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Jeremy Dibble

Biographic Data

ID1064461
NAMEJeremy Dibble
GIVEN NAMESJeremy
FAMILY NAMEDibble
SIGNATUREDIBBLE J
VERIFIEDNo
TOTAL WORKS21
TOTAL CITATIONS0
WORKS AS AUTHOR16
WORKS AS EDITOR5
FIRST PUBLICATION YEAR1983
LATEST PUBLICATION YEAR2024
H-INDEX0
  • Vaughan Williams in Context

    Onderdonk Onderdonk, Owen Owen et al.•BOOK•Vaughan Williams in Context•2024

  • The Music of Herbert Howells

    Phillip A Cooke, David Maw et al.•EDITOR•BOOK•Music of Herbert Howells•2013

    The first large-scale study of the music of Herbert Howells, prodigiously gifted musician and favourite student of the notoriously hard-to-please Sir Charles Villiers Stanford. Herbert Howells (1892-1983) was a prodigiously gifted musician and the favourite student of the notoriously hard-to-please Sir Charles Villiers Stanford. Throughout his long life, he was one of the country's most prominent composers, writing extensively in all genres excep…

  • Coleridge-Taylor, Samuel

    Stephen Banfield, Jeremy Dibble et al.•EDITOR•CHAPTER•The new Grove dictionary of music…•2013

  • Situating Stainer

    David Wright, Jeremy Dibble•ARTICLE•The Musical Times•2008

  • The Musician as Entrepreneur, 1700?1914

    Jeremy Dibble•ARTICLE•Victorian Studies•2007

  • The Cambridge Companion to Elgar

    Open Access•Jeremy Dibble, Robert Anderson et al.•BOOK•The Cambridge companion to Elgar•2005

    Edward Elgar occupies a pivotal place in the British cultural imagination. His music has been heard as emblematic of Empire and the English landscape. The recent success of Anthony Payne's elaboration of the sketches for Elgar's Third Symphony has prompted a critical revaluation of his music. This Companion provides an accessible and vivid account of Elgar's work in its historical and cultural context. Established authorities on British music and…

  • Death's Bright Angels

    David Wright, Jeremy Dibble et al.•ARTICLE•The Musical Times•2003

  • O’Neill, Norman

    Jeremy Dibble•CHAPTER•The new Grove dictionary of music…•2001

  • Barnett, John Francis

    Jennifer Spencer, Jeremy Dibble•EDITOR•CHAPTER•The new Grove dictionary of music…•2001

  • Coleridge-Taylor, Samuel

    Stephen Banfield, Jeremy Dibble•EDITOR•CHAPTER•The new Grove dictionary of music…•2001

  • Thomas, Arthur Goring

    Jeremy Dibble•CHAPTER•The new Grove dictionary of music…•2001

  • Stanford, Sir Charles Villiers

    Jeremy Dibble•CHAPTER•The new Grove dictionary of music…•2001

  • Parry, Sir (Charles) Hubert

    Jeremy Dibble•CHAPTER•The new Grove dictionary of music…•2001

  • Lloyd, Charles Harford

    Stephen Banfield, Jeremy Dibble•EDITOR•CHAPTER•The new Grove dictionary of music…•2001

  • Fuller Maitland, J(ohn) A(lexander)

    Jeremy Dibble•CHAPTER•The new Grove dictionary of music…•2001

  • Cowen, Sir Frederic Hymen

    Jeremy Dibble, Jennifer Spencer•CHAPTER•The new Grove dictionary of music…•2001

  • Lambert, (Leonard) Constant

    Jeremy Dibble•CHAPTER•The new Grove dictionary of music…•2001

  • Wood, Charles

    Jeremy Dibble•CHAPTER•The new Grove dictionary of music…•2001

  • Dannreuther, Edward

    Jeremy Dibble•CHAPTER•The new Grove dictionary of music…•2001

  • The Cambridge History of Christianity

    Open Access•Douglas Hedley, David Bebbington et al.•BOOK•World Christianities, c. 1815-1914•2001

    This is the first scholarly treatment of nineteenth-century Christianity to discuss the subject in a global context. Part I analyses the responses of Catholic and Protestant Christianity to the intellectual and social challenges presented by European modernity. It gives attention to the explosion of new voluntary forms of Christianity and the expanding role of women in religious life. Part II surveys the diverse and complex relationships between …

  • The RCM Novello Library

    Jeremy Dibble•ARTICLE•The Musical Times•1983

No prominent works on this page.

