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Susan Harrow

Biographic Data

ID1064016
NAMESusan Harrow
GIVEN NAMESSusan
FAMILY NAMEHarrow
SIGNATUREHARROW S
AFFILIATIONSUniversity of Bristol
ORCID0000-0001-5879-1720
VERIFIEDYes
TOTAL WORKS15
TOTAL CITATIONS2
AUTHOR COUNT15
EDITOR COUNT0
FIRST PUBLICATION YEAR2000
LATEST PUBLICATION YEAR2025
H-INDEX1
  • Helen Craske , Complicity in Fin-de-siècle Literature

    Susan Harrow•ARTICLE•French Studies•2025

  • The Laboratorium: Nineteenth-Century French Studies in the Anglophone Sphere (Part II)

    Susan Harrow•ARTICLE•Dix-Neuf•2023

    This is the second instalment of a two-part thematic review of nineteenth-century French research in the Anglophone sphere. The review sets aside the standard sub-disciplinary categories in order to envision a laboratorium, a space of multiple confluent and contiguous lines of exploratory work. In this space, more fluid thematic connections surface between projects irrespective of their focus, their methodology, or their scale, revealing some of …

  • The Laboratorium: Nineteenth-Century French Studies in the Anglophone Sphere

    Susan Harrow•ARTICLE•Dix-Neuf•2021

    This is the first instalment of a two-part thematic review of nineteenth-century French research in the Anglophone sphere. The review sets aside the standard sub-disciplinary categories in order to envision a laboratorium, a space of multiple confluent and contiguous lines of exploratory work. In this space, more fluid thematic connections surface between projects irrespective of their focus, their methodology, or their scale, revealing some of t…

  • Poetry, Care and Value: Jean-Michel Maulpoix’s Une histoire de bleu (1992)

    Susan Harrow•ARTICLE•Australian Journal of French…•2020

    Contemporary French poetry – and poetry more generally – has much to gain from current thinking around care and empathy in humanities research. Critical focus on the work of repair and consolation in narrative literatures of the past and the present resonates with poetry’s motivation and its agency. Reciprocally, the ‘care turn’ can begin to expand its reach and deepen its significance through immersive readings of poetry alert to the imbrication…

  • In it together, in Zola? Empathic Encounters in Naturalist Fiction

    Susan Harrow•ARTICLE•Australian Journal of French…•2020•Cited by: 2

    At a time when the “empathy turn” is bringing disciplines from psychology to philosophy, and from ethics to literary studies, into ever-closer dialogue, Zola’s fiction offers intriguing, complex examples of empathy. Framing my reading of three major novels of Zola relative to contemporary narrative empathy studies and broader societal concerns around empathy, I demonstrate how the Naturalist empathic narrative mobilizes the reader in the act of r…

  • Critical lives: Arthur Rimbaud

    Susan Harrow•ARTICLE•Modern & Contemporary France•2019

    This highly engaging new biography, in the acclaimed Critical Lives series, brims with scholarly insight and moves along with verve. Seth Whidden wears his erudition lightly and illuminatingly as h

  • Modernist Monstrosity in Rimbaud’s Verse and Prose Poetry

    Susan Harrow•ARTICLE•Australian Journal of French…•2018

    Rimbaud’s poetry and poetics contribute to the prodigious genealogy of monstrosity in Western literature and visual culture. This article argues that monster figures – whether the “familiar” terrors of iconographic tradition, horrible hybrids, or everyday bogeymen – are central to the transformative momentum of modernism in Rimbaud’s verse and prose poetry. Monstrosity – multifariously embodied and endlessly morphing – generates social, cultural,…

  • Thinking Colour-Writing: Introduction

    Susan Harrow•ARTICLE•French Studies•2017

    Together the contributors explore the colour capacityactual and potentialof their chosen texts; they track the variable agency of colour in writing; and they engage in the migration of colour concepts from critical thought and theory to the practice of reading texts visually and, especially, chromatically.Modern and contemporary poetry and narrative in French have an intense and sustained relation to visual practice in forms and formats that incl…

  • Francis Ponge et Eugène de Kermadec: Histoire d'un Compagnonnage

    Susan Harrow•ARTICLE•Modern & Contemporary France•2013

  • New Ekphrastic Poetics

    Susan Harrow•ARTICLE•French Studies•2010

    The ‘visual turn’ has been foundational and formative for literature studies, for word-and-image research, and, increasingly, for cultural studies, including Thing theory.1 Over the past twenty years researchers across the broad modern period in French studies have engaged in the innovative study of visual–verbal relations, with particular emphasis on literary impressionism, avant-garde poetics, Surrealism, and the nouveau roman.2 Discipline-defi…

