Thomas Dacosta Kaufmann
Datos Biográficos
| ID | 1058846 |
|---|---|
| NOMBRE | Thomas Dacosta Kaufmann |
| NOMBRES | Thomas Dacosta |
| APELLIDO | Kaufmann |
| FIRMA | KAUFMANN T D |
| AFILIACIONES | Princeton University |
| ORCID | 0000-0002-3706-0459 |
| VERIFICADO | Sí |
| TOTAL DE OBRAS | 30 |
| TOTAL DE CITAS | 29 |
| TOTAL COMO AUTOR | 28 |
| TOTAL COMO EDITOR | 2 |
| PRIMER AÑO DE PUBLICACIÓN | 1985 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2026 |
| ÍNDICE H | 1 |
Central Europe Then and Now
This postscript to the special issue, written by Thomas DaCosta Kaufmann, a leading figure in Central European early modern art history and one of its founders in Anglophone academe, reflects on the formation of a scholarly field through the lens of an individual career. Framed as both historiographical reflection and autobiographical case study, the essay traces how the study of Central European art was shaped by the political, intellectual, and…
A New Antiquity. Art and Humanity as Universal, 1400–1600, written by Alessandra Russo
Joachim Knape, 1521. Martin Luthers rhetorischer Moment oder Die Einführung des Protests. Berlin/Boston, De Gruyter 2017
Article Joachim Knape, 1521. Martin Luthers rhetorischer Moment oder Die Einführung des Protests. Berlin/Boston, De Gruyter 2017 was published on August 1, 2022 in the journal Historische Zeitschrift (volume 315, issue 1)
Afterword
Ranges of Response
What is Lutheran Confessional Culture?
Circulations in the Global History of Art
Contents: Introduction: reintroducing circulations: historiography and the project of global art history, Thomas DaCosta Kaufmann, Catherine Dossin, and Beatrice Joyeux-Prunel Reflections on world art history, Thomas DaCosta Kaufmann Art history and Iberian worldwide diffusion: westernization/globalization/Americanization, Serge Gruzinski Circulation and beyond - the trajectories of vision in early modern Eurasia, Monica Juneja Circulations: earl…
Mediating Netherlandish Art and Material Culture in Asia
King Sigismund Chapel at Cracow Cathedral (1515–1533)
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Carina L. JOHNSON. Cultural Hierarchy in Sixteenth-Century Europe
Carina L. Johnson's book complements the histoire croisée articulated by Michel Espagne and Michael Werner and developed by Serge Gruzinski in several recent books that have linked European responses to the Americas with those of the Ottomans and other cultures of the world. Considering the ways Europeans dealt with other peoples, cultural goods, and representations, Johnson casts a wide net. She treats the Habsburg Empire as a whole, adducing ev…
Italy and Hungary
Péter Farbaky and Louis A. Waldman, eds. Italy and Hungary: Humanism and Art in the Early Renaissance. Villa I Tatti: The Harvard University Center for Italian Renaissance Studies 27. Florence: Villa I Tatti, 2011. xli + 728 pp. $85. ISBN: 978–067406346–4. - Volume 65 Issue 3
Speaking of Lilliput
This essay, part of a special issue on the Warburg Institute and Library, offers personal recollections of scholars whom the author encountered there as a student in the early 1970s, including E. H. Gombrich, Otto Kurz, Michael Baxandall, Frances Yates, D. P. Walker, A. I. Sabra, Michael Podro, Michael Screech, Arnaldo Momigliano, and Nikolaus Pevsner. The author's focus is on differences between the milieu of the Kulturwissenschaftliche Biblioth…
Introduction
In this introduction to a Common Knowledge special issue on the Warburg Institute, the authors argue that the Institute remains today - as it has been, in different forms, for almost a century - one of Europe's central institutions for the study of cultural history. At once a rich and uniquely organized library, a center for doctoral and postdoctoral research, and a teaching faculty, the Institute was first envisioned by Aby Warburg, a pioneering…
Le proche et le lointain
John Leighton. Pour un tranger, les Pays-Bas semblent tre un pays carr, ordonn ; le mot nerlandais adquat serait overzichtelijk, qui peut tre traduit grosso modo par apprhensible . Cependant, si l'on creuse la question, le pays et l'identit de son peuple rsistent toute dfinition trop htive ; conscient des strates, des complexits
Vision, Reflection, and Desire in Western Painting
David J. Summers. Vision, Reflection, and Desire in Western Painting. Chapel Hill: University of North Carolina Press, 2007. 213 pp. index. illus. bibl. $39.95. ISBN: 978–0–8078–3110–6. - Volume 62 Issue 1
Malaise dans la périodisation
