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Yvonne Yarbro-Bejarano

Biographic Data

ID1065275
NAMEYvonne Yarbro-Bejarano
GIVEN NAMESYvonne
FAMILY NAMEYarbro-Bejarano
SIGNATUREYARBRO-BEJARANO Y
VERIFIEDNo
TOTAL WORKS9
TOTAL CITATIONS18
WORKS AS AUTHOR9
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1986
LATEST PUBLICATION YEAR2020
H-INDEX2
  • Crossing the border with chabela Vargas

    Yvonne Yarbro-Bejarano, Yvonne Yarbro‐bejarano•CHAPTER•Sex and Sexuality in Latin America•2020

  • Queer Storytelling and Temporality in Trace Elements of Random Tea Parties by Felicia Luna Lemus

    Yvonne Yarbro-Bejarano, Yvonne Yarbro‐bejarano•ARTICLE•Aztlán A Journal of Chicano Studies•2013

    The essay focuses on temporality in Lemus's novel, including the critique of generational logics that reinforce the hegemonic family's reproductive normativity. Following Sandra K. Soto, I read the novel "like a queer," shifting the focus from the character's racialized sexual identity to the vehicle for queer storytelling itself: the first-person narration. I argue that it is possible to discern in the very formal elements of Leticia's narration…

  • The Wounded Heart

    Yvonne Yarbro-Bejarano, Yvonne Yarbro‐bejarano•BOOK•Wounded Heart•2001

    In her work as poet, essayist, editor, dramatist, and public intellectual, Chicana lesbian writer Cherríe Moraga has been extremely influential in current debates on culture and identity as an ongoing, open-ended process. Analyzing the "in-between" spaces in Moraga's writing where race, gender, class, and sexuality intermingle, this first book-length study of Moraga's work focuses on her writing of the body and related material practices of sex, …

  • Sexuality and Chicana/O Studies

    Yvonne Yarbro-Bejarano, Yvonne Yarbro‐bejarano•ARTICLE•Cultural Studies•1999

    In this article I propose that we make the study of sexuality central to Chicana/o studies, using it to rethink the whole field rather than just ‘adding it in’, which would continue its current marginalization. In addition to examining the stakes of this type of theoretical expansion for gays and lesbians of colour, I examine the profound difficulties of expanding analytic categories in such a way as to give expression to the lived experience of …

  • Gloria Anzaldua's Borderlands/La frontera

    Yvonne Yarbro-Bejarano, Yvonne Yarbro‐bejarano•ARTICLE•Cultural Critique•1994•Cited by: 12

  • The Tradition of the Novela in Spain from Pedro Mexia (1540) to Lope de Vega's Novelas a Marcia Leonarda (1621, 1624)

    Shifra Armon, Yvonne Yarbro-Bejarano•ARTICLE•Modern Language Notes•1994

  • Chicana Literature from a Chicana Feminist Perspective

    Yvonne Yarbro-Bejarano, Yvonne Yarbro‐bejarano•CHAPTER•Feminisms•1991

  • Chicana Literature from a Chicana Feminist Perspective

    Yvonne Yarbro-Bejarano, Yvonne Yarbro‐bejarano•CHAPTER•Feminisms•1991

  • The Female Subject in Chicano Theatre

    Yvonne Yarbro-Bejarano, Yvonne Yarbro‐bejarano•ARTICLE•Theatre Journal•1986•Cited by: 6

    The Chicano theatre movement can only be understood in relation to the larger political and cultural movement of which it was a part.' It was an oppositional theatre, an arm of the Chicano movement to resist cultural and economic domination. The term Chicano designates people of Mexican ancestry living in the United States.2 Since 1848, the historical experience of Chicanos has been one of economic exploitation, cultural domination, and social an…

  • Gloria Anzaldua's Borderlands/La frontera

    Yvonne Yarbro-Bejarano, Yvonne Yarbro‐bejarano•ARTICLE•Cultural Critique•1994•Cited by: 12

