Joseph Klett
Biographic Data
| ID | 106576 |
|---|---|
| NAME | Joseph Klett |
| GIVEN NAMES | Joseph |
| FAMILY NAME | Klett |
| SIGNATURE | KLETT J |
| AFFILIATIONS | University of California, Santa Cruz |
| VERIFIED | No |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 29 |
| AUTHOR COUNT | 6 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2009 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 3 |
School beyond stratification: Internal goods, alienation, and an expanded sociology of education
Sociologists of education often emphasize goods that result from a practice (external goods) rather than goods intrinsic to a practice (internal goods). The authors draw from John Dewey and Alasdair MacIntyre to describe how the same practice can be understood as producing 'skills' that center external goods or as producing habits (Dewey) or virtues (MacIntyre), both of which center internal goods. The authors situate these concepts within sociol…
Performing Civility: International Competitions in Classical Music
Music/City: American Festivals and Placemaking in Austin, Nashville, and Newport
The Meaning of Indeterminacy: Noise Music as Performance
In aesthetic terms, the category of 'sound' is often split in two: 'noise', which is chaotic, unfamiliar, and offensive; and 'music', which is harmonious, resonant, and divine. These opposing concepts are brought together in the phenomenon of Noise Music, but how do practitioners make sense of this apparent discordance? Analyses that treat recorded media as primary texts declare Noise Music to be a failure, as a genre without progress. These pain…
Sound on Sound: Situating Interaction in Sonic Object Settings
Sociologists have yet to theorize interactions with sonic materiality. In this article I introduce an analytical concept for the observation of interactions with sound. Sound has material effects in all situations. But the audibility of sonic objects is a relation of situated actors to material arrangements. Sonic object settings are dynamic material arrangements in which sonic qualities emerge for interpretation. The concept synthesizes research…
Theodor W. Adorno, Current of Music
Sound on Sound: Situating Interaction in Sonic Object Settings
Sociologists have yet to theorize interactions with sonic materiality. In this article I introduce an analytical concept for the observation of interactions with sound. Sound has material effects in all situations. But the audibility of sonic objects is a relation of situated actors to material arrangements. Sonic object settings are dynamic material arrangements in which sonic qualities emerge for interpretation. The concept synthesizes research…
The Meaning of Indeterminacy: Noise Music as Performance
In aesthetic terms, the category of 'sound' is often split in two: 'noise', which is chaotic, unfamiliar, and offensive; and 'music', which is harmonious, resonant, and divine. These opposing concepts are brought together in the phenomenon of Noise Music, but how do practitioners make sense of this apparent discordance? Analyses that treat recorded media as primary texts declare Noise Music to be a failure, as a genre without progress. These pain…
Performing Civility: International Competitions in Classical Music
School beyond stratification: Internal goods, alienation, and an expanded sociology of education
Sociologists of education often emphasize goods that result from a practice (external goods) rather than goods intrinsic to a practice (internal goods). The authors draw from John Dewey and Alasdair MacIntyre to describe how the same practice can be understood as producing 'skills' that center external goods or as producing habits (Dewey) or virtues (MacIntyre), both of which center internal goods. The authors situate these concepts within sociol…
Music/City: American Festivals and Placemaking in Austin, Nashville, and Newport
Theodor W. Adorno, Current of Music
The Meaning of Indeterminacy: Noise Music as Performance
In aesthetic terms, the category of 'sound' is often split in two: 'noise', which is chaotic, unfamiliar, and offensive; and 'music', which is harmonious, resonant, and divine. These opposing concepts are brought together in the phenomenon of Noise Music, but how do practitioners make sense of this apparent discordance? Analyses that treat recorded media as primary texts declare Noise Music to be a failure, as a genre without progress. These pain…
Sound on Sound: Situating Interaction in Sonic Object Settings
Sociologists have yet to theorize interactions with sonic materiality. In this article I introduce an analytical concept for the observation of interactions with sound. Sound has material effects in all situations. But the audibility of sonic objects is a relation of situated actors to material arrangements. Sonic object settings are dynamic material arrangements in which sonic qualities emerge for interpretation. The concept synthesizes research…
Performing Civility: International Competitions in Classical Music
Music/City: American Festivals and Placemaking in Austin, Nashville, and Newport
School beyond stratification: Internal goods, alienation, and an expanded sociology of education
Sociologists of education often emphasize goods that result from a practice (external goods) rather than goods intrinsic to a practice (internal goods). The authors draw from John Dewey and Alasdair MacIntyre to describe how the same practice can be understood as producing 'skills' that center external goods or as producing habits (Dewey) or virtues (MacIntyre), both of which center internal goods. The authors situate these concepts within sociol…
Art (3 works) · Music History and Culture (3 works) · Musicology and Musical Analysis (3 works) · Sociology (3 works) · Aesthetics (2 works) · Epistemology (2 works) · Law (2 works) · Music Technology and Sound Studies (2 works) · Political science (2 works) · Social science (2 works)