Anna Indych-López
Biographic Data
| ID | 1058743 |
|---|---|
| NAME | Anna Indych-López |
| GIVEN NAMES | Anna |
| FAMILY NAME | Indych-López |
| SIGNATURE | INDYCH-LÓPEZ A |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2015 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 1 |
Damián Ortega’s Cosmic Thing and the Urban Knowledge Economies of Mexico City
Damián Ortega’s Cosmic Thing (2002), a salvaged and disassembled Volkswagen Beetle methodically reconstructed as a suspended sculpture, conceptually maps Mexico City. This type of car is readily available on the streets of the city. With the help of three young mechanics and simple hand tools, the artist relied on the nonhegemonic knowledge and techniques that arise out of the shards of the city’s uneven development. Like many artists of his gene…
Carlos Chavez and His World
Carlos Chávez (1899–1978) is the central figure in Mexican music of the twentieth century and among the most eminent of all Latin American modernist composers. An enfant terrible in his own country, Chávez was an integral part of the emerging music scene in the United States in the 1920s. His highly individual style—diatonic, dissonant, contrapuntal—addressed both modernity and Mexico's indigenous past. Chávez was also a governmental arts adminis…
Carlos Chavez and His World
Carlos Chávez (1899–1978) is the central figure in Mexican music of the twentieth century and among the most eminent of all Latin American modernist composers. An enfant terrible in his own country, Chávez was an integral part of the emerging music scene in the United States in the 1920s. His highly individual style—diatonic, dissonant, contrapuntal—addressed both modernity and Mexico's indigenous past. Chávez was also a governmental arts adminis…
Carlos Chavez and His World
Carlos Chávez (1899–1978) is the central figure in Mexican music of the twentieth century and among the most eminent of all Latin American modernist composers. An enfant terrible in his own country, Chávez was an integral part of the emerging music scene in the United States in the 1920s. His highly individual style—diatonic, dissonant, contrapuntal—addressed both modernity and Mexico's indigenous past. Chávez was also a governmental arts adminis…
Damián Ortega’s Cosmic Thing and the Urban Knowledge Economies of Mexico City
Damián Ortega’s Cosmic Thing (2002), a salvaged and disassembled Volkswagen Beetle methodically reconstructed as a suspended sculpture, conceptually maps Mexico City. This type of car is readily available on the streets of the city. With the help of three young mechanics and simple hand tools, the artist relied on the nonhegemonic knowledge and techniques that arise out of the shards of the city’s uneven development. Like many artists of his gene…
Modernity (2 works) · 20th century (1 work) · Art (1 work) · Art history (1 work) · biography (1 work) · Carlos Chávez (1899-1978) (1 work) · Composers (1 work) · Craft (1 work) · Critical Theory and Political Philosophy (1 work) · Criticism and interpretation (1 work)