Kenneth Gloag
Biographic Data
| ID | 1061464 |
|---|---|
| NAME | Kenneth Gloag |
| GIVEN NAMES | Kenneth |
| FAMILY NAME | Gloag |
| SIGNATURE | GLOAG K |
| AFFILIATIONS | Cardiff University |
| VERIFIED | No |
| TOTAL WORKS | 9 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 9 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1998 |
| LATEST PUBLICATION YEAR | 2016 |
| H-INDEX | 1 |
Musicology
Now in an updated 2nd edition, Musicology: The Key Concepts is a handy A-Z reference guide to the terms and concepts associated with contemporary musicology. Drawing on critical theory with a focus on new musicology, this updated edition contains over 35 new entries including: Autobiography Music and Conflict Deconstruction Postcolonialism Disability Music after 9/11 Masculinity Gay Musicology Aesthetics Ethnicity Interpretation Subjectivity With…
John Zorn
The many different musical projects and personas of John Zorn present interesting interpretative challenges for listeners, critics, and potential analysts. The co-existence of film music, jazz, popular music and musical composition, and the many divergences and differences within each already broad category, suggest that Zorn may be performing his own version, or versions, of a radical postmodernism. However, as John Brackett’s timely book accura…
Musicology
Musicology: the Key Concepts provides a vital reference guide for students of contemporary musicology. Its clear and accessible entries cover a comprehensive range of terms including:- aesthetics- canon- culture- deconstruction- ethnicity- identity- subjectivity- value- workFully cross-referenced and with suggestions for further reading, this is an essential resource for all students of music
Walter Everett, The Beatles as Musicians
Reading Pop
Kenneth Gloag, Richard Middleton; Reading Pop: Approaches to Textual Analysis in Popular Music, Music and Letters, Volume 83, Issue 1, 1 February 2002, Pag
Situating the 1960s
This paper revisits Fredric Jameson's writing on postmodernism and 'periodizing the 1960s' in order to begin to construct a historical framework for popular music of the 1960s, using reference to the Beatles as a case study. As part of this construction, reference is also made to Foucault and the episteme. The central claim is that popular music of the 1960s featured a shift from a common musical language to a more pluralized, differentiated styl…
Music and Cultural Theory
Book reviewed: Music and Cultural Theory : John Shepherd and Peter Wicke
Only Make-Believe
All You Need Is Theory? The Beatles' 'Sgt. Pepper
Journal Article ALL YOU NEED IS THEORY? THE BEATLES' ‘SGT. PEPPER’ Get access KENNETH GLOAG KENNETH GLOAG Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume 79, Issue 4, November 1998, Pages 577–583, https://doi.org/10.1093/ml/79.4.577 Published: 01 November 1998
Situating the 1960s
This paper revisits Fredric Jameson's writing on postmodernism and 'periodizing the 1960s' in order to begin to construct a historical framework for popular music of the 1960s, using reference to the Beatles as a case study. As part of this construction, reference is also made to Foucault and the episteme. The central claim is that popular music of the 1960s featured a shift from a common musical language to a more pluralized, differentiated styl…
All You Need Is Theory? The Beatles' 'Sgt. Pepper
Journal Article ALL YOU NEED IS THEORY? THE BEATLES' ‘SGT. PEPPER’ Get access KENNETH GLOAG KENNETH GLOAG Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume 79, Issue 4, November 1998, Pages 577–583, https://doi.org/10.1093/ml/79.4.577 Published: 01 November 1998
Music and Cultural Theory
Book reviewed: Music and Cultural Theory : John Shepherd and Peter Wicke
Only Make-Believe
Situating the 1960s
This paper revisits Fredric Jameson's writing on postmodernism and 'periodizing the 1960s' in order to begin to construct a historical framework for popular music of the 1960s, using reference to the Beatles as a case study. As part of this construction, reference is also made to Foucault and the episteme. The central claim is that popular music of the 1960s featured a shift from a common musical language to a more pluralized, differentiated styl…
Reading Pop
Kenneth Gloag, Richard Middleton; Reading Pop: Approaches to Textual Analysis in Popular Music, Music and Letters, Volume 83, Issue 1, 1 February 2002, Pag
Walter Everett, The Beatles as Musicians
Musicology
Musicology: the Key Concepts provides a vital reference guide for students of contemporary musicology. Its clear and accessible entries cover a comprehensive range of terms including:- aesthetics- canon- culture- deconstruction- ethnicity- identity- subjectivity- value- workFully cross-referenced and with suggestions for further reading, this is an essential resource for all students of music
John Zorn
The many different musical projects and personas of John Zorn present interesting interpretative challenges for listeners, critics, and potential analysts. The co-existence of film music, jazz, popular music and musical composition, and the many divergences and differences within each already broad category, suggest that Zorn may be performing his own version, or versions, of a radical postmodernism. However, as John Brackett’s timely book accura…
Musicology
Now in an updated 2nd edition, Musicology: The Key Concepts is a handy A-Z reference guide to the terms and concepts associated with contemporary musicology. Drawing on critical theory with a focus on new musicology, this updated edition contains over 35 new entries including: Autobiography Music and Conflict Deconstruction Postcolonialism Disability Music after 9/11 Masculinity Gay Musicology Aesthetics Ethnicity Interpretation Subjectivity With…
Art (8 works) · Computer Science (8 works) · Diverse Musicological Studies (5 works) · Music History and Culture (5 works) · Musicology and Musical Analysis (4 works) · Art history (3 works) · Literature (3 works) · Philosophy (3 works) · Aesthetics (2 works) · Library science (2 works)