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Carolyn Shread

Biographic Data

ID106187
NAMECarolyn Shread
GIVEN NAMESCarolyn
FAMILY NAMEShread
SIGNATURESHREAD C
AFFILIATIONSMount Holyoke College
ORCID0009-0001-8284-3479
VERIFIEDYes
TOTAL WORKS10
TOTAL CITATIONS76
AUTHOR COUNT10
EDITOR COUNT0
FIRST PUBLICATION YEAR2014
LATEST PUBLICATION YEAR2025
H-INDEX2
  • Making the leap: Embracing the more-than-human in feminist and queer translation

    Şebnem Susam-Saraeva, Carolyn Shread•ARTICLE•Feminist Translation Studies•2025

    Intersections between gender, feminism, and ecological issues have been explored for more than fifty years. Scholars have demonstrated that ecosystems and life forms are oppressed by the same systems of power critiqued and challenged by queer and feminist research. They have unearthed connections between patriarchy, capitalism, racism, colonialism, imperialism, speciesism, and environmental destruction. Against these intellectual debates, the lac…

  • This Time We Didn’t Wait: The Simultaneous English Translations of Simone de Beauvoir’s Les Inséparables

    Carolyn Shread•ARTICLE•Simone de Beauvoir Studies•2023

  • Pleasure Unthought in Translation

    Carolyn Shread•ARTICLE•Modern Language Notes•2022

    Building on fifteen years translating Catherine Malabou’s thought from French to English, this article pursues my exploration of her signature plasticity within translation studies. It reflects on the ways Malabou draws on art to name plasticity, as a new thought that emerged for her in philosophy. Her recent book Le Plaisir effacé. Clitoris et pensée (2020) considers what to do with that which remains unthought precisely because it is unseen. No…

  • Does Communist Art Exist

    Jacques Rancière, Matthew Scully et al.•ARTICLE•Critical Inquiry•2022•References: 1

    Y a-t-il un art communiste? was given as a talk at the Grand Palais in Paris on 10 April 2019 on the occasion of a special exhibition, Red: Art and Utopia in the Land of the Soviets (Rouge: Art et utopie au pays des Soviets). The exhibition ran from 20 March 2019 to 1 July 2019. Red displayed works produced in the wake of the October Revolution of 1917 to the death of Joseph Stalin in 1953. This covers early experiments by avant-garde artists suc…

  • Response by Shread to “Representing experiential knowledge”

    Carolyn Shread•ARTICLE•Translation Studies•2021

    At Smith College in Massachusetts, USA, in January 2020, I noticed some striking posters at the library entrance: images of iconic Black figures with the statement “If you’re not Black, don’t use t

  • The Universal Right to Breathe

    Achille Mbembe, Carolyn Shread•ARTICLE•Critical Inquiry•2020•Cited by: 41

    Previous articleNext article FreeThe Universal Right to BreatheAchille Mbembe and Translated by Carolyn ShreadAchille Mbembe Search for more articles by this author and Translated by Carolyn Shread Search for more articles by this author PDFPDF PLUSFull Text Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinked InRedditEmailQR Code SectionsMore13 April 2020Already some people are talking about post-COVI…

  • The animal rationale that is Jacques Derrida: A Response to “Of Biodeconstruction”

    Open Access•Catherine Malabou, Carolyn Shread•ARTICLE•Postmodern Culture•2018

    The animal rationale that is Jacques Derrida: a Response to “Of Biodeconstruction” Catherine Malabou (bio) Translated by Carolyn Shread (bio) I am honored by and grateful for Eyal Amiran’s invitation to respond to the articles included in this fine double issue of Postmodern Culture, “Of Biodeconstruction.” While it is not possible for me to address each article individually, since several offer direct critiques of my work, I decided to present t…

  • Of Images and Ills

    Georges Didi-Huberman, Georges Didi‐huberman et al.•ARTICLE•Critical Inquiry•2016•Cited by: 1•References: 6

  • One Life Only: Biological Resistance, Political Resistance

    Catherine Malabou, Carolyn Shread•ARTICLE•Critical Inquiry•2016•Cited by: 34

  • Metramorphosis in Translation: Refiguring the Intimacy of Translation beyond the Metaphysics of Loss

    Luise Von Flotow, Carolyn Shread•ARTICLE•Signs: Journal of Women in…•2014

    Thinking about the intimacy that translation demands and creates, and the limits of this intimacy, we explore Bracha L. Ettinger’s concept of metramorphosis to propose a paradigmatic feminist refiguring of translation that recognizes and validates alternative modalities of contact and interrelation. Here “Several comes before the One,” and translation is the place where we all come from, the place where we start together, in a relationship of int…

  • The Universal Right to Breathe

    Achille Mbembe, Carolyn Shread•ARTICLE•Critical Inquiry•2020•Cited by: 41

    Previous articleNext article FreeThe Universal Right to BreatheAchille Mbembe and Translated by Carolyn ShreadAchille Mbembe Search for more articles by this author and Translated by Carolyn Shread Search for more articles by this author PDFPDF PLUSFull Text Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinked InRedditEmailQR Code SectionsMore13 April 2020Already some people are talking about post-COVI…