  • Joie de vivre in French Literature and Culture: Essays in Honour of Michael Freeman

    Susan Harrow, Timothy Unwin•BOOK•Faux Titre : Joie de Vivre in…•2009

    The apparent self-sufficiency of joie de vivre means that, despite the widespread use of the phrase since the late nineteenth century, the concept has rarely been explored critically. Joie de vivre does not readily surrender itself to examination, for it is in a sense too busy being what it is. However, as the essays in this collection reveal, joie de vivre can be as complex and variable a state as the more negative emotions or experiences that a…

  • Faux Titre: Joie de Vivre in French Literature and Culture

    Susan Harrow, Timothy Unwin•BOOK•Faux Titre : Joie de Vivre in…•2009

  • In the Nature of Things: Jacques Réda, L'Adoption du système métrique

    Susan Harrow•ARTICLE•Australian Journal of French…•2009

  • Savage Sight/Constructed Noise: Poetic Adaptations of Painterly Techniques in the French and American Avant-Gardes

    Susan Harrow•ARTICLE•French Studies•2006

    Journal Article Savage Sight/Constructed Noise: Poetic Adaptations of Painterly Techniques in the French and American Avant-Gardes Get access Susan Harrow Susan Harrow University of Wales Swansea Search for other works by this author on: Oxford Academic Google Scholar French Studies, Volume 60, Issue 3, JULY 2006, Pages 411–412, https://doi.org/10.1093/fs/knl064 Published: 01 July 2006

  • Exposing the Imperial Cultural Fabric: Critical Description in Zola's La Curée

    Susan Harrow•ARTICLE•French Studies•2000

    Journal Article EXPOSING THE IMPERIAL CULTURAL FABRIC: CRITICAL DESCRIPTION IN ZOLA'S LA CURÉE Get access SUSAN HARROW SUSAN HARROW UNIVERSITY OF WALES SWANSEA Search for other works by this author on: Oxford Academic Google Scholar French Studies, Volume LIV, Issue 4, October 2000, Pages 439–452, https://doi.org/10.1093/fs/LIV.4.439 Published: 01 October 2000

  • In it together, in Zola? Empathic Encounters in Naturalist Fiction

    Susan Harrow•ARTICLE•Australian Journal of French…•2020•Cited by: 2

    At a time when the “empathy turn” is bringing disciplines from psychology to philosophy, and from ethics to literary studies, into ever-closer dialogue, Zola’s fiction offers intriguing, complex examples of empathy. Framing my reading of three major novels of Zola relative to contemporary narrative empathy studies and broader societal concerns around empathy, I demonstrate how the Naturalist empathic narrative mobilizes the reader in the act of r…

  • Exposing the Imperial Cultural Fabric: Critical Description in Zola's La Curée

    Susan Harrow•ARTICLE•French Studies•2000

    Journal Article EXPOSING THE IMPERIAL CULTURAL FABRIC: CRITICAL DESCRIPTION IN ZOLA'S LA CURÉE Get access SUSAN HARROW SUSAN HARROW UNIVERSITY OF WALES SWANSEA Search for other works by this author on: Oxford Academic Google Scholar French Studies, Volume LIV, Issue 4, October 2000, Pages 439–452, https://doi.org/10.1093/fs/LIV.4.439 Published: 01 October 2000

  • Savage Sight/Constructed Noise: Poetic Adaptations of Painterly Techniques in the French and American Avant-Gardes

    Susan Harrow•ARTICLE•French Studies•2006

    Journal Article Savage Sight/Constructed Noise: Poetic Adaptations of Painterly Techniques in the French and American Avant-Gardes Get access Susan Harrow Susan Harrow University of Wales Swansea Search for other works by this author on: Oxford Academic Google Scholar French Studies, Volume 60, Issue 3, JULY 2006, Pages 411–412, https://doi.org/10.1093/fs/knl064 Published: 01 July 2006

  • Joie de vivre in French Literature and Culture: Essays in Honour of Michael Freeman

    Susan Harrow, Timothy Unwin•BOOK•Faux Titre : Joie de Vivre in…•2009

    The apparent self-sufficiency of joie de vivre means that, despite the widespread use of the phrase since the late nineteenth century, the concept has rarely been explored critically. Joie de vivre does not readily surrender itself to examination, for it is in a sense too busy being what it is. However, as the essays in this collection reveal, joie de vivre can be as complex and variable a state as the more negative emotions or experiences that a…

  • Faux Titre: Joie de Vivre in French Literature and Culture

    Susan Harrow, Timothy Unwin•BOOK•Faux Titre : Joie de Vivre in…•2009

  • In the Nature of Things: Jacques Réda, L'Adoption du système métrique

    Susan Harrow•ARTICLE•Australian Journal of French…•2009

  • New Ekphrastic Poetics

    Susan Harrow•ARTICLE•French Studies•2010

    The ‘visual turn’ has been foundational and formative for literature studies, for word-and-image research, and, increasingly, for cultural studies, including Thing theory.1 Over the past twenty years researchers across the broad modern period in French studies have engaged in the innovative study of visual–verbal relations, with particular emphasis on literary impressionism, avant-garde poetics, Surrealism, and the nouveau roman.2 Discipline-defi…

  • Francis Ponge et Eugène de Kermadec: Histoire d'un Compagnonnage

    Susan Harrow•ARTICLE•Modern & Contemporary France•2013

  • Thinking Colour-Writing: Introduction

    Susan Harrow•ARTICLE•French Studies•2017

    Together the contributors explore the colour capacityactual and potentialof their chosen texts; they track the variable agency of colour in writing; and they engage in the migration of colour concepts from critical thought and theory to the practice of reading texts visually and, especially, chromatically.Modern and contemporary poetry and narrative in French have an intense and sustained relation to visual practice in forms and formats that incl…

  • Modernist Monstrosity in Rimbaud’s Verse and Prose Poetry

    Susan Harrow•ARTICLE•Australian Journal of French…•2018

    Rimbaud’s poetry and poetics contribute to the prodigious genealogy of monstrosity in Western literature and visual culture. This article argues that monster figures – whether the “familiar” terrors of iconographic tradition, horrible hybrids, or everyday bogeymen – are central to the transformative momentum of modernism in Rimbaud’s verse and prose poetry. Monstrosity – multifariously embodied and endlessly morphing – generates social, cultural,…

  • Critical lives: Arthur Rimbaud

    Susan Harrow•ARTICLE•Modern & Contemporary France•2019

    This highly engaging new biography, in the acclaimed Critical Lives series, brims with scholarly insight and moves along with verve. Seth Whidden wears his erudition lightly and illuminatingly as h

  • Poetry, Care and Value: Jean-Michel Maulpoix’s Une histoire de bleu (1992)

    Susan Harrow•ARTICLE•Australian Journal of French…•2020

    Contemporary French poetry – and poetry more generally – has much to gain from current thinking around care and empathy in humanities research. Critical focus on the work of repair and consolation in narrative literatures of the past and the present resonates with poetry’s motivation and its agency. Reciprocally, the ‘care turn’ can begin to expand its reach and deepen its significance through immersive readings of poetry alert to the imbrication…

  • In it together, in Zola? Empathic Encounters in Naturalist Fiction

    Susan Harrow•ARTICLE•Australian Journal of French…•2020•Cited by: 2

    At a time when the “empathy turn” is bringing disciplines from psychology to philosophy, and from ethics to literary studies, into ever-closer dialogue, Zola’s fiction offers intriguing, complex examples of empathy. Framing my reading of three major novels of Zola relative to contemporary narrative empathy studies and broader societal concerns around empathy, I demonstrate how the Naturalist empathic narrative mobilizes the reader in the act of r…

  • The Laboratorium: Nineteenth-Century French Studies in the Anglophone Sphere

    Susan Harrow•ARTICLE•Dix-Neuf•2021

    This is the first instalment of a two-part thematic review of nineteenth-century French research in the Anglophone sphere. The review sets aside the standard sub-disciplinary categories in order to envision a laboratorium, a space of multiple confluent and contiguous lines of exploratory work. In this space, more fluid thematic connections surface between projects irrespective of their focus, their methodology, or their scale, revealing some of t…

  • The Laboratorium: Nineteenth-Century French Studies in the Anglophone Sphere (Part II)

    Susan Harrow•ARTICLE•Dix-Neuf•2023

    This is the second instalment of a two-part thematic review of nineteenth-century French research in the Anglophone sphere. The review sets aside the standard sub-disciplinary categories in order to envision a laboratorium, a space of multiple confluent and contiguous lines of exploratory work. In this space, more fluid thematic connections surface between projects irrespective of their focus, their methodology, or their scale, revealing some of …

  • Helen Craske , Complicity in Fin-de-siècle Literature

    Susan Harrow•ARTICLE•French Studies•2025

Art (14 works) · Literature (8 works) · Philosophy (7 works) · Art history (6 works) · Sociology (6 works) · French Literature and Criticism (5 works) · History (5 works) · Philosophy (5 works) · Aesthetics (4 works) · Humanities (4 works)

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