Il n'y a pas si longtemps encore, on pouvait partir du principe que tout historien de l'art savait comment dater et localiser une oeuvre d'art. La discipline a continu s'accorder sur les principes que l'apparence formelle tait un pointeur dans l'histoire et que le style dlimitait des priodes historiques dans l'art (tout autant que dans l'oeuvre de chaque artiste). L'organisation des cours d'histoire de l'art au sein des universits, ainsi que les …
Dionisio Calvaert (um 1540-1619)
"Our Lord God's Chancery" in Magdeburg and Its Fight against the Interim
We, Lucifer, lord of darkness, ruler of deep sadness, emperor of the hellish cesspool, duke of the sulphuric waters, king of the cliff, and administrator of the hellish fire, to each and everyone in our realm, friends, bishops, prelates, cathedral canons, clergy, and all others of whatever dignity and the state you may be in: our greetings
Rudolf II, Holy Roman Emperor
Reception theory
Arcimboldo [Arcimboldi], Giuseppe
Early modern ideas about artistic geography related to the Baltic Region
Islam, Art, and Architecture in the Americas
Antiquarianism, the History of Objects, and the History of Art before Winckelmann
In light of postmodernist and poststructuralist trends in the humanities which have contested notions of originality and of authorship, it might seem surprising that one outstanding myth of the eighteenth century has not yet been thoroughly challenged. This is the claim made by Johann Joachim Winckelmann in the foreword to the Geschichte der Kunst des Altertums, originally published in 1764, that he had created a new history of art which was dist…
East and West
Visual Culture Questionnaire
1. It has been suggested that the interdisciplinary project of is no longer organized on the model of (as were the disciplines of art history, architectural history, film history, etc.) but on the model of anthropology. Hence, it is argued by some that visual culture is in an eccentric (even, at times, antagonistic) position with regard to the new art history with its social-historical and semiotic imperatives and models of context and text
Antiquarianism, the History of Objects, and the History of Art before Winckelmann
In light of postmodernist and poststructuralist trends in the humanities which have contested notions of originality and of authorship, it might seem surprising that one outstanding myth of the eighteenth century has not yet been thoroughly challenged. This is the claim made by Johann Joachim Winckelmann in the foreword to the Geschichte der Kunst des Altertums, originally published in 1764, that he had created a new history of art which was dist…
Éros et poesia
DaCosta Kaufmann Thomas, Coignard Jerôme. Éros et poesia : la peinture à la cour de Rodolphe II. In: Revue de l'Art, 1985, n°69. pp. 29-46
Éros et poesia
DaCosta Kaufmann Thomas, Coignard Jerôme. Éros et poesia : la peinture à la cour de Rodolphe II. In: Revue de l'Art, 1985, n°69. pp. 29-46
A Census of Drawings from the Holy Roman Empire, 1540–1680, in North American Collections
The following checklist contains references to drawings by artists active in the lands comprised by the Holy Roman Empire, 1540–1680, regardless of their place of birth. All drawings found in North American collections of which the compiler is aware have been included. This census is intended to complement the exhibition and catalogue Drawings from the Holy Roman Empire 1540–1680: A Selection from North American Collections (Princeton, 1982). The…
Holland without Huizinga
Nouvelles sources de la controverse eucharistique à Strasbourg en automne 1524
New sources for the eucharistie controversy in Strasbourg in the autumn of 1524. This article seeks to reconstruct the discussion over holy communion in Strasbourg following Karlstadt's stay. Traces of it are to be found not only in the works of Strasbourg theologians, but also in texts written by C. Ziegler and in an anonymous pamphlet entitled « Dass die papistischen Opfermessen abzutun und dagegen das Nachtmahl Christi christlicher Weise aufzu…
Visual Culture Questionnaire
1. It has been suggested that the interdisciplinary project of is no longer organized on the model of (as were the disciplines of art history, architectural history, film history, etc.) but on the model of anthropology. Hence, it is argued by some that visual culture is in an eccentric (even, at times, antagonistic) position with regard to the new art history with its social-historical and semiotic imperatives and models of context and text
East and West
Antiquarianism, the History of Objects, and the History of Art before Winckelmann
