Ralph P Locke
Biographic Data
| ID | 1063253 |
|---|---|
| NAME | Ralph P Locke |
| GIVEN NAMES | Ralph P |
| FAMILY NAME | Locke |
| SIGNATURE | LOCKE R P |
| AFFILIATIONS | University of Rochester |
| ORCID | 0000-0003-1912-5017 |
| VERIFIED | Yes |
| TOTAL WORKS | 17 |
| TOTAL CITATIONS | 7 |
| AUTHOR COUNT | 16 |
| EDITOR COUNT | 1 |
| FIRST PUBLICATION YEAR | 1977 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 1 |
Who Is Allowed to Compose Catholic Church Music? Ferdinand Hiller's Insightful Report on the Sacred-Music Competition in Louvain (1866)
In 1866, a competition was held in Louvain (Belgium) for a new setting of the Latin Mass text; the aim was that the winning piece be accessible in style and require only choir and organ. The jury included, among others, the composers Berlioz, Saint-Saëns, and Ferdinand Hiller; the lexicographer Fétis; and Joseph d’Ortigue, music critic for the Journal des débats, editor of Le Ménestrel, and a prominent advocate for the regeneration of Catholic ch…
The Orient in Music—Music of the Orient Małgorzata Grajter
Musicologists in the English-speaking world and elsewhere have been calling for increased awareness of the cultural contributions of peoples from outside ‘the West’. Against this background, the little-known conference proceedings, The Orient in Music—Music of the Orient, from a two-day gathering in 2016 in Łódź, Poland, merits attention. The list of contributors is strikingly international, including scholars from the Czech Republic, Hong Kong, …
Music, Horses, and Exotic Others: Early-Modern Processions, Tournaments, and Pageants
Exoticism can be defined as the representation-whether a direct portrayal or subtle echoes-of an Other land or people. By "Other" I mean a land or people that is both distant and different: objectively distant from Here but also understood as being different from Here in outward aspect, behavior, or cultural/religious/ethical values. Though the relationship between exoticism and music in Western culture has been widely discussed in regard to work…
Musicologia e/como preocupação social: Imaginando O Musicólogo Relevante
Preocupações sociais e ideologias são refletidas (1) em nossa escolha de assunto ou repertório, (2) em nossas tentativas conscientes de colocar indivíduos e repertórios em contextos históricos e culturais concretos, e (3) em paradigmas e pressupostos sobre os quais elaboramos nossos vários argumentos e narrativas (progresso, o 'grande homem,' a nação, marxismo, feminismo). Como podem acadêmicos de musicologia agir de maneira responsável com aluno…
Exoticism (USA)
A Broader View of Musical Exoticism
Most previous writings on musical exoticism reflect the unspoken assumption that a work is perceived by the listener as exotic only if it incorporates distinctively foreign or otherwise highly unusual elements of musical style. This "Exotic Style Only" Paradigm often proves revelatory, especially for purely instrumental works. In operas and other musicodramatic works set in exotic locales, by contrast, music is heard within a narrative "frame" th…
David, Félicien (opera)
David, Félicien(-César)
Exoticism
Saint-Simonians
Orientalism
Cultivating Music in America: Women Patrons and Activists since 1860
Berlioz in the Year of the ‘Symphonic Fantastiquf’
Journal Article BERLIOZ IN THE YEAR OF THE ‘SYMPHONIC FANTASTIQUF’ Get access RALPH P. LOCKE RALPH P. LOCKE Eastman School of Music, University of RochesterRochester, NY 14604, USA. Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume 72, Issue 1, February 1991, Pages 170-a–170, https://doi.org/10.1093/ml/72.1.170-a Published: 01 February 1991
Saint-Simonian Music
Music, Musicians and the Saint-Simonians
Journal Article ‘MUSIC, MUSICIANS AND THE SAINT-SIMONIANS’ Get access RALPH P. LOCKE RALPH P. LOCKE Eastman School of Music, University of Rochester26 Gibbs Street, Rochester, N.Y. 14604, USA Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume 69, Issue 3, July 1988, Pages 454-d–455, https://doi.org/10.1093/ml/69.3.454-d Published: 01 July 1988
Music, Musicians, and the Saint-Simonians
Autour de la lettre à Duveyrier: Berlioz et les Saint-Simoniens
A Broader View of Musical Exoticism
Most previous writings on musical exoticism reflect the unspoken assumption that a work is perceived by the listener as exotic only if it incorporates distinctively foreign or otherwise highly unusual elements of musical style. This "Exotic Style Only" Paradigm often proves revelatory, especially for purely instrumental works. In operas and other musicodramatic works set in exotic locales, by contrast, music is heard within a narrative "frame" th…