  • The RCM Novello Library

    Jeremy Dibble•ARTICLE•The Musical Times•1983

  • O’Neill, Norman

    Jeremy Dibble•CHAPTER•The new Grove dictionary of music…•2001

  • Barnett, John Francis

    Jennifer Spencer, Jeremy Dibble•EDITOR•CHAPTER•The new Grove dictionary of music…•2001

  • Coleridge-Taylor, Samuel

    Stephen Banfield, Jeremy Dibble•EDITOR•CHAPTER•The new Grove dictionary of music…•2001

  • Thomas, Arthur Goring

    Jeremy Dibble•CHAPTER•The new Grove dictionary of music…•2001

  • Stanford, Sir Charles Villiers

    Jeremy Dibble•CHAPTER•The new Grove dictionary of music…•2001

  • Parry, Sir (Charles) Hubert

    Jeremy Dibble•CHAPTER•The new Grove dictionary of music…•2001

  • Lloyd, Charles Harford

    Stephen Banfield, Jeremy Dibble•EDITOR•CHAPTER•The new Grove dictionary of music…•2001

  • Fuller Maitland, J(ohn) A(lexander)

    Jeremy Dibble•CHAPTER•The new Grove dictionary of music…•2001

  • Cowen, Sir Frederic Hymen

    Jeremy Dibble, Jennifer Spencer•CHAPTER•The new Grove dictionary of music…•2001

  • Lambert, (Leonard) Constant

    Jeremy Dibble•CHAPTER•The new Grove dictionary of music…•2001

  • Wood, Charles

    Jeremy Dibble•CHAPTER•The new Grove dictionary of music…•2001

  • Dannreuther, Edward

    Jeremy Dibble•CHAPTER•The new Grove dictionary of music…•2001

  • The Cambridge History of Christianity

    Open Access•Douglas Hedley, David Bebbington et al.•BOOK•World Christianities, c. 1815-1914•2001

    This is the first scholarly treatment of nineteenth-century Christianity to discuss the subject in a global context. Part I analyses the responses of Catholic and Protestant Christianity to the intellectual and social challenges presented by European modernity. It gives attention to the explosion of new voluntary forms of Christianity and the expanding role of women in religious life. Part II surveys the diverse and complex relationships between …

  • Death's Bright Angels

    David Wright, Jeremy Dibble et al.•ARTICLE•The Musical Times•2003

  • The Cambridge Companion to Elgar

    Open Access•Jeremy Dibble, Robert Anderson et al.•BOOK•The Cambridge companion to Elgar•2005

    Edward Elgar occupies a pivotal place in the British cultural imagination. His music has been heard as emblematic of Empire and the English landscape. The recent success of Anthony Payne's elaboration of the sketches for Elgar's Third Symphony has prompted a critical revaluation of his music. This Companion provides an accessible and vivid account of Elgar's work in its historical and cultural context. Established authorities on British music and…

  • The Musician as Entrepreneur, 1700?1914

    Jeremy Dibble•ARTICLE•Victorian Studies•2007

  • Situating Stainer

    David Wright, Jeremy Dibble•ARTICLE•The Musical Times•2008

  • The Music of Herbert Howells

    Phillip A Cooke, David Maw et al.•EDITOR•BOOK•Music of Herbert Howells•2013

    The first large-scale study of the music of Herbert Howells, prodigiously gifted musician and favourite student of the notoriously hard-to-please Sir Charles Villiers Stanford. Herbert Howells (1892-1983) was a prodigiously gifted musician and the favourite student of the notoriously hard-to-please Sir Charles Villiers Stanford. Throughout his long life, he was one of the country's most prominent composers, writing extensively in all genres excep…

  • Coleridge-Taylor, Samuel

    Stephen Banfield, Jeremy Dibble et al.•EDITOR•CHAPTER•The new Grove dictionary of music…•2013

  • Vaughan Williams in Context

    Onderdonk Onderdonk, Owen Owen et al.•BOOK•Vaughan Williams in Context•2024

Art (12 works) · History (9 works) · History and Developments in Astronomy (7 works) · Computer Science (5 works) · Art history (4 works) · Psychoanalysis (4 works) · Psychology (4 works) · American Constitutional Law and Politics (3 works) · Archaeology (3 works) · Musicology and Musical Analysis (3 works)

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