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June Schlueter

Biographic Data

ID1065496
NAMEJune Schlueter
GIVEN NAMESJune
FAMILY NAMESchlueter
SIGNATURESCHLUETER J
AFFILIATIONSLafayette College
VERIFIEDNo
TOTAL WORKS9
TOTAL CITATIONS2
WORKS AS AUTHOR9
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1980
LATEST PUBLICATION YEAR2016
H-INDEX1
  • Traces of Henry Wotton in continental Alba Amicorum

    Open Access•June Schlueter, Markus Dubischar•ARTICLE•Renaissance Studies•2016

    Surviving copies of alba amicorum , or friendship albums, a genre that flourished in Protestant regions of the Continent, contain details concerning the lives of their early modern owners and contributors. While the fashion of owning an album did not generally extend to England, Henry Wotton, an Englishman who spent much of his career on the Continent, was a frequent contributor to others's albums. This article examines ten of Wotton's holographi…

  • Rereading the Peacham Drawing

    June Schlueter•ARTICLE•Shakespeare Quarterly•1999

    Journal Article Rereading the Peacham Drawing Get access June Schlueter June Schlueter Search for other works by this author on: Oxford Academic Google Scholar Shakespeare Quarterly, Volume 50, Issue 2, Summer 1999, Pages 171–184, https://doi.org/10.2307/2902185 Published: 01 July 1999

  • Domestic Realism

    June Schlueter•ARTICLE•South Atlantic Review•1999

    There is no doubt that the American theatre has changed dramatically since the 1956 production of Samuel Beckett's Waitingfor Godot. Here was a form of theatre that challenged not only the optimistic vision of a country that still believed in causality, moral responsibility, and the American dream but also the artistic commitment of several generations of realistic playwrights. During that opening run of Godot, taxis queued outside the theatre at…

  • Women in Modern Drama

    June Schlueter, Gail Finney•ARTICLE•Theatre Journal•1992

  • Modern American Drama

    Jonnie G Guerra, June Schlueter et al.•ARTICLE•Theatre Journal•1992•Cited by: 1

  • Black Female Playwrights

    June Schlueter, Kathy A Perkins et al.•ARTICLE•Theatre Journal•1991

  • Conversations with Arthur Miller

    John Lutterbie, John H Lutterbie et al.•ARTICLE•Theatre Journal•1989•Cited by: 1

  • Canters and Chronicles; the Use of Narrative in the Plays of Samuel Beckett and Harold Pinter

    June Schlueter, Kristin Morrison•ARTICLE•Theatre Journal•1984

  • Metafictional Characters in Modern Drama

    Thomas P Adler, June Schlueter•ARTICLE•Theatre Journal•1980

  • Modern American Drama

    Jonnie G Guerra, June Schlueter et al.•ARTICLE•Theatre Journal•1992•Cited by: 1

  • Conversations with Arthur Miller

    John Lutterbie, John H Lutterbie et al.•ARTICLE•Theatre Journal•1989•Cited by: 1

  • Metafictional Characters in Modern Drama

    Thomas P Adler, June Schlueter•ARTICLE•Theatre Journal•1980

  • Canters and Chronicles; the Use of Narrative in the Plays of Samuel Beckett and Harold Pinter

    June Schlueter, Kristin Morrison•ARTICLE•Theatre Journal•1984

  • Conversations with Arthur Miller

    John Lutterbie, John H Lutterbie et al.•ARTICLE•Theatre Journal•1989•Cited by: 1

  • Black Female Playwrights

    June Schlueter, Kathy A Perkins et al.•ARTICLE•Theatre Journal•1991

  • Women in Modern Drama

    June Schlueter, Gail Finney•ARTICLE•Theatre Journal•1992

  • Modern American Drama

    Jonnie G Guerra, June Schlueter et al.•ARTICLE•Theatre Journal•1992•Cited by: 1

  • Rereading the Peacham Drawing

    June Schlueter•ARTICLE•Shakespeare Quarterly•1999

    Journal Article Rereading the Peacham Drawing Get access June Schlueter June Schlueter Search for other works by this author on: Oxford Academic Google Scholar Shakespeare Quarterly, Volume 50, Issue 2, Summer 1999, Pages 171–184, https://doi.org/10.2307/2902185 Published: 01 July 1999

  • Domestic Realism

    June Schlueter•ARTICLE•South Atlantic Review•1999

    There is no doubt that the American theatre has changed dramatically since the 1956 production of Samuel Beckett's Waitingfor Godot. Here was a form of theatre that challenged not only the optimistic vision of a country that still believed in causality, moral responsibility, and the American dream but also the artistic commitment of several generations of realistic playwrights. During that opening run of Godot, taxis queued outside the theatre at…

  • Traces of Henry Wotton in continental Alba Amicorum

    Open Access•June Schlueter, Markus Dubischar•ARTICLE•Renaissance Studies•2016

    Surviving copies of alba amicorum , or friendship albums, a genre that flourished in Protestant regions of the Continent, contain details concerning the lives of their early modern owners and contributors. While the fashion of owning an album did not generally extend to England, Henry Wotton, an Englishman who spent much of his career on the Continent, was a frequent contributor to others's albums. This article examines ten of Wotton's holographi…

Art (9 works) · Literature (6 works) · History (5 works) · Art history (4 works) · Cultural Studies and Interdisciplinary Research (4 works) · Drama (4 works) · Sociology (4 works) · History (3 works) · Theater, Performance, and Music History (3 works) · Theatre and Performance Studies (3 works)

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