay. It is evident that in a simply chronological sense `Die Weihe' of 1816 and `Im Hafen' of 1826 represent the `Anfang und Ende meines lyrischen Jugendlebens' – the phrase is Heine's own epistolary characterisation of the Buch der Lieder collection1 – for the one is his firs…

  • Zur Gestik und ihren Bedeutungen in Kleists Erzählungen

    Open Access•Michael Perraudin•ARTICLE•German Life and Letters•2008•Cited by: 1

    Alle Schriften Kleists – Erzählungen, Dramen, Essays, auch persönliche Briefe – enthalten eine Vielfalt von Details unwillkürlichen gestischen Verhaltens von Seiten der Figuren –äußerliche Symptome von Reaktionen, Stimmungen und Einstellungen. Sogar die Sprache fungiert weitgehend als Teil desselben Systems, indem sie unbewusste Unterwerfung, Widerstand, Herausforderung, Begierde und Willen zur Macht widerspiegelt und zum Ausdruck bringt, während…

  • Anfang und Ende meines lyrischen Jugendlebens

    Michael Perraudin•ARTICLE•Seminar A Journal of Germanic…•1986

    Two of the most complex, important and, given their importance, also most neglected poems of Heine's Buch der Lieder period are the principal objects of attention of this essay. It is evident that in a simply chronological sense `Die Weihe' of 1816 and `Im Hafen' of 1826 represent the `Anfang und Ende meines lyrischen Jugendlebens' – the phrase is Heine's own epistolary characterisation of the Buch der Lieder collection1 – for the one is his firs…

  • ‘Es Lauert Ja So Manches…’. Theodor Storm's Eichendorff

    Open Access•Michael Perraudin•ARTICLE•German Life and Letters•1989

  • Heinrich Heine

    Jean McGregor Snook, Michael Perraudin•ARTICLE•German Studies Review•1990

    This volume offers a new approach to the relationship between Heine's verse of the Buch der Lieder period and its poetic models. The author argues that German poets of the 1820s in general and Heine in particular, revealed in their verse an intense awareness of prior work by contemporaries and recent predecessors. He shows clearly how deeply rooted Heine's first phase of poetry was in the late-Romantic or early Biedermeier movements

  • ‘Das Bäumebesteigen Nimmt… Kein Ende’. Tree‐climbing in Eichendorff

    Open Access•Michael Perraudin•ARTICLE•German Life and Letters•1991

  • Comings of age. Aspects of writing of adolescence in post-war Dutch literature

    Michael Perraudin•ARTICLE•Dutch Crossing•2005

    The article examines the extreme prevalence of themes of adolescence in Dutch fiction since 1945. It discusses how and why coming-of-age narratives might have been particularly germane to fictional renderings of the war experience in the Netherlands, but then also observes how the habit of such narratives has been carried over by recent generations of writers into a range of further preoccupations—neo-romantic, feminist, post-colonial and others

  • Zur Gestik und ihren Bedeutungen in Kleists Erzählungen

    Open Access•Michael Perraudin•ARTICLE•German Life and Letters•2008•Cited by: 1

    Alle Schriften Kleists – Erzählungen, Dramen, Essays, auch persönliche Briefe – enthalten eine Vielfalt von Details unwillkürlichen gestischen Verhaltens von Seiten der Figuren –äußerliche Symptome von Reaktionen, Stimmungen und Einstellungen. Sogar die Sprache fungiert weitgehend als Teil desselben Systems, indem sie unbewusste Unterwerfung, Widerstand, Herausforderung, Begierde und Willen zur Macht widerspiegelt und zum Ausdruck bringt, während…

  • German colonialism and national identity

    Michael Perraudin, Juergen Zimmerer•EDITOR•BOOK•German colonialism and national…•2010

Art (4 works) · History (4 works) · Philosophy (4 works) · German Literature and Culture Studies (3 works) · Literature (3 works) · Philosophy (3 works) · Archaeology (2 works) · Art, Aesthetics, and Perception (2 works) · Citation (2 works) · Computer Science (2 works)

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