In light of postmodernist and poststructuralist trends in the humanities which have contested notions of originality and of authorship, it might seem surprising that one outstanding myth of the eighteenth century has not yet been thoroughly challenged. This is the claim made by Johann Joachim Winckelmann in the foreword to the Geschichte der Kunst des Altertums, originally published in 1764, that he had created a new history of art which was dist…
Rudolf II, Holy Roman Emperor
Reception theory
Arcimboldo [Arcimboldi], Giuseppe
Early modern ideas about artistic geography related to the Baltic Region
Islam, Art, and Architecture in the Americas
Dionisio Calvaert (um 1540-1619)
"Our Lord God's Chancery" in Magdeburg and Its Fight against the Interim
We, Lucifer, lord of darkness, ruler of deep sadness, emperor of the hellish cesspool, duke of the sulphuric waters, king of the cliff, and administrator of the hellish fire, to each and everyone in our realm, friends, bishops, prelates, cathedral canons, clergy, and all others of whatever dignity and the state you may be in: our greetings
Malaise dans la périodisation
Il n'y a pas si longtemps encore, on pouvait partir du principe que tout historien de l'art savait comment dater et localiser une oeuvre d'art. La discipline a continu s'accorder sur les principes que l'apparence formelle tait un pointeur dans l'histoire et que le style dlimitait des priodes historiques dans l'art (tout autant que dans l'oeuvre de chaque artiste). L'organisation des cours d'histoire de l'art au sein des universits, ainsi que les …
Vision, Reflection, and Desire in Western Painting
David J. Summers. Vision, Reflection, and Desire in Western Painting. Chapel Hill: University of North Carolina Press, 2007. 213 pp. index. illus. bibl. $39.95. ISBN: 978–0–8078–3110–6. - Volume 62 Issue 1
Le proche et le lointain
John Leighton. Pour un tranger, les Pays-Bas semblent tre un pays carr, ordonn ; le mot nerlandais adquat serait overzichtelijk, qui peut tre traduit grosso modo par apprhensible . Cependant, si l'on creuse la question, le pays et l'identit de son peuple rsistent toute dfinition trop htive ; conscient des strates, des complexits
Italy and Hungary
Péter Farbaky and Louis A. Waldman, eds. Italy and Hungary: Humanism and Art in the Early Renaissance. Villa I Tatti: The Harvard University Center for Italian Renaissance Studies 27. Florence: Villa I Tatti, 2011. xli + 728 pp. $85. ISBN: 978–067406346–4. - Volume 65 Issue 3
Speaking of Lilliput
This essay, part of a special issue on the Warburg Institute and Library, offers personal recollections of scholars whom the author encountered there as a student in the early 1970s, including E. H. Gombrich, Otto Kurz, Michael Baxandall, Frances Yates, D. P. Walker, A. I. Sabra, Michael Podro, Michael Screech, Arnaldo Momigliano, and Nikolaus Pevsner. The author's focus is on differences between the milieu of the Kulturwissenschaftliche Biblioth…
Introduction
In this introduction to a Common Knowledge special issue on the Warburg Institute, the authors argue that the Institute remains today - as it has been, in different forms, for almost a century - one of Europe's central institutions for the study of cultural history. At once a rich and uniquely organized library, a center for doctoral and postdoctoral research, and a teaching faculty, the Institute was first envisioned by Aby Warburg, a pioneering…
King Sigismund Chapel at Cracow Cathedral (1515–1533)
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Carina L. JOHNSON. Cultural Hierarchy in Sixteenth-Century Europe
Carina L. Johnson's book complements the histoire croisée articulated by Michel Espagne and Michael Werner and developed by Serge Gruzinski in several recent books that have linked European responses to the Americas with those of the Ottomans and other cultures of the world. Considering the ways Europeans dealt with other peoples, cultural goods, and representations, Johnson casts a wide net. She treats the Habsburg Empire as a whole, adducing ev…
Mediating Netherlandish Art and Material Culture in Asia
What is Lutheran Confessional Culture?
Circulations in the Global History of Art
Contents: Introduction: reintroducing circulations: historiography and the project of global art history, Thomas DaCosta Kaufmann, Catherine Dossin, and Beatrice Joyeux-Prunel Reflections on world art history, Thomas DaCosta Kaufmann Art history and Iberian worldwide diffusion: westernization/globalization/Americanization, Serge Gruzinski Circulation and beyond - the trajectories of vision in early modern Eurasia, Monica Juneja Circulations: earl…
Art (22 obras) · History (16 obras) · Art history (12 obras) · Philosophy (8 obras) · Ancient history (7 obras) · Classics (7 obras) · Computer Science (6 obras) · Humanities (6 obras) · Law (6 obras) · Political science (6 obras)