Sally M Promey
Biographic Data
| ID | 1061714 |
|---|---|
| NAME | Sally M Promey |
| GIVEN NAMES | Sally M |
| FAMILY NAME | Promey |
| SIGNATURE | PROMEY S M |
| AFFILIATIONS | Yale University |
| VERIFIED | No |
| TOTAL WORKS | 12 |
| TOTAL CITATIONS | 8 |
| WORKS AS AUTHOR | 11 |
| WORKS AS EDITOR | 1 |
| FIRST PUBLICATION YEAR | 1993 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 2 |
American Performances, Economies, and Genealogies of Constraint
In this collaboratively written exercise, the authors discuss the material significance of embodied sense perceptions and affects. Despite Protestant secularity’s claims to the contrary, sensation and affect are no more confined to interiorized subjective mental states than is religion merely belief
Tree Rings and Blood Lines
These redwood rings are both family trees and family circles, literally naturalizing a canonical “American” familial heritage insistently recited and instantiated in many media and locations: artistic and built environments, judicial practice, legislation and policy, textbooks, land use, and national land theory. Heritage is a family business
Collaborative scholarly communities and access in the study of material and visual cultures of religion
The Center for the Study of Material and Visual Cultures of Religion at Yale University (MAVCOR) does not simply, or even most fundamentally, shape a physical center at Yale University. Although MAVCOR organizes events at Yale and coordinates project cycles involving Yale affiliates as well as scholars from other universities in the United States and around the world, much of MAVCOR’s activity is conducted online. MAVCOR publishes a born-digital,…
Sensational Religion
The Initiative for the study of material and visual cultures of religion (mavcor)
Conversations
"Seeing the self "in frame
I offer here a set of observations about the use of pictures in the Puritan devotional practice of self-examination. Specifically, I consider a cluster of seventeenth- and early-eighteenth-century gravestone carvings and one oil painting, the Thomas Smith Self-Portrait (c.1670–91). Both kinds of artifacts, on stone and canvas, might well be described as means of “framing” the godly self. If Puritan diaries and journals, elegies and meditative poe…
The Visual Culture of American Religions
Journal Article The Visual Culture of American Religions. Ed. by David Morgan and Sally M. Promey. (Berkeley: University of California Press, 2001. xiv, 427 pp. Cloth, $60.00, ISBN 0-520-22520-1. Paper, $29.95, ISBN 0-520-22522-8.) Get access Paul Eli Ivey Paul Eli Ivey University of Arizona, Tucson, Arizona Search for other works by this author on: Oxford Academic Google Scholar Journal of American History, Volume 89, Issue 1, June 2002, Pages 3…
Digital Art History
Material Christianity
Spiritual Spectacles
Foreword by Catherine L. Albanese and Stephen J. From Vision to Image: Continuity in Shaker Experience 2. Image and Inconoclasm: Discontinuity in Shaker Experience 3. Production and Regulation of Images: The Instruments and the Ministry Part II: Vision, Image, and Space 4. Ethics and Aesthetics: In Heaven's Likeness 5. Image as Threshold of Heaven: Passing through Pictures Part III: Vision, Image, and Time 6. (Re)collecting History: A Genealogy o…
Celestial Visions
The Visual Culture of American Religions
Journal Article The Visual Culture of American Religions. Ed. by David Morgan and Sally M. Promey. (Berkeley: University of California Press, 2001. xiv, 427 pp. Cloth, $60.00, ISBN 0-520-22520-1. Paper, $29.95, ISBN 0-520-22522-8.) Get access Paul Eli Ivey Paul Eli Ivey University of Arizona, Tucson, Arizona Search for other works by this author on: Oxford Academic Google Scholar Journal of American History, Volume 89, Issue 1, June 2002, Pages 3…
"Seeing the self "in frame
I offer here a set of observations about the use of pictures in the Puritan devotional practice of self-examination. Specifically, I consider a cluster of seventeenth- and early-eighteenth-century gravestone carvings and one oil painting, the Thomas Smith Self-Portrait (c.1670–91). Both kinds of artifacts, on stone and canvas, might well be described as means of “framing” the godly self. If Puritan diaries and journals, elegies and meditative poe…
Collaborative scholarly communities and access in the study of material and visual cultures of religion
The Center for the Study of Material and Visual Cultures of Religion at Yale University (MAVCOR) does not simply, or even most fundamentally, shape a physical center at Yale University. Although MAVCOR organizes events at Yale and coordinates project cycles involving Yale affiliates as well as scholars from other universities in the United States and around the world, much of MAVCOR’s activity is conducted online. MAVCOR publishes a born-digital,…
Celestial Visions
Spiritual Spectacles
Foreword by Catherine L. Albanese and Stephen J. From Vision to Image: Continuity in Shaker Experience 2. Image and Inconoclasm: Discontinuity in Shaker Experience 3. Production and Regulation of Images: The Instruments and the Ministry Part II: Vision, Image, and Space 4. Ethics and Aesthetics: In Heaven's Likeness 5. Image as Threshold of Heaven: Passing through Pictures Part III: Vision, Image, and Time 6. (Re)collecting History: A Genealogy o…
Digital Art History
Material Christianity
The Visual Culture of American Religions
Journal Article The Visual Culture of American Religions. Ed. by David Morgan and Sally M. Promey. (Berkeley: University of California Press, 2001. xiv, 427 pp. Cloth, $60.00, ISBN 0-520-22520-1. Paper, $29.95, ISBN 0-520-22522-8.) Get access Paul Eli Ivey Paul Eli Ivey University of Arizona, Tucson, Arizona Search for other works by this author on: Oxford Academic Google Scholar Journal of American History, Volume 89, Issue 1, June 2002, Pages 3…
"Seeing the self "in frame
I offer here a set of observations about the use of pictures in the Puritan devotional practice of self-examination. Specifically, I consider a cluster of seventeenth- and early-eighteenth-century gravestone carvings and one oil painting, the Thomas Smith Self-Portrait (c.1670–91). Both kinds of artifacts, on stone and canvas, might well be described as means of “framing” the godly self. If Puritan diaries and journals, elegies and meditative poe…
Conversations
The Initiative for the study of material and visual cultures of religion (mavcor)
Sensational Religion
Collaborative scholarly communities and access in the study of material and visual cultures of religion
The Center for the Study of Material and Visual Cultures of Religion at Yale University (MAVCOR) does not simply, or even most fundamentally, shape a physical center at Yale University. Although MAVCOR organizes events at Yale and coordinates project cycles involving Yale affiliates as well as scholars from other universities in the United States and around the world, much of MAVCOR’s activity is conducted online. MAVCOR publishes a born-digital,…
American Performances, Economies, and Genealogies of Constraint
In this collaboratively written exercise, the authors discuss the material significance of embodied sense perceptions and affects. Despite Protestant secularity’s claims to the contrary, sensation and affect are no more confined to interiorized subjective mental states than is religion merely belief
Tree Rings and Blood Lines
These redwood rings are both family trees and family circles, literally naturalizing a canonical “American” familial heritage insistently recited and instantiated in many media and locations: artistic and built environments, judicial practice, legislation and policy, textbooks, land use, and national land theory. Heritage is a family business
Art (7 works) · Computer Science (6 works) · Art history (5 works) · Sociology (5 works) · Philosophy (4 works) · Religious Tourism and Spaces (4 works) · Visual arts (4 works) · History (3 works) · Media studies (3 works) · Religious studies (3 works)