  • One Life Only: Biological Resistance, Political Resistance

    Catherine Malabou, Carolyn Shread•ARTICLE•Critical Inquiry•2016•Cited by: 34

  • Of Images and Ills

    Georges Didi-Huberman, Georges Didi‐huberman et al.•ARTICLE•Critical Inquiry•2016•Cited by: 1•References: 6

  • Metramorphosis in Translation: Refiguring the Intimacy of Translation beyond the Metaphysics of Loss

    Luise Von Flotow, Carolyn Shread•ARTICLE•Signs: Journal of Women in…•2014

    Thinking about the intimacy that translation demands and creates, and the limits of this intimacy, we explore Bracha L. Ettinger’s concept of metramorphosis to propose a paradigmatic feminist refiguring of translation that recognizes and validates alternative modalities of contact and interrelation. Here “Several comes before the One,” and translation is the place where we all come from, the place where we start together, in a relationship of int…

  • Of Images and Ills

    Georges Didi-Huberman, Georges Didi‐huberman et al.•ARTICLE•Critical Inquiry•2016•Cited by: 1•References: 6

  • One Life Only: Biological Resistance, Political Resistance

    Catherine Malabou, Carolyn Shread•ARTICLE•Critical Inquiry•2016•Cited by: 34

  • The animal rationale that is Jacques Derrida: A Response to “Of Biodeconstruction”

    Open Access•Catherine Malabou, Carolyn Shread•ARTICLE•Postmodern Culture•2018

    The animal rationale that is Jacques Derrida: a Response to “Of Biodeconstruction” Catherine Malabou (bio) Translated by Carolyn Shread (bio) I am honored by and grateful for Eyal Amiran’s invitation to respond to the articles included in this fine double issue of Postmodern Culture, “Of Biodeconstruction.” While it is not possible for me to address each article individually, since several offer direct critiques of my work, I decided to present t…

  • The Universal Right to Breathe

    Achille Mbembe, Carolyn Shread•ARTICLE•Critical Inquiry•2020•Cited by: 41

    Previous articleNext article FreeThe Universal Right to BreatheAchille Mbembe and Translated by Carolyn ShreadAchille Mbembe Search for more articles by this author and Translated by Carolyn Shread Search for more articles by this author PDFPDF PLUSFull Text Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinked InRedditEmailQR Code SectionsMore13 April 2020Already some people are talking about post-COVI…

  • Response by Shread to “Representing experiential knowledge”

    Carolyn Shread•ARTICLE•Translation Studies•2021

    At Smith College in Massachusetts, USA, in January 2020, I noticed some striking posters at the library entrance: images of iconic Black figures with the statement “If you’re not Black, don’t use t

  • Pleasure Unthought in Translation

    Carolyn Shread•ARTICLE•Modern Language Notes•2022

    Building on fifteen years translating Catherine Malabou’s thought from French to English, this article pursues my exploration of her signature plasticity within translation studies. It reflects on the ways Malabou draws on art to name plasticity, as a new thought that emerged for her in philosophy. Her recent book Le Plaisir effacé. Clitoris et pensée (2020) considers what to do with that which remains unthought precisely because it is unseen. No…

  • Does Communist Art Exist

    Jacques Rancière, Matthew Scully et al.•ARTICLE•Critical Inquiry•2022•References: 1

    Y a-t-il un art communiste? was given as a talk at the Grand Palais in Paris on 10 April 2019 on the occasion of a special exhibition, Red: Art and Utopia in the Land of the Soviets (Rouge: Art et utopie au pays des Soviets). The exhibition ran from 20 March 2019 to 1 July 2019. Red displayed works produced in the wake of the October Revolution of 1917 to the death of Joseph Stalin in 1953. This covers early experiments by avant-garde artists suc…

  • This Time We Didn’t Wait: The Simultaneous English Translations of Simone de Beauvoir’s Les Inséparables

    Carolyn Shread•ARTICLE•Simone de Beauvoir Studies•2023

  • Making the leap: Embracing the more-than-human in feminist and queer translation

    Şebnem Susam-Saraeva, Carolyn Shread•ARTICLE•Feminist Translation Studies•2025

    Intersections between gender, feminism, and ecological issues have been explored for more than fifty years. Scholars have demonstrated that ecosystems and life forms are oppressed by the same systems of power critiqued and challenged by queer and feminist research. They have unearthed connections between patriarchy, capitalism, racism, colonialism, imperialism, speciesism, and environmental destruction. Against these intellectual debates, the lac…

Philosophy (5 works) · Art (4 works) · Epistemology (4 works) · Sociology (4 works) · History (3 works) · Law (3 works) · Law (3 works) · Political science (3 works) · Politics (3 works) · Aesthetics (2 works)

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