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Gordon Spearritt

Biographic Data

ID106074
NAMEGordon Spearritt
GIVEN NAMESGordon
FAMILY NAMESpearritt
SIGNATURESPEARRITT G
AFFILIATIONSThe University of Queensland
VERIFIEDNo
TOTAL WORKS8
TOTAL CITATIONS2
AUTHOR COUNT8
EDITOR COUNT0
FIRST PUBLICATION YEAR1967
LATEST PUBLICATION YEAR2001
H-INDEX1
  • Papers from Ivilikou

    Gordon Spearritt, Gordon D Spearritt•ARTICLE•Musicology Australia•2001

    ‘It was a shame for us Papua New Guineans to see foreigners come and do research on our own cultures, then present reports to us and go back to their country...[I]t would be best if most Papua New Guineans do more research’. This was the reactaon of one of the music students from the Faculty of Creative Arts (University of Papua New Guinea) who were invited to attend the Ivilikou conference and who were subsequently asked to comment on their impr…

  • Lokal Musik

    Gordon Spearritt•ARTICLE•Musicology Australia•1995

  • Forms and styles of traditional music

    Gordon Spearritt•ARTICLE•Musicology Australia•1990

    It is a great pleasure to be asked to review this booklet, the publication of which marks a milestone in the history of Papua New Guinea Music. Not only is it the first of a series of volumes being prepared for publication by the Cultural Studies Division of the National Research Institute, but it is “the first thesis written by a Papua New Guinean to be solely devoted to music”—a very creditable achievement when it is remembered that PNG has bee…

  • Round Table V

    Gordon Spearritt, Gordon D Spearritt•ARTICLE•Acta Musicologica•1987

  • Music of the Kalui, Papua New Guinea

    Gerald Florian Messner, Steven Feld et al.•ARTICLE•Ethnomusicology•1986

  • Papua Niugini

    Hugo Zemp, Robert Maclennan et al.•ARTICLE•Yearbook for Traditional Music•1982

  • The Pairing of Musicians and Instruments in Iatmul Society

    Gordon Spearritt, Gordon D Spearritt•ARTICLE•Yearbook for Traditional Music•1982•Cited by: 2•References: 2

    Apres une presentation de la societe Iatmul (situee sur le fleuve Sepik, au nord de la Nouvelle-Guinee-Papouasie), l'A. analyse l'interaction entre le systeme de croyance et la fonction sociale de la musique: chaque type de musique correspond a un certain ensemble instrumental, une duree, un lieu d'execution, un moment de la vie quotidienne ou ceremonielle, des prescrittions de participation

  • The consort songs and madrigals of Richard Nicholson

    Gordon Spearritt•ARTICLE•Musicology Australia•1967•References: 1

    When Thomas Morley was compiling The Triumphes of Oriana, a set of madrigals in honour of Queen Elizabeth, he invited several of his fellow composers to contribute to the collection.1 The published work included madrigals from twenty-two composers other than Morley, some of whom are well known for their publications of individual sets of madrigals, e.g., Weelkes, Wilbye, Tomkins and Morley himself. Other leading composers of the day, such as Byrd…

  • The Pairing of Musicians and Instruments in Iatmul Society

    Gordon Spearritt, Gordon D Spearritt•ARTICLE•Yearbook for Traditional Music•1982•Cited by: 2•References: 2

    Apres une presentation de la societe Iatmul (situee sur le fleuve Sepik, au nord de la Nouvelle-Guinee-Papouasie), l'A. analyse l'interaction entre le systeme de croyance et la fonction sociale de la musique: chaque type de musique correspond a un certain ensemble instrumental, une duree, un lieu d'execution, un moment de la vie quotidienne ou ceremonielle, des prescrittions de participation

  • The consort songs and madrigals of Richard Nicholson

    Gordon Spearritt•ARTICLE•Musicology Australia•1967•References: 1

    When Thomas Morley was compiling The Triumphes of Oriana, a set of madrigals in honour of Queen Elizabeth, he invited several of his fellow composers to contribute to the collection.1 The published work included madrigals from twenty-two composers other than Morley, some of whom are well known for their publications of individual sets of madrigals, e.g., Weelkes, Wilbye, Tomkins and Morley himself. Other leading composers of the day, such as Byrd…

  • Papua Niugini

    Hugo Zemp, Robert Maclennan et al.•ARTICLE•Yearbook for Traditional Music•1982

  • The Pairing of Musicians and Instruments in Iatmul Society

    Gordon Spearritt, Gordon D Spearritt•ARTICLE•Yearbook for Traditional Music•1982•Cited by: 2•References: 2

    Apres une presentation de la societe Iatmul (situee sur le fleuve Sepik, au nord de la Nouvelle-Guinee-Papouasie), l'A. analyse l'interaction entre le systeme de croyance et la fonction sociale de la musique: chaque type de musique correspond a un certain ensemble instrumental, une duree, un lieu d'execution, un moment de la vie quotidienne ou ceremonielle, des prescrittions de participation

  • Music of the Kalui, Papua New Guinea

    Gerald Florian Messner, Steven Feld et al.•ARTICLE•Ethnomusicology•1986

  • Round Table V

    Gordon Spearritt, Gordon D Spearritt•ARTICLE•Acta Musicologica•1987

  • Forms and styles of traditional music

    Gordon Spearritt•ARTICLE•Musicology Australia•1990

    It is a great pleasure to be asked to review this booklet, the publication of which marks a milestone in the history of Papua New Guinea Music. Not only is it the first of a series of volumes being prepared for publication by the Cultural Studies Division of the National Research Institute, but it is “the first thesis written by a Papua New Guinean to be solely devoted to music”—a very creditable achievement when it is remembered that PNG has bee…

  • Lokal Musik

    Gordon Spearritt•ARTICLE•Musicology Australia•1995

  • Papers from Ivilikou

    Gordon Spearritt, Gordon D Spearritt•ARTICLE•Musicology Australia•2001

    ‘It was a shame for us Papua New Guineans to see foreigners come and do research on our own cultures, then present reports to us and go back to their country...[I]t would be best if most Papua New Guineans do more research’. This was the reactaon of one of the music students from the Faculty of Creative Arts (University of Papua New Guinea) who were invited to attend the Ivilikou conference and who were subsequently asked to comment on their impr…

Art (6 works) · Pacific and Southeast Asian Studies (6 works) · Ethnology (5 works) · History (5 works) · New guinea (5 works) · History (3 works) · Literature (3 works) · Visual arts (3 works) · Aesthetics (2 works) · Art history (2 works)

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