Michael Alan Anderson
Biographic Data
| ID | 10611444 |
|---|---|
| NAME | Michael Alan Anderson |
| GIVEN NAMES | Michael Alan |
| FAMILY NAME | Anderson |
| SIGNATURE | ANDERSON M A |
| AFFILIATIONS | Eastman Chemical Company (Germany) |
| ORCID | 0000-0002-5522-1295 |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2010 |
| LATEST PUBLICATION YEAR | 2014 |
| H-INDEX | 0 |
St Anne in Renaissance Music
Devotion to St Anne, the apocryphal mother of the Virgin Mary, reached its height in the fifteenth and early sixteenth centuries. Until now, Anne's reception history and political symbolism during this period have been primarily discussed through the lens of art history. This is the first study to explore the music that honoured the saint and its connections to some of the most prominent court cultures of western Europe. Michael Alan Anderson exa…
Fire, Foliage and Fury
The thirteenth-century motet repertory has been understood on a wide spectrum, with recent scholarship amplifying the relationship between the liturgical tenors and the commentary in the upper voices. This study examines a family of motets based on the tenors IOHANNE and MULIERUM from the feast of the Nativity of John the Baptist (24 June). Several texts within this motet family make references to well-known traditions associated with the pagan f…
Enhancing the Ave Maria in the Ars Antiqua
The Ave Maria remains the most widely repeated prayer in Christian devotional life, and music has played a critical role in its formation and propagation. This article reviews the essential contribution of music in the dissemination of texts based on the original verses from the gospel of Luke, with new evidence concerning the tradition of affixing a petition to the core devotion. While the Ave Maria remained unfixed in form and function until th…
No prominent works on this page.
Enhancing the Ave Maria in the Ars Antiqua
The Ave Maria remains the most widely repeated prayer in Christian devotional life, and music has played a critical role in its formation and propagation. This article reviews the essential contribution of music in the dissemination of texts based on the original verses from the gospel of Luke, with new evidence concerning the tradition of affixing a petition to the core devotion. While the Ave Maria remained unfixed in form and function until th…
Fire, Foliage and Fury
The thirteenth-century motet repertory has been understood on a wide spectrum, with recent scholarship amplifying the relationship between the liturgical tenors and the commentary in the upper voices. This study examines a family of motets based on the tenors IOHANNE and MULIERUM from the feast of the Nativity of John the Baptist (24 June). Several texts within this motet family make references to well-known traditions associated with the pagan f…
St Anne in Renaissance Music
Devotion to St Anne, the apocryphal mother of the Virgin Mary, reached its height in the fifteenth and early sixteenth centuries. Until now, Anne's reception history and political symbolism during this period have been primarily discussed through the lens of art history. This is the first study to explore the music that honoured the saint and its connections to some of the most prominent court cultures of western Europe. Michael Alan Anderson exa…
Art (3 works) · Literature (3 works) · Polyphony (3 works) · Reformation and Early Modern Christianity (3 works) · History (2 works) · Law (2 works) · Medieval Literature and History (2 works) · Philosophy (2 works) · Aesthetics (1 work) · Anne (mother of the virgin mary), saint (1 work)