Gleb M Mamatov
Biographic Data
| ID | 10635245 |
|---|---|
| NAME | Gleb M Mamatov |
| GIVEN NAMES | Gleb M |
| FAMILY NAME | Mamatov |
| SIGNATURE | MAMATOV G M |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2022 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
“Automatic poems” by Boris Poplavsky
The paper delves into the concept of music as portrayed in Boris Poplavsky’s “Automatic poems.” It thoroughly analyzes the musical code of the book, which can be seen as a fusion of symbols, mythological poetics, and musical imagery. Additionally, the paper explores how the musical essence of the verses is expressed through the architectural structure of the text. One of the central images in the book is sound, which holds great ontological signi…
Johann Sebastian Bach and Wolfgang Amadeus Mozart in the works of Boris Poplavsky
The paper is devoted to studying the images of 18th-century German composers Johann Sebastian Bach and Wolfgang Amadeus Mozart in the works of Boris Poplavsky, including diaries, articles, poems, and prose. It was found that the image of Bach was transformed, starting from the articles of the early 1930s to the final work “About substantiality of personality”. In early works, Bach is a symbol of Apollonian art, perfect and harmonious, but cold-bl…
No prominent works on this page.
Johann Sebastian Bach and Wolfgang Amadeus Mozart in the works of Boris Poplavsky
The paper is devoted to studying the images of 18th-century German composers Johann Sebastian Bach and Wolfgang Amadeus Mozart in the works of Boris Poplavsky, including diaries, articles, poems, and prose. It was found that the image of Bach was transformed, starting from the articles of the early 1930s to the final work “About substantiality of personality”. In early works, Bach is a symbol of Apollonian art, perfect and harmonious, but cold-bl…
“Automatic poems” by Boris Poplavsky
The paper delves into the concept of music as portrayed in Boris Poplavsky’s “Automatic poems.” It thoroughly analyzes the musical code of the book, which can be seen as a fusion of symbols, mythological poetics, and musical imagery. Additionally, the paper explores how the musical essence of the verses is expressed through the architectural structure of the text. One of the central images in the book is sound, which holds great ontological signi…
Art (2 works) · Literature (2 works) · Poetry (2 works) · Art history (1 work) · Baroque (1 work) · Central Asia Education and Culture (1 work) · Computer Science (1 work) · European Linguistics and Anthropology (1 work) · German (1 work) · Harmony (color) (1 work)