Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

Thomas Mcevilley

Biographic Data

ID1062915
NAMEThomas Mcevilley
GIVEN NAMESThomas
FAMILY NAMEMcevilley
SIGNATUREMCEVILLEY T
VERIFIEDNo
TOTAL WORKS11
TOTAL CITATIONS6
WORKS AS AUTHOR11
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1970
LATEST PUBLICATION YEAR2008
H-INDEX1
  • The Shape of Ancient Thought

    Thomas Mcevilley•BOOK•The Shape of Ancient Thought•2008

  • Imogen Cunningham

    Pamela H Simpson, Richard Lorenz et al.•ARTICLE•Woman s Art Journal•1997

    From the earliest years of her career, which began about 1906, until her death in 1976, photographer Imogen Cunningham explored botanical imagery with intelligence and originality. Her detailed examinations of nature combined scientific curiosity with the eloquent creative expression of a true artist. Imogen Cunningham: Flora presents a stunning selection of Cunningham's botanical images dating from 1913 through the 1970s, with an emphasis on wor…

  • The Spinal Serpent

    Open Access•Thomas Mcevilley•ARTICLE•Res: Anthropology and Aesthetics•1993

  • Pyrrhonism and Madhyamika

    Thomas Mcevilley•ARTICLE•Philosophy East and West•1982•Cited by: 1

  • Early Greek Philosophy and Madhyamika

    Thomas Mcevilley•ARTICLE•Philosophy East and West•1981

  • An Archaeology of Yoga

    Open Access•Thomas Mcevilley•ARTICLE•Res: Anthropology and Aesthetics•1981•Cited by: 1

  • Plotinus and Vijnanavada Buddhism

    Thomas Mcevilley•ARTICLE•Philosophy East and West•1980

  • Sappho, Fragment Thirty One

    Thomas Mcevilley•ARTICLE•Phoenix•1978•Cited by: 1

    THE CENTRAL CONTROVERSY about fr. 31 is well-known. Wilamowitz regarded it as a wedding-song (Hochzeitslied) sung by Sappho at the wedding feast of a girl who was leaving her thiasos. He reconstructs the scene: Und nun nimmt Sappho das Barbiton und singt ihr Lied, wie sie so viele fiir die Hochzeiten ihrer Schiilerin verfasst hatte, voll von Scherzen, von fescennina jocatio ... sie hat ja auch fiir Atthis gesungen . . .2 For several decades this …

  • Sappho, Fragment Two

    Thomas Mcevilley•ARTICLE•Phoenix•1972•Cited by: 1

    la cp. pdvoOEV Kcadot[ca, Norsa Ka]p&voOeV KarloL[Ca, Turyn. 1 Sevpb R' &K Kp'Tras &r[l r6vS]e vaiov, Page. Sep' D' is jhTras 7r[la]p [. . .]e vaDov, Schubart. SEvpb ME KpITras 1rp[OKaXr'] IvavUXov, Gallavotti. EVpb1 {lb}t', E(1) KpT7Ts 7r[or' vTavro] vaiV('yov, Theiler, von der Miihll. Beipbh ME KpiTras p[oXrooJr]c vac0ov, Theander. 8 Kar&ypEt, Bergk. 11/12 pCXhXa srvetoun, (46batS 5' &7r') 6ppld/vCo KaroL[corat, Gallavotti 17 -Tol Tratpots ralp…

  • Sappho, Fragment Ninety-Four

    Thomas Mcevilley•ARTICLE•Phoenix•1971•Cited by: 2

  • Development in the Lyrics of Aristophanes

    Thomas Mcevilley•ARTICLE•The American Journal of Philology•1970

  • Sappho, Fragment Ninety-Four

    Thomas Mcevilley•ARTICLE•Phoenix•1971•Cited by: 2

  • Pyrrhonism and Madhyamika

    Thomas Mcevilley•ARTICLE•Philosophy East and West•1982•Cited by: 1

  • An Archaeology of Yoga

    Open Access•Thomas Mcevilley•ARTICLE•Res: Anthropology and Aesthetics•1981•Cited by: 1

  • Sappho, Fragment Thirty One

    Thomas Mcevilley•ARTICLE•Phoenix•1978•Cited by: 1

    THE CENTRAL CONTROVERSY about fr. 31 is well-known. Wilamowitz regarded it as a wedding-song (Hochzeitslied) sung by Sappho at the wedding feast of a girl who was leaving her thiasos. He reconstructs the scene: Und nun nimmt Sappho das Barbiton und singt ihr Lied, wie sie so viele fiir die Hochzeiten ihrer Schiilerin verfasst hatte, voll von Scherzen, von fescennina jocatio ... sie hat ja auch fiir Atthis gesungen . . .2 For several decades this …

  • Sappho, Fragment Two

    Thomas Mcevilley•ARTICLE•Phoenix•1972•Cited by: 1

    la cp. pdvoOEV Kcadot[ca, Norsa Ka]p&voOeV KarloL[Ca, Turyn. 1 Sevpb R' &K Kp'Tras &r[l r6vS]e vaiov, Page. Sep' D' is jhTras 7r[la]p [. . .]e vaDov, Schubart. SEvpb ME KpITras 1rp[OKaXr'] IvavUXov, Gallavotti. EVpb1 {lb}t', E(1) KpT7Ts 7r[or' vTavro] vaiV('yov, Theiler, von der Miihll. Beipbh ME KpiTras p[oXrooJr]c vac0ov, Theander. 8 Kar&ypEt, Bergk. 11/12 pCXhXa srvetoun, (46batS 5' &7r') 6ppld/vCo KaroL[corat, Gallavotti 17 -Tol Tratpots ralp…

  • Development in the Lyrics of Aristophanes

    Thomas Mcevilley•ARTICLE•The American Journal of Philology•1970

  • Sappho, Fragment Ninety-Four

    Thomas Mcevilley•ARTICLE•Phoenix•1971•Cited by: 2

  • Sappho, Fragment Two

    Thomas Mcevilley•ARTICLE•Phoenix•1972•Cited by: 1

    la cp. pdvoOEV Kcadot[ca, Norsa Ka]p&voOeV KarloL[Ca, Turyn. 1 Sevpb R' &K Kp'Tras &r[l r6vS]e vaiov, Page. Sep' D' is jhTras 7r[la]p [. . .]e vaDov, Schubart. SEvpb ME KpITras 1rp[OKaXr'] IvavUXov, Gallavotti. EVpb1 {lb}t', E(1) KpT7Ts 7r[or' vTavro] vaiV('yov, Theiler, von der Miihll. Beipbh ME KpiTras p[oXrooJr]c vac0ov, Theander. 8 Kar&ypEt, Bergk. 11/12 pCXhXa srvetoun, (46batS 5' &7r') 6ppld/vCo KaroL[corat, Gallavotti 17 -Tol Tratpots ralp…

  • Sappho, Fragment Thirty One

    Thomas Mcevilley•ARTICLE•Phoenix•1978•Cited by: 1

    THE CENTRAL CONTROVERSY about fr. 31 is well-known. Wilamowitz regarded it as a wedding-song (Hochzeitslied) sung by Sappho at the wedding feast of a girl who was leaving her thiasos. He reconstructs the scene: Und nun nimmt Sappho das Barbiton und singt ihr Lied, wie sie so viele fiir die Hochzeiten ihrer Schiilerin verfasst hatte, voll von Scherzen, von fescennina jocatio ... sie hat ja auch fiir Atthis gesungen . . .2 For several decades this …

  • Plotinus and Vijnanavada Buddhism

    Thomas Mcevilley•ARTICLE•Philosophy East and West•1980

  • Early Greek Philosophy and Madhyamika

    Thomas Mcevilley•ARTICLE•Philosophy East and West•1981

  • An Archaeology of Yoga

    Open Access•Thomas Mcevilley•ARTICLE•Res: Anthropology and Aesthetics•1981•Cited by: 1

  • Pyrrhonism and Madhyamika

    Thomas Mcevilley•ARTICLE•Philosophy East and West•1982•Cited by: 1

  • The Spinal Serpent

    Open Access•Thomas Mcevilley•ARTICLE•Res: Anthropology and Aesthetics•1993

  • Imogen Cunningham

    Pamela H Simpson, Richard Lorenz et al.•ARTICLE•Woman s Art Journal•1997

    From the earliest years of her career, which began about 1906, until her death in 1976, photographer Imogen Cunningham explored botanical imagery with intelligence and originality. Her detailed examinations of nature combined scientific curiosity with the eloquent creative expression of a true artist. Imogen Cunningham: Flora presents a stunning selection of Cunningham's botanical images dating from 1913 through the 1970s, with an emphasis on wor…

  • The Shape of Ancient Thought

    Thomas Mcevilley•BOOK•The Shape of Ancient Thought•2008

Art (5 works) · Philosophy (4 works) · Art history (3 works) · Computer Science (3 works) · History (3 works) · Indian and Buddhist Studies (3 works) · Ancient Near East History (2 works) · Archaeology (2 works) · Download (2 works) · Fragment (logic) (2 works)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae