Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

Andy Kesson

Biographic Data

ID1064124
NAMEAndy Kesson
GIVEN NAMESAndy
FAMILY NAMEKesson
SIGNATUREKESSON A
AFFILIATIONSUniversity of Roehampton
ORCID0000-0003-3612-3355
VERIFIEDYes
TOTAL WORKS4
TOTAL CITATIONS0
WORKS AS AUTHOR4
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2014
LATEST PUBLICATION YEAR2026
H-INDEX0
  • Reprints and Revivals of Renaissance Drama

    Open Access•Andy Kesson, Emma Depledge et al.•BOOK•Reprints and Revivals of…•2026

    Studies of early modern English drama in print and performance have often prioritized – or even fetishized – first editions and first performances. Challenging ingrained assumptions about chronology, this collection focuses critical attention on the various ways that Renaissance drama was repeated and renewed. Ranging widely across the period, from the 1580s to the early 1700s, the chapters examine canonical plays and authors-including Shakespear…

  • What does a bear-baiting assemblage look like? Interdisciplinary analysis of an Early Modern 'sport

    Open Access•E Wright, Elizabeth Cox Wright et al.•ARTICLE•Antiquity•2025•References: 24

    Bear baiting was a popular form of entertainment in Shakespearean England that was staged across the country but formalised in the Early Modern entertainment hub on Bankside, London. Here, the authors bring together zooarchaeological, stable isotope and archival evidence in the examination of faunal assemblages from nine archaeological sites on Bankside to elucidate characteristics indicative of bear baiting. In doing so, they present criteria fo…

  • Christopher Marlowe, Theatrical Commerce, and the Book Trade

    Open Access•Andy Kesson•ARTICLE•Renaissance Quarterly•2020

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Was Comedy a Genre in English Early Modern Drama

    Andy Kesson•ARTICLE•The British Journal of Aesthetics•2014

    Journal Article Was Comedy a Genre in English Early Modern Drama? Get access Andy Kesson Andy Kesson English and Creative Writing University of Roehampton Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 54, Issue 2, April 2014, Pages 213–225, https://doi.org/10.1093/aesthj/ayu035 Published: 28 July 2014

No prominent works on this page.

  • Was Comedy a Genre in English Early Modern Drama

    Andy Kesson•ARTICLE•The British Journal of Aesthetics•2014

    Journal Article Was Comedy a Genre in English Early Modern Drama? Get access Andy Kesson Andy Kesson English and Creative Writing University of Roehampton Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 54, Issue 2, April 2014, Pages 213–225, https://doi.org/10.1093/aesthj/ayu035 Published: 28 July 2014

  • Christopher Marlowe, Theatrical Commerce, and the Book Trade

    Open Access•Andy Kesson•ARTICLE•Renaissance Quarterly•2020

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • What does a bear-baiting assemblage look like? Interdisciplinary analysis of an Early Modern 'sport

    Open Access•E Wright, Elizabeth Cox Wright et al.•ARTICLE•Antiquity•2025•References: 24

    Bear baiting was a popular form of entertainment in Shakespearean England that was staged across the country but formalised in the Early Modern entertainment hub on Bankside, London. Here, the authors bring together zooarchaeological, stable isotope and archival evidence in the examination of faunal assemblages from nine archaeological sites on Bankside to elucidate characteristics indicative of bear baiting. In doing so, they present criteria fo…

  • Reprints and Revivals of Renaissance Drama

    Open Access•Andy Kesson, Emma Depledge et al.•BOOK•Reprints and Revivals of…•2026

    Studies of early modern English drama in print and performance have often prioritized – or even fetishized – first editions and first performances. Challenging ingrained assumptions about chronology, this collection focuses critical attention on the various ways that Renaissance drama was repeated and renewed. Ranging widely across the period, from the 1580s to the early 1700s, the chapters examine canonical plays and authors-including Shakespear…

Art (2 works) · Art history (2 works) · Drama (2 works) · History (2 works) · Shakespeare, Adaptation, and Literary Criticism (2 works) · Theater, Performance, and Music History (2 works) · Archaeology (1 work) · Archaeology and ancient environmental studies (1 work) · Assemblage (archaeology) (1 work) · Comedy (1 work)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae