Joanne Eicher
Biographic Data
| ID | 106581 |
|---|---|
| NAME | Joanne Eicher |
| GIVEN NAMES | Joanne |
| FAMILY NAME | Eicher |
| SIGNATURE | EICHER J |
| AFFILIATIONS | University of Minnesota |
| VERIFIED | No |
| TOTAL WORKS | 24 |
| TOTAL CITATIONS | 65 |
| AUTHOR COUNT | 24 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1966 |
| LATEST PUBLICATION YEAR | 2020 |
| H-INDEX | 4 |
Dress, the Senses, and Public, Private, and Secret Selves 1
Dress, the Senses, and Public, Private, and Secret Selves focuses on the senses related to dressing the self, taking into account not only the visual aspects of dress, but the other four senses: touch, sound, scent, and taste. The article connects the senses of dress to the idea of dress for the public, private, and secret selves, providing cross-cultural examples, and concludes by relating the senses of dress to the three selves. By relating all…
Exchanging Clothes: Habits of Being 2 edited by Cristina Giorcelli and Paula Rabinowitz
(2013). Exchanging Clothes: Habits of Being 2 edited by Cristina Giorcelli and Paula Rabinowitz. Fashion Practice: Vol. 5, Fashion Branding, pp. 265-270
Unexpected Luxury: Wild Silk Textile Production among the Yoruba of Nigeria
Mulberry silk produced in China is the type most recognized and used in silk garments. There are at least seven additional silk fiber sources. The Yoruba are a large ethnic group in Nigeria who use native silk that they call sányán from the Anaphe moth as one of their most prized fiber resources. Throughout colonial and post-colonial history, both Nigerians and others investigated methods for domesticating wild silk production. Yoruba strip cloth…
Tonye Victor Erekosima October 23, 1940–August 1, 2008
June 01 2009 Tonye Victor Erekosima October 23, 1940–August 1, 2008 Joanne B. Eicher, Joanne B. Eicher Search for other works by this author on: This Site Google Scholar Dagogo Erekosima Dagogo Erekosima Joanne B. Eicher is Regents Professor Emerita, Department of Design, Housing, and Apparel, University of Minnesota, and editor-in-chief of the forthcoming Berg Encyclopedia of World Dress and Fashion, to be published in 2010. [email protected] Sear…
Africa: Dress
Africa: Body arts
The Art of African Fashion by Prince Claus Fund
(2001). The Art of African Fashion by Prince Claus Fund. Fashion Theory: Vol. 5, No. 1, pp. 103-107
The cultural significance of dress and textiles
Renne, Elisha P. Cloth that Does not Die: The Meaning of Cloth in Bunu Social Life. Seattle: University of Washington Press, 1995. xxi + 269 pp. including appendix, notes, glossary, bibliography, and index. $40.00 cloth. Hendrickson, Carol. Weaving Identities: Construction of Dress and Self in a Highland Guatemala Town. Austin: University of Texas Press, 1993. xiv + 295 pp. including notes, bibliography, and index. $35.00 cloth, $15.95 paper. Sch…
Dressing and preening the body
Dalby, Liza. Kimono: Fashioning Culture. New Haven, CT: Yale University Press, 1993. xi + 384 pp. including notes, bibliography, and index. $30.00 cloth, $17.95 paper. Kawakami, Barbara F. Japanese Immigrant Clothing in Hawaii, 1885–1941. Honolulu: University of Hawaii Press, 1993. xvii + 253 pp. including notes, glossary, sources, and index. $19.95 paper. Rubinstein, Ruth P. Dress Code: Meanings and Messages in American Culture. Boulder, CO: Wes…
Beads and Bead Makers: Gender, Material Culture and Meaning
Contents: Lidia D. Sciama, Introduction -- Helen Hughes-Brock, Greek Beads of the Mycenean Period (ca. 1650 - 1100 B.C.): The Age of the Heroines of Mythology -- Elena Kingdon, Ornament and Belief -- Margret Carey, Beads and Beadwork in African Societies -- Ann O'Hear, Women and Men in the Production and Uses of Lantana Beads -- Francesca Trivellato, Women at Work: Venetian Glass Beads in the International Markets. An Historical Perspective -- Pe…
Bronfenbrenner's Ecological Systems Model and the Use of Imported Madras Cloth Among the Kalabari
The father of a Kalabari newborn child in Nigeria ceremoniously delivers a piece of Indian madras cloth to the mother of the child to carry it. This personal emblem of entry into society also marks the individual's departurefrom life when family mourners dress the corpse for burial. We assess the significance of Kalabari involvement with a material culture item, Indian madras cloth, by placing it in the context of an ecological systems model firs…
Usi delle perle in una societa africana: I Kalabari della Nigeria Una societa locale o globalizzata
Joanne Eicher, Lidia D. Sciama, Usi delle perle in una società africana: i Kalabari della Nigeria Una società locale o globalizzata?, La Ricerca Folklorica, No. 34, La vita sociale delle perle. Produzione materiale, usi simbolici e ruoli sessuali: da Murano all'Africa e al Borneo (Oct., 1996), pp. 35-42
Mongol Costumes
Mongol Costumes, Henny Harald Hansen. The Carlsberg Foundation's Nomad Research Project. Ida Nicolaisen, editor‐in‐chief. London and New York: London and New York: Thames and Hudson and Copenhagen: Rhodos International Science and Art Publishers, 1993. 283 pp. 203 color and b/w illustrations; map; notes; bibliography. $5000 (cloth
Dress and Ethnicity
Dress and Identity
Development of a theoretical framework for understanding linkages between identity and dress depends on careful selection and definition of terms and development of a broad, holistic view of Social Aspects of Dress. A comprehensive definition of dress includes both body modifications and supplements to the body. Properties of these modifications and supplements can be cross-classified with sensory responses they evoke. Because dress functions as …
Kalabari Funerals: Celebration and Display
African Dress II: A Select and Annotated Bibliography
Male and Female Artistry in Kalabari Dress
The distinctive aesthetic of the Kalabari people derives from the geographic, historical, and social conditions of the Niger delta, where they have held a strategic position in trade since the 1400s (Jones 1963). Situated near the coast of southeastern Nigeria, the Kalabari acted as intermediaries between hinterland communities and the larger world. East-west routes that were well established prior to the influx of Europeans in the sixteenth cent…
Kalabari Cut-Thread and Pulled-Thread Cloth
ments, including Abonnema, Bakana, Sangama, Teinma, Tombia, Soku, and Degema. This paper will describe a particular imported cloth with openwork designs worn by the Kalabari people, analyze its use, and expand on the concept of cultural authentication as it applies to this openwork textile.1 Imported lightweight gingham and madras cotton cloths, commonly called George in many parts of southern Nigeria and injiri by the Kalabari, are highly esteem…
Textiles of Africa
A human ecological approach to quality of life: Conceptual framework and results of a preliminary study
Nigerian Handcrafted Textiles
Dress, Adornment and the Social Order
Dress, Adornment, and the Social Order
A human ecological approach to quality of life: Conceptual framework and results of a preliminary study
Dress, Adornment, and the Social Order
Dress, Adornment and the Social Order
Kalabari Cut-Thread and Pulled-Thread Cloth
ments, including Abonnema, Bakana, Sangama, Teinma, Tombia, Soku, and Degema. This paper will describe a particular imported cloth with openwork designs worn by the Kalabari people, analyze its use, and expand on the concept of cultural authentication as it applies to this openwork textile.1 Imported lightweight gingham and madras cotton cloths, commonly called George in many parts of southern Nigeria and injiri by the Kalabari, are highly esteem…
Kalabari Funerals: Celebration and Display
Male and Female Artistry in Kalabari Dress
The distinctive aesthetic of the Kalabari people derives from the geographic, historical, and social conditions of the Niger delta, where they have held a strategic position in trade since the 1400s (Jones 1963). Situated near the coast of southeastern Nigeria, the Kalabari acted as intermediaries between hinterland communities and the larger world. East-west routes that were well established prior to the influx of Europeans in the sixteenth cent…
Dress, the Senses, and Public, Private, and Secret Selves 1
Dress, the Senses, and Public, Private, and Secret Selves focuses on the senses related to dressing the self, taking into account not only the visual aspects of dress, but the other four senses: touch, sound, scent, and taste. The article connects the senses of dress to the idea of dress for the public, private, and secret selves, providing cross-cultural examples, and concludes by relating the senses of dress to the three selves. By relating all…
Tonye Victor Erekosima October 23, 1940–August 1, 2008
June 01 2009 Tonye Victor Erekosima October 23, 1940–August 1, 2008 Joanne B. Eicher, Joanne B. Eicher Search for other works by this author on: This Site Google Scholar Dagogo Erekosima Dagogo Erekosima Joanne B. Eicher is Regents Professor Emerita, Department of Design, Housing, and Apparel, University of Minnesota, and editor-in-chief of the forthcoming Berg Encyclopedia of World Dress and Fashion, to be published in 2010. [email protected] Sear…
Dress and Ethnicity
Dress, Adornment and the Social Order
Dress, Adornment, and the Social Order
Nigerian Handcrafted Textiles
A human ecological approach to quality of life: Conceptual framework and results of a preliminary study
Kalabari Cut-Thread and Pulled-Thread Cloth
ments, including Abonnema, Bakana, Sangama, Teinma, Tombia, Soku, and Degema. This paper will describe a particular imported cloth with openwork designs worn by the Kalabari people, analyze its use, and expand on the concept of cultural authentication as it applies to this openwork textile.1 Imported lightweight gingham and madras cotton cloths, commonly called George in many parts of southern Nigeria and injiri by the Kalabari, are highly esteem…
Textiles of Africa
African Dress II: A Select and Annotated Bibliography
Male and Female Artistry in Kalabari Dress
The distinctive aesthetic of the Kalabari people derives from the geographic, historical, and social conditions of the Niger delta, where they have held a strategic position in trade since the 1400s (Jones 1963). Situated near the coast of southeastern Nigeria, the Kalabari acted as intermediaries between hinterland communities and the larger world. East-west routes that were well established prior to the influx of Europeans in the sixteenth cent…
Kalabari Funerals: Celebration and Display
Dress and Identity
Development of a theoretical framework for understanding linkages between identity and dress depends on careful selection and definition of terms and development of a broad, holistic view of Social Aspects of Dress. A comprehensive definition of dress includes both body modifications and supplements to the body. Properties of these modifications and supplements can be cross-classified with sensory responses they evoke. Because dress functions as …
Dress and Ethnicity
Usi delle perle in una societa africana: I Kalabari della Nigeria Una societa locale o globalizzata
Joanne Eicher, Lidia D. Sciama, Usi delle perle in una società africana: i Kalabari della Nigeria Una società locale o globalizzata?, La Ricerca Folklorica, No. 34, La vita sociale delle perle. Produzione materiale, usi simbolici e ruoli sessuali: da Murano all'Africa e al Borneo (Oct., 1996), pp. 35-42
Mongol Costumes
Mongol Costumes, Henny Harald Hansen. The Carlsberg Foundation's Nomad Research Project. Ida Nicolaisen, editor‐in‐chief. London and New York: London and New York: Thames and Hudson and Copenhagen: Rhodos International Science and Art Publishers, 1993. 283 pp. 203 color and b/w illustrations; map; notes; bibliography. $5000 (cloth
Bronfenbrenner's Ecological Systems Model and the Use of Imported Madras Cloth Among the Kalabari
The father of a Kalabari newborn child in Nigeria ceremoniously delivers a piece of Indian madras cloth to the mother of the child to carry it. This personal emblem of entry into society also marks the individual's departurefrom life when family mourners dress the corpse for burial. We assess the significance of Kalabari involvement with a material culture item, Indian madras cloth, by placing it in the context of an ecological systems model firs…
Beads and Bead Makers: Gender, Material Culture and Meaning
Contents: Lidia D. Sciama, Introduction -- Helen Hughes-Brock, Greek Beads of the Mycenean Period (ca. 1650 - 1100 B.C.): The Age of the Heroines of Mythology -- Elena Kingdon, Ornament and Belief -- Margret Carey, Beads and Beadwork in African Societies -- Ann O'Hear, Women and Men in the Production and Uses of Lantana Beads -- Francesca Trivellato, Women at Work: Venetian Glass Beads in the International Markets. An Historical Perspective -- Pe…
The Art of African Fashion by Prince Claus Fund
(2001). The Art of African Fashion by Prince Claus Fund. Fashion Theory: Vol. 5, No. 1, pp. 103-107
The cultural significance of dress and textiles
Renne, Elisha P. Cloth that Does not Die: The Meaning of Cloth in Bunu Social Life. Seattle: University of Washington Press, 1995. xxi + 269 pp. including appendix, notes, glossary, bibliography, and index. $40.00 cloth. Hendrickson, Carol. Weaving Identities: Construction of Dress and Self in a Highland Guatemala Town. Austin: University of Texas Press, 1993. xiv + 295 pp. including notes, bibliography, and index. $35.00 cloth, $15.95 paper. Sch…
Dressing and preening the body
Dalby, Liza. Kimono: Fashioning Culture. New Haven, CT: Yale University Press, 1993. xi + 384 pp. including notes, bibliography, and index. $30.00 cloth, $17.95 paper. Kawakami, Barbara F. Japanese Immigrant Clothing in Hawaii, 1885–1941. Honolulu: University of Hawaii Press, 1993. xvii + 253 pp. including notes, glossary, sources, and index. $19.95 paper. Rubinstein, Ruth P. Dress Code: Meanings and Messages in American Culture. Boulder, CO: Wes…
Africa: Dress
Africa: Body arts
Unexpected Luxury: Wild Silk Textile Production among the Yoruba of Nigeria
Mulberry silk produced in China is the type most recognized and used in silk garments. There are at least seven additional silk fiber sources. The Yoruba are a large ethnic group in Nigeria who use native silk that they call sányán from the Anaphe moth as one of their most prized fiber resources. Throughout colonial and post-colonial history, both Nigerians and others investigated methods for domesticating wild silk production. Yoruba strip cloth…
Tonye Victor Erekosima October 23, 1940–August 1, 2008
June 01 2009 Tonye Victor Erekosima October 23, 1940–August 1, 2008 Joanne B. Eicher, Joanne B. Eicher Search for other works by this author on: This Site Google Scholar Dagogo Erekosima Dagogo Erekosima Joanne B. Eicher is Regents Professor Emerita, Department of Design, Housing, and Apparel, University of Minnesota, and editor-in-chief of the forthcoming Berg Encyclopedia of World Dress and Fashion, to be published in 2010. [email protected] Sear…
Exchanging Clothes: Habits of Being 2 edited by Cristina Giorcelli and Paula Rabinowitz
(2013). Exchanging Clothes: Habits of Being 2 edited by Cristina Giorcelli and Paula Rabinowitz. Fashion Practice: Vol. 5, Fashion Branding, pp. 265-270
Dress, the Senses, and Public, Private, and Secret Selves 1
Dress, the Senses, and Public, Private, and Secret Selves focuses on the senses related to dressing the self, taking into account not only the visual aspects of dress, but the other four senses: touch, sound, scent, and taste. The article connects the senses of dress to the idea of dress for the public, private, and secret selves, providing cross-cultural examples, and concludes by relating the senses of dress to the three selves. By relating all…
Art (18 works) · Fashion and Cultural Textiles (17 works) · Sociology (10 works) · Visual arts (7 works) · Archaeology (6 works) · Art history (6 works) · History (6 works) · Crafts, Textile, and Design (5 works) · Geography (5 works) · Political science (5 works)