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Valda Blundell

Biographic Data

ID106069
NAMEValda Blundell
GIVEN NAMESValda
FAMILY NAMEBlundell
SIGNATUREBLUNDELL V
AFFILIATIONSCarleton University
VERIFIEDNo
TOTAL WORKS11
TOTAL CITATIONS161
AUTHOR COUNT11
EDITOR COUNT0
FIRST PUBLICATION YEAR1980
LATEST PUBLICATION YEAR2021
H-INDEX4
  • Symbolic Systems and Cultural Continuity in Northwest Australia: A Consideration of Aboriginal Cave Art

    Valda Blundell•ARTICLE•Culture•2021•References: 12

    Archaeological research in Australia suggests that Aboriginal foragers have successfully occupied the continent for many thousands of years. Furthermore, it appears that the trans-generational continuity of their cultural systems has been achieved in the face of a great deal of flux in the daily lives of individuals. This paper argues that Aboriginal cave art constitutes a set of symbols which have facilitated cultural continuity in the face of e…

  • Rock Art, Aboriginal Culture, and Identity: The Wanjina Paintings of Northwest Australia

    Open Access•Valda Blundell, Donny Woolagoodja•OTHER•A Companion to Rock Art•2012

    This chapter contains sections titled: Abstract Rock Art, Cosmology, and the Wanjina-Wunggurr Cultural Landscape Gwion Gwion Rock Art and Aboriginal Identities Wunggurr Conception Sites Wurnan The Ritual Re-Painting of Rock Art Rock Art as the Basis for Contemporary Works of Art Rock Art, Aboriginal Heritage, and Native Title Conclusions Notes References

  • Marriage, Myth and Models of Exchange in the West Kimberleys

    Open Access•Valda Blundell, Robert Layton•ARTICLE•Mankind•2010•Cited by: 8•References: 8

  • “Take home Canada”: Representations of aboriginal peoples as tourist souvenirs

    Valda Blundell•CHAPTER•Socialness of Things•1994

  • Echoes of a Proud Nation”: Reading Kahnawake’s Powwow as a Post-Oka Text

    Valda Blundell•ARTICLE•Canadian Journal of Communication•1993

    After presenting one history of North American powwows as sites where aesthetic forms are deployed to transform meanings about aboriginal peoples, an analysis is offered of the powwow produced by the Kahnawake Mohawk a year after their involvement in the Oka crisis

  • Aboriginal empowerment and souvenir trade in Canada

    Open Access•Valda Blundell•ARTICLE•Annals of Tourism Research•1993•Cited by: 6•References: 1

  • Anthropological Applications of Optimal Foraging Theory: A Critical Review [and Comments and Reply]

    E A Smith, R L Bettinger et al.•ARTICLE•Current Anthropology•1983

    Recent applications of models of optimal foraging behavior to human foraging economies are summarized and evaluated. These models predict patterns of prey choice, habitat use, time allocation, settlement pattern, and foraging group size that will maximize some objective currency (such as the net rate of energy capture while foraging) under the constraints of resource characteristics and forager capabilities pertaining to a particular situation. I…

  • If It's Not Shamanic, Is It Sham? An Examination of Media Responses to Woodland School Art

    Open Access•Valda Blundell, Ruth B Phillips et al.•ARTICLE•Anthropologica•1983•Cited by: 1

    Cet article etudie les reactions des media d'information face a la peinture de 'Tecole Woodland et face a son fondateur Norval Morrisseau. Les auteurs evaluent les reactions des media, des musees, des galeries d'art y compris leurs difficultes a classer cet art considere tantot comme materiau ethnographique et tantot comme echantillon d'art moderne. Elles distinguent deux themes dominants dans l'interpretation de l'art de 'Tecole Woodland par les…

  • Territoriality Among Human Foragers: Ecological Models and an Application to Four Bushman Groups [and Comments and Reply]

    E Cashdan, Alan Barnard et al.•ARTICLE•Current Anthropology•1983•Cited by: 138•References: 10

    Cost-benefit models derived from evolutionary ecology have led to the general expectation that territoriality will be found where resources are most abundant and predictable. Literature sources for four Bushman groups, however, indicate that the most territorial of these groups are found where resources are sparsest and most variable. This paper has as its aim the extension of the animal models of territoriality to make them more widely applicabl…

  • Homo Erectus: Papers in Honor of Davidson Black

    Open Access•Valda Blundell•REVIEW•Anthropologica•1981

  • Hunter-Gatherer Territoriality: Ideology and Behavior in Northwest Australia

    Valda Blundell•ARTICLE•Ethnohistory•1980•Cited by: 8

  • Territoriality Among Human Foragers: Ecological Models and an Application to Four Bushman Groups [and Comments and Reply]

    E Cashdan, Alan Barnard et al.•ARTICLE•Current Anthropology•1983•Cited by: 138•References: 10

    Cost-benefit models derived from evolutionary ecology have led to the general expectation that territoriality will be found where resources are most abundant and predictable. Literature sources for four Bushman groups, however, indicate that the most territorial of these groups are found where resources are sparsest and most variable. This paper has as its aim the extension of the animal models of territoriality to make them more widely applicabl…

  • Marriage, Myth and Models of Exchange in the West Kimberleys

    Open Access•Valda Blundell, Robert Layton•ARTICLE•Mankind•2010•Cited by: 8•References: 8

  • Hunter-Gatherer Territoriality: Ideology and Behavior in Northwest Australia

    Valda Blundell•ARTICLE•Ethnohistory•1980•Cited by: 8

  • Aboriginal empowerment and souvenir trade in Canada

    Open Access•Valda Blundell•ARTICLE•Annals of Tourism Research•1993•Cited by: 6•References: 1

  • If It's Not Shamanic, Is It Sham? An Examination of Media Responses to Woodland School Art

    Open Access•Valda Blundell, Ruth B Phillips et al.•ARTICLE•Anthropologica•1983•Cited by: 1

    Cet article etudie les reactions des media d'information face a la peinture de 'Tecole Woodland et face a son fondateur Norval Morrisseau. Les auteurs evaluent les reactions des media, des musees, des galeries d'art y compris leurs difficultes a classer cet art considere tantot comme materiau ethnographique et tantot comme echantillon d'art moderne. Elles distinguent deux themes dominants dans l'interpretation de l'art de 'Tecole Woodland par les…

  • Hunter-Gatherer Territoriality: Ideology and Behavior in Northwest Australia

    Valda Blundell•ARTICLE•Ethnohistory•1980•Cited by: 8

  • Homo Erectus: Papers in Honor of Davidson Black

    Open Access•Valda Blundell•REVIEW•Anthropologica•1981

  • Anthropological Applications of Optimal Foraging Theory: A Critical Review [and Comments and Reply]

    E A Smith, R L Bettinger et al.•ARTICLE•Current Anthropology•1983

    Recent applications of models of optimal foraging behavior to human foraging economies are summarized and evaluated. These models predict patterns of prey choice, habitat use, time allocation, settlement pattern, and foraging group size that will maximize some objective currency (such as the net rate of energy capture while foraging) under the constraints of resource characteristics and forager capabilities pertaining to a particular situation. I…

  • If It's Not Shamanic, Is It Sham? An Examination of Media Responses to Woodland School Art

    Open Access•Valda Blundell, Ruth B Phillips et al.•ARTICLE•Anthropologica•1983•Cited by: 1

    Cet article etudie les reactions des media d'information face a la peinture de 'Tecole Woodland et face a son fondateur Norval Morrisseau. Les auteurs evaluent les reactions des media, des musees, des galeries d'art y compris leurs difficultes a classer cet art considere tantot comme materiau ethnographique et tantot comme echantillon d'art moderne. Elles distinguent deux themes dominants dans l'interpretation de l'art de 'Tecole Woodland par les…

  • Territoriality Among Human Foragers: Ecological Models and an Application to Four Bushman Groups [and Comments and Reply]

    E Cashdan, Alan Barnard et al.•ARTICLE•Current Anthropology•1983•Cited by: 138•References: 10

    Cost-benefit models derived from evolutionary ecology have led to the general expectation that territoriality will be found where resources are most abundant and predictable. Literature sources for four Bushman groups, however, indicate that the most territorial of these groups are found where resources are sparsest and most variable. This paper has as its aim the extension of the animal models of territoriality to make them more widely applicabl…

  • Echoes of a Proud Nation”: Reading Kahnawake’s Powwow as a Post-Oka Text

    Valda Blundell•ARTICLE•Canadian Journal of Communication•1993

    After presenting one history of North American powwows as sites where aesthetic forms are deployed to transform meanings about aboriginal peoples, an analysis is offered of the powwow produced by the Kahnawake Mohawk a year after their involvement in the Oka crisis

  • Aboriginal empowerment and souvenir trade in Canada

    Open Access•Valda Blundell•ARTICLE•Annals of Tourism Research•1993•Cited by: 6•References: 1

  • “Take home Canada”: Representations of aboriginal peoples as tourist souvenirs

    Valda Blundell•CHAPTER•Socialness of Things•1994

  • Marriage, Myth and Models of Exchange in the West Kimberleys

    Open Access•Valda Blundell, Robert Layton•ARTICLE•Mankind•2010•Cited by: 8•References: 8

  • Rock Art, Aboriginal Culture, and Identity: The Wanjina Paintings of Northwest Australia

    Open Access•Valda Blundell, Donny Woolagoodja•OTHER•A Companion to Rock Art•2012

    This chapter contains sections titled: Abstract Rock Art, Cosmology, and the Wanjina-Wunggurr Cultural Landscape Gwion Gwion Rock Art and Aboriginal Identities Wunggurr Conception Sites Wurnan The Ritual Re-Painting of Rock Art Rock Art as the Basis for Contemporary Works of Art Rock Art, Aboriginal Heritage, and Native Title Conclusions Notes References

  • Symbolic Systems and Cultural Continuity in Northwest Australia: A Consideration of Aboriginal Cave Art

    Valda Blundell•ARTICLE•Culture•2021•References: 12

    Archaeological research in Australia suggests that Aboriginal foragers have successfully occupied the continent for many thousands of years. Furthermore, it appears that the trans-generational continuity of their cultural systems has been achieved in the face of a great deal of flux in the daily lives of individuals. This paper argues that Aboriginal cave art constitutes a set of symbols which have facilitated cultural continuity in the face of e…

Sociology (9 works) · History (7 works) · Archaeology (5 works) · Computer Science (5 works) · Geography (5 works) · Art (4 works) · Biology (4 works) · Ecology (4 works) · Anthropology (3 works) · Ecology (3 works)

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