  • The Female Subject in Chicano Theatre

    Yvonne Yarbro-Bejarano, Yvonne Yarbro‐bejarano•ARTICLE•Theatre Journal•1986•Cited by: 6

    The Chicano theatre movement can only be understood in relation to the larger political and cultural movement of which it was a part.' It was an oppositional theatre, an arm of the Chicano movement to resist cultural and economic domination. The term Chicano designates people of Mexican ancestry living in the United States.2 Since 1848, the historical experience of Chicanos has been one of economic exploitation, cultural domination, and social an…

  • The Female Subject in Chicano Theatre

    Yvonne Yarbro-Bejarano, Yvonne Yarbro‐bejarano•ARTICLE•Theatre Journal•1986•Cited by: 6

    The Chicano theatre movement can only be understood in relation to the larger political and cultural movement of which it was a part.' It was an oppositional theatre, an arm of the Chicano movement to resist cultural and economic domination. The term Chicano designates people of Mexican ancestry living in the United States.2 Since 1848, the historical experience of Chicanos has been one of economic exploitation, cultural domination, and social an…

  • Chicana Literature from a Chicana Feminist Perspective

    Yvonne Yarbro-Bejarano, Yvonne Yarbro‐bejarano•CHAPTER•Feminisms•1991

  • Chicana Literature from a Chicana Feminist Perspective

    Yvonne Yarbro-Bejarano, Yvonne Yarbro‐bejarano•CHAPTER•Feminisms•1991

  • Gloria Anzaldua's Borderlands/La frontera

    Yvonne Yarbro-Bejarano, Yvonne Yarbro‐bejarano•ARTICLE•Cultural Critique•1994•Cited by: 12

  • The Tradition of the Novela in Spain from Pedro Mexia (1540) to Lope de Vega's Novelas a Marcia Leonarda (1621, 1624)

    Shifra Armon, Yvonne Yarbro-Bejarano•ARTICLE•Modern Language Notes•1994

  • Sexuality and Chicana/O Studies

    Yvonne Yarbro-Bejarano, Yvonne Yarbro‐bejarano•ARTICLE•Cultural Studies•1999

    In this article I propose that we make the study of sexuality central to Chicana/o studies, using it to rethink the whole field rather than just ‘adding it in’, which would continue its current marginalization. In addition to examining the stakes of this type of theoretical expansion for gays and lesbians of colour, I examine the profound difficulties of expanding analytic categories in such a way as to give expression to the lived experience of …

  • The Wounded Heart

    Yvonne Yarbro-Bejarano, Yvonne Yarbro‐bejarano•BOOK•Wounded Heart•2001

    In her work as poet, essayist, editor, dramatist, and public intellectual, Chicana lesbian writer Cherríe Moraga has been extremely influential in current debates on culture and identity as an ongoing, open-ended process. Analyzing the "in-between" spaces in Moraga's writing where race, gender, class, and sexuality intermingle, this first book-length study of Moraga's work focuses on her writing of the body and related material practices of sex, …

  • Queer Storytelling and Temporality in Trace Elements of Random Tea Parties by Felicia Luna Lemus

    Yvonne Yarbro-Bejarano, Yvonne Yarbro‐bejarano•ARTICLE•Aztlán A Journal of Chicano Studies•2013

    The essay focuses on temporality in Lemus's novel, including the critique of generational logics that reinforce the hegemonic family's reproductive normativity. Following Sandra K. Soto, I read the novel "like a queer," shifting the focus from the character's racialized sexual identity to the vehicle for queer storytelling itself: the first-person narration. I argue that it is possible to discern in the very formal elements of Leticia's narration…

  • Crossing the border with chabela Vargas

    Yvonne Yarbro-Bejarano, Yvonne Yarbro‐bejarano•CHAPTER•Sex and Sexuality in Latin America•2020

Art (8 works) · Latin American and Latino Studies (8 works) · Gender Studies (6 works) · Sociology (6 works) · History (4 works) · Computer Science (3 works) · Narrative (3 works) · Philosophy (3 works) · Art history (2 works) · Asian American and Pacific Histories (2 works)

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