Musicologia e/como preocupação social: Imaginando O Musicólogo Relevante
Preocupações sociais e ideologias são refletidas (1) em nossa escolha de assunto ou repertório, (2) em nossas tentativas conscientes de colocar indivíduos e repertórios em contextos históricos e culturais concretos, e (3) em paradigmas e pressupostos sobre os quais elaboramos nossos vários argumentos e narrativas (progresso, o 'grande homem,' a nação, marxismo, feminismo). Como podem acadêmicos de musicologia agir de maneira responsável com aluno…
Autour de la lettre à Duveyrier: Berlioz et les Saint-Simoniens
Saint-Simonian Music
Music, Musicians and the Saint-Simonians
Journal Article ‘MUSIC, MUSICIANS AND THE SAINT-SIMONIANS’ Get access RALPH P. LOCKE RALPH P. LOCKE Eastman School of Music, University of Rochester26 Gibbs Street, Rochester, N.Y. 14604, USA Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume 69, Issue 3, July 1988, Pages 454-d–455, https://doi.org/10.1093/ml/69.3.454-d Published: 01 July 1988
Music, Musicians, and the Saint-Simonians
Berlioz in the Year of the ‘Symphonic Fantastiquf’
Journal Article BERLIOZ IN THE YEAR OF THE ‘SYMPHONIC FANTASTIQUF’ Get access RALPH P. LOCKE RALPH P. LOCKE Eastman School of Music, University of RochesterRochester, NY 14604, USA. Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume 72, Issue 1, February 1991, Pages 170-a–170, https://doi.org/10.1093/ml/72.1.170-a Published: 01 February 1991
Cultivating Music in America: Women Patrons and Activists since 1860
David, Félicien(-César)
Exoticism
Saint-Simonians
Orientalism
David, Félicien (opera)
A Broader View of Musical Exoticism
Most previous writings on musical exoticism reflect the unspoken assumption that a work is perceived by the listener as exotic only if it incorporates distinctively foreign or otherwise highly unusual elements of musical style. This "Exotic Style Only" Paradigm often proves revelatory, especially for purely instrumental works. In operas and other musicodramatic works set in exotic locales, by contrast, music is heard within a narrative "frame" th…
Exoticism (USA)
Musicologia e/como preocupação social: Imaginando O Musicólogo Relevante
Preocupações sociais e ideologias são refletidas (1) em nossa escolha de assunto ou repertório, (2) em nossas tentativas conscientes de colocar indivíduos e repertórios em contextos históricos e culturais concretos, e (3) em paradigmas e pressupostos sobre os quais elaboramos nossos vários argumentos e narrativas (progresso, o 'grande homem,' a nação, marxismo, feminismo). Como podem acadêmicos de musicologia agir de maneira responsável com aluno…
Music, Horses, and Exotic Others: Early-Modern Processions, Tournaments, and Pageants
Exoticism can be defined as the representation-whether a direct portrayal or subtle echoes-of an Other land or people. By "Other" I mean a land or people that is both distant and different: objectively distant from Here but also understood as being different from Here in outward aspect, behavior, or cultural/religious/ethical values. Though the relationship between exoticism and music in Western culture has been widely discussed in regard to work…
The Orient in Music—Music of the Orient Małgorzata Grajter
Musicologists in the English-speaking world and elsewhere have been calling for increased awareness of the cultural contributions of peoples from outside ‘the West’. Against this background, the little-known conference proceedings, The Orient in Music—Music of the Orient, from a two-day gathering in 2016 in Łódź, Poland, merits attention. The list of contributors is strikingly international, including scholars from the Czech Republic, Hong Kong, …
Who Is Allowed to Compose Catholic Church Music? Ferdinand Hiller's Insightful Report on the Sacred-Music Competition in Louvain (1866)
In 1866, a competition was held in Louvain (Belgium) for a new setting of the Latin Mass text; the aim was that the winning piece be accessible in style and require only choir and organ. The jury included, among others, the composers Berlioz, Saint-Saëns, and Ferdinand Hiller; the lexicographer Fétis; and Joseph d’Ortigue, music critic for the Journal des débats, editor of Le Ménestrel, and a prominent advocate for the regeneration of Catholic ch…
Art (12 works) · Art history (7 works) · Musicology and Musical Analysis (6 works) · History (5 works) · Visual arts (5 works) · Exoticism (3 works) · Music History and Culture (3 works) · SAINT (3 works) · Aesthetics (2 works) · Geology